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Book
Gods of earth and heaven
Authors: --- ---
ISBN: 0942642392 Year: 1994 Publisher: Santa Fe Twelvetrees Press

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Joel-Peter Witkin
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ISBN: 0714840564 Year: 2001 Publisher: London Phaidon


Book
Extending the perimeters of twentieth-century photography
Authors: ---
Year: 1985 Publisher: San Francisco, Calif. San Francisco Museum of Modern Art


Book
Alexander McQueen
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ISBN: 9781851778270 9781851778591 1851778276 Year: 2015 Publisher: London Victoria & Albert Museum

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This definitive publication on Alexander McQueen (1969 - 2010) invites you into the creative mind and world of one of Britain's most brilliant, daring and provocative designers, and the many themes and references that shaped his visionary fashion collections. Accompanying the V & A's landmark exhibition 'Alexander McQueen: Savage Beauty', and taking the key themes of the exhibition of tailoring, gothic, primitivism, naturalism and futurism, this comprehensive catalogue features previously unseen material as well as groundbreaking essays and feature spreads by multiple authors and leading fashion commentators. This kaleidoscopic approach explores themes central to the designer's work and his collections, such as the psychology of fashion, natural history, the theatre and spectacle of his shows, and the key creative collaborators during McQueen's lifetime. 'Alexander McQueen' also offers an encyclopaedic survey of McQueen's catwalk collections, illustrated with striking images by leading fashion photographers, and specially commissioned photographs that capture the breath-taking skill of his designs and awesome theatricality of his shows.

Vile bodies : photography and the crisis of looking
Author:
ISBN: 379131940X Year: 1998 Publisher: Munich Prestel


Book
Eretica: The Transcendent and the Profane in Contemporary Art

Extreme Bodies : The Use and Abuse of the Body in Art
Author:
ISBN: 8884913799 Year: 2003 Publisher: Milano Skira

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Keywords

video art --- Film --- religions [belief systems, cultures] --- mixed media --- photography [process] --- mutilation --- Iconography --- Art --- performance art --- violence --- installations [visual works] --- art history --- Homo sapiens [species] --- nudes [representations] --- suffering --- pain [sensation] --- psychology --- eroticism --- Philosophical anthropology --- anno 2000-2009 --- anno 1980-1989 --- anno 1970-1979 --- anno 1990-1999 --- Francesca Alfano Miglietti (FAM) --- kunst --- schilderkunst --- fotografie --- beeldhouwkunst --- video --- videokunst --- installaties --- performances --- twintigste eeuw --- lichamelijkheid --- naakt --- iconografie --- dood --- kunst en religie --- gender studies --- vrouwen --- kunst en technologie --- cybercultuur --- robots --- virtual reality --- hyperrealisme --- body art --- erotiek --- seksualiteit --- Athey Ron --- Franko B --- Abramovic Marina --- Anderson Laurie --- Andelic Igor --- Artaud Antonin --- Baudrillard Jean --- Bourgeois Louise --- Critical Art Ensemble --- De Andrea John --- Deleuze Gilles --- Dick Philip K. --- Eyre Janieta --- Foucault Michel --- Gober Robert --- Hanson Duane --- Moffatt Tracey --- Molinier Pierre --- Orlan --- Pane Gina --- Schwarzkogler Rudolf --- Serrano Andres --- Sprinkle Annie --- Stelarc --- Warhol Andy --- Witkin Joel-Peter --- 7.041 --- 7.036 --- alienation --- Art, Modern --- Human beings in art --- Dick Philip K --- Humans in art --- Modern art --- Nieuwe Ploeg (Group of artists) --- human figures [visual works] --- lichaam (van de mens) --- automutilatie (kunst) --- kunstpsychologie --- masochisme (kunst) --- transformatie (kunst)

The photography of invention : American pictures of the 1980s, National Museum of American Art, Smithsonian Institution, Washington, D.C.
Authors: ---
ISBN: 0262283956 0585108501 9780585108506 0262192802 9780262283953 Year: 1989 Publisher: Cambridge, Mass. : MIT Press,

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Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. &#13;&#13;"Perhaps in the future," Man Ray suggested to Duchamp, "photography would replace all art." The Photography of Invention hints at that future by documenting a decade of startling new work in American photography: work that challenges the accepted hierarchy of the arts and, arguably, establishes photography as the equal of the other arts. Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. The selection of nontraditional pictures includes works by some of the decade's most interesting experimenters—Cindy Sherman, Sherrie Levine, Richard Prince, Barbara Kruger, William Christenberry, Louise Lawler, Stefan Roloff, and others who create or manipulate the subject photographed. Photography has traditionally been used to capture experience and create images; these works, however, examine preexisting images or image styles that dominate our culture. As Joshua Smith points out "mass media and popular culture advertising, fashion movies, television, video, and other electronic media have made the world photographic, become the common language, and shaped a generation's visual and critical viewpoint." Rather than commenting on or representing life, photography is now an independent art form that has expanded the creative vocabulary of contemporary artists. These "made" pictures encompass a variety of styles and techniques: the artists may fabricate or arrange the subject matter for the camera; invent or subvert traditional styles; present themselves in fictive roles invoking allegory or myth, fantasy and illusion; reassemble existing art objects in new contexts; make the psychic appear real and the real hyperreal. Many pictures are made in the usual optical/chemical manner, creating a tension between the obviously manipulated subject and the inherent "truth" of the photographic print; while others are made by the unconventional use of equipment, processes, and materials that intentionally deny the perfect print There are photograms, photocollages, light drawings, chemical images, marked or painted on negatives, photosilkscreens and photolithographs, and new high tech computer-generated imagery.

Keywords

Photography, Artistic --- Stillman Steel --- Syrop Mitchell --- Thorne-Thomsen Ruth --- Tracey Andrée --- twintigste eeuw --- Verenigde staten --- Wasow Oliver --- Watts Todd --- Weiss Jeff --- Winokur Neil --- Witkin Joel-Peter --- Wodiczko Krzysztof --- Wood Brian --- 77.038 --- Adams Dennis --- Akin Gwen --- Augeri Lynne --- Barney Tina --- Bell Dianne --- Berman Zeke --- Bernard Cindy --- Brooks Ellen --- Bryant Elizabeth --- Bunn David --- Burson Nancy --- Callis Jo Ann --- Carey Ellen --- Carlson Lance --- Casebere James --- Charlesworth Bruce --- Charlesworth Sarah --- Chong Albert --- Christenberry William --- Clegg & Guttmann --- Coleman Judy --- Coplans John --- Cowin eileen --- Cypis Dorit --- De Sana James --- Divola John --- Dunning Jeanne --- Essay by Joshua P.Smith ; Intr. by Merry A. Foresta --- Ess Barbara --- Evergon --- Farrell John W --- fotografie --- Frailey Stephen --- Fuss Adam --- Galgiani Philip --- Gerlovina Rimma --- Goldring Nancy --- Gonzalez Maria --- Haber Sandra --- Hayden Jacqueline --- Hellebrand Nancy --- Jaar Alfredo --- Johnson Larry --- Kasten Barbara --- Kolbowski Sylvia --- Kruger Barbara --- Laster Paul --- Lawler Louise --- Leatherdale Marcus --- Legrady George --- Lemieux Annette --- Levine Sherrie --- Levinthal David --- Ludwig Allan --- Majore Frank --- Maul Tim --- McCollum Allan --- Nagatani Patrick --- Neidich Warren --- Novak Lorrie --- Perlman Hirsch --- Perna Luciano --- Potter Tina --- Prince Richard --- Rankaitis Susan --- Robbins David --- Rodan Ron --- Rodriguez Geno --- Roloff Stefan --- Rowland Anne --- Rubenstein Meridel --- Salinger Adrienne --- Sandrow Hope --- Schlesinger John --- Schrager Victor --- Schwartz Elliot --- Serrano Andres --- Sherman Cindy --- Simmons Laurie --- Skoglund Sandy --- Stark Sandra --- Starn Doug --- Starn Mike --- Exhibitions --- Photography --- photographers --- Smithsonian Institution [Washington, D.C.] --- anno 1980-1989 --- United States --- artistieke fotografie --- United States of America

Male bodies : a photographic history of the nude.
Author:
ISBN: 3791330543 Year: 2004 Publisher: Munich Prestel

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Fonds Suzan Daniel (FSD)

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