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Jean Wahl (1888-1974), once considered by the likes of Georges Bataille, Gilles Deleuze, Emmanuel Levinas, and Gabriel Marcel to be among the greatest French philosophers, has today nearly been forgotten outside France. Yet his influence on French philosophical thought can hardly be overestimated. Levinas wrote that "during over a half century of teaching and research, [Wahl] was the life force of the academic, extra-academic, and even, to a degree anti-academic philosophy necessary to a great culture." And Deleuze, for his part, commented that "Apart from Sartre, who remained caught none the less in the trap of the verb to be, the most important philosopher in France was Jean Wahl." Besides engaging with the likes of Bataille, Bergson, Deleuze, Derrida, Levinas, Maritain, and Sartre, Wahl also played a significant role, in some cases almost singlehandedly, in introducing French philosophy to movements like existentialism, and American pragmatism and literature, and thinkers like Hegel, Kierkegaard, Nietzsche, Jaspers, and Heidegger. Yet Wahl was also an original philosopher and poet in his own right. This volume of selections from Wahl's philosophical writings makes a selection of his most important work available to the English-speaking philosophical community for the first time. Jean Wahl was Professor of Philosophy at the Sorbonne from 1936 to 1967, save during World War II, which he spent in the United States, having escaped from the Drancy internment camp. His books to appear in English include The Pluralist Philosophies of England and America (Open Court, 1925), The Philosopher's Way (Oxford UP, 1948), A Short History of Existentialism (Philosophical Library, 1949), and Philosophies of Existence (Schocken, 1969).
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Philosophy, French --- -French philosophy --- -Philosophy, French
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Philosophy, French --- -French philosophy --- -Philosophy, French --- Philosophy [French ] --- 20th century
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The Image in French Philosophy challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a revival of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image. Insofar as the image was part of the discourse of subjectivity/representation, getting rid of the subject involved smuggling the concept of the image out of the discourse of subjectivity/representation into a newly revived and ethically flavored metaphysical discourse—a metaphysics of immanence, which was more interested in consciousness rather than subjectivity, in the inhuman rather than the human, in the virtual rather than the real, in Time rather than temporalization, in Memory rather than memory-images, in Imagination rather than images, in sum, in impersonal forces, de-personalizing experiences, states of dis-embodiment characterized by the breaking down of sensory-motor schemata (Bergson’s pure memory, Sartre’s image-consciousness, Deleuze’s time-image) or, more generally, in that which remains beyond representation id est beyond subjectivity (Lyotard’s sublime, Baudrillard’s fatal object). The book would be of interest to scholars and students of philosophy, aesthetics, and film theory.
Philosophy, French. --- French philosophy --- Philosophy. --- Mental philosophy --- Humanities
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An original and insightful account of nature and our place in it from one of France's preeminent historians of philosophy.
Philosophy, French. --- French philosophy --- Conche, Marcel. --- Philosophy, French
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A revised, expanded and fully up-to-date critical introduction to Deleuze's most important work of philosophy. This second edition of Williams' classic text includes significant new material on the idea of intensity, Deleuze and science and questions of action after Difference and Repetition, all of which feed into current debates around Deleuzian practice in politics and ethics. He also engages with the recent foremost interpretations of Deleuze by Bryant, Sauvagnargues, Smith, Somers-Hall and de Beistegui which will help guide you through the key debates and oppositions. A final critical sec
Philosophy, French --- French philosophy --- History and criticism. --- Deleuze, Gilles,
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Philosophy, French --- Philosophy. --- Foucault, Michel, --- French philosophy - 20th century - Criticism.
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"In 1979, from the basement of a London squat, the Raincoats reinvented what punk could be. They had a violin player. They came from Portugal, Spain, and England. Their anarchy was poetic. Working with the iconic Rough Trade Records at its radical beginnings, they were the first group of punk women to actively call themselves feminists. In this short book ? the first on the Raincoats ? author Jenn Pelly tells the story of the group's audacious debut album, which Kurt Cobain once called ?wonderfully classic scripture.? Pelly builds on rare archival materials and extensive interviews with members of the Raincoats, Sleater-Kinney, Bikini Kill, Hole, Scritti Politti, Gang of Four, and more. She draws formal inspiration from the collage-like The Raincoats itself to explore this album's magic, vulnerability, and strength."--
French philosophy --- Mind and body. --- Maine de Biran, Pierre,
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Philosophy of science --- Baudrillard, Jean --- Philosophy, French --- -French philosophy --- -Baudrillard, Jean
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