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From Site to Sight, Thirtieth Anniversary Edition is a facsimile reprint with expanded content of one of the first publications devoted to the long and creative intersection of anthropology and photography. In the catalogue of a groundbreaking 1986 exhibition the authors focus on materials from the vast holdings of the Photographic Archives at Harvard University's Peabody Museum of Archaeology and Ethnology, from daguerreotypes to satellite images. The original text is a wide-ranging investigation into how anthropologists have used the camera as a recording, analytic, and aesthetic medium, and it explores the broader implications of the uses--and misuses--of visual imagery within the human sciences. Ira Jacknis's comprehensive review of this foundational text in the field of visual anthropology traces the volume's influence on subsequent literature and developments in the field. An important contribution to the literature on the relationship between still photography and the discipline of anthropology, Jacknis's in-depth introductory essay serves to update and reintroduce Banta and Hinsley's work to a new generation of students and scholars. With fresh relevance in this age of ubiquitous visual media, From Site to Sight demonstrates the enduring value of the archive and informs readers about the ways in which the photographic image reflects changing perceptions of anthropologists toward their subjects.--

Photographie --- Histoire de la photographie --- Anthropologie

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The Thames & Hudson Dictionary of Photography is a landmark publication that encompasses the history, art, and science of photography in a single volume. At a time when information is instantly accessible on the Internet but is often unreliable or uncited, this ambitious project both reasserts the veracity, reliability, and accuracy of scholarly research in reference publishing and offers an immersive, usable, beautifully designed reading experience. Compiled under the editorial guidance of curator, writer, and art historian Nathalie Herschdorfer, and in consultation with an international panel of 150 experts, this volume is based on entirely new scholarship by seventy-nine researchers from sixteen countries. Over 1,200 concise yet fully detailed entries describe all aspects of the subject, including photographers, images, agencies, genres, movements, exhibitions, publications, collectors, techniques, and processes.

Fotografen --- Photographie --- Histoire de la photographie --- Fotograaf --- Photography --- Photographies

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Histoire de la photographie --- Photographie --- Photographie de reportage --- Curtis, Edward S.

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Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary, the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth? The Contest of Meaning summarizes the challenges to traditional photographic history that have developed in the last decade out of a consciously political critique of photographic production. Contributions by a wide range of important Americans critics reexamine the complex—and often contradictory—roles of photography within society. Douglas Crimp, Christopher Phillips, Benjamin Buchloh, and Abigail Solomon Godeau examine the gradually developed exclusivity of art photography and describe the politics of canon formation throughout modernism. Catherine Lord, Deborah Bright, Sally Stein, and Jan Zita Grover examine the ways in which the female is configured as a subject, and explain how sexual difference is constructed across various registers of photographic representation. Carol Squiers, Esther Parada, and Richard Bolton clarify the ways in which photography serves as a form of mass communication, demonstrating in particular how photographic production is affected by the interests of the powerful patrons of communications. The three concluding essays, by Rosalind Krauss, Martha Rosler, and Allan Sekula, critically examine the concept of photographic truth by exploring the intentions informing various uses of "objective" images within society.

Analyse de l'art --- Histoire de la photographie --- Photographie --- Photography, Artistic --- Fotografie ; essays --- Fotografie en politiek --- Krauss, Rosalind --- Sekula, Allan 1951-2013 (°Erie, Pennsylvania, Verenigde Staten) --- Fotografie ; filosofie --- 77.01 --- Fotografie ; theorie, filosofie, esthetica

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In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay's leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.

Photography --- Palestinian Arabs --- Photographie --- Histoire de la photographie --- Photographie de reportage --- Art et politique --- Art militant --- Social aspects --- Philosophy --- Public opinion --- Palestine --- 77.03 --- 77.044 --- fotografie --- fotografietheorie --- reportagefotografie --- documentaire fotografie --- Israël --- Palestina --- 77.01 --- Arab Palestinians --- Arabs --- Arabs in Palestine --- Palestinians --- Ethnology --- Documentaire fotografie --- Nieuwsfotografie. Reportage --- Social aspects. --- Philosophy. --- Public opinion. --- 77.044 Nieuwsfotografie. Reportage --- 77.03 Documentaire fotografie --- Photography - Social aspects --- Photography - Philosophy --- Palestinian Arabs - Israel - Pictorial works --- Palestinian Arabs - Israel - Public opinion