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Louis XIV and his court at Versailles had a profound influence on music in France and throughout Europe. In 1660 Louis visited Aix-en-Provence, a trip that resulted in political and cultural transformations throughout the region. Soon thereafter Aix became an important center of sacred music composition, eventually rivaling Paris for the quality of the composers it produced. John Hajdu Heyer documents the young king's visit and examines how he and his court deployed sacred music to enhance the royal image and secure the loyalty of the populace. Exploring the circle of composers at Aix, Heyer provides the most up-to-date and complete biographies in English of nine key figures, including Guillaume Poitevin, André Campra, Jean Gilles, François Estienne, and Antoine Blanchard. The book goes on to reveal how the history of political power in the region was reflected through church music, and how musicians were affected by contemporary events.
Music --- anno 1600-1699 --- anno 1700-1799 --- France --- Church music --- Composers --- Songwriters --- Musicians --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- History --- History and criticism. --- History and criticism --- Religious aspects --- Christianity --- Louis --- Lodewijk --- le Roi-Soleil --- Louis le Grand --- de Zonnekoning
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Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson examines plainchant and polyphonic music for Saint Anne, in sources both familiar and previously unstudied, to illuminate not only Anne's wide-ranging intercessional capabilities but also the political force of the music devoted to her. Whether viewed as a fertility aide, wise mother, or dynastic protector, she modelled a number of valuable roles that rulers reflected in the music of their devotional programmes to project their noble lineage and prestige.
Music --- Anne [s.] --- anno 1500-1599 --- Motets --- Masses --- Sacred vocal music --- Church music --- Messes --- Musique vocale sacrée --- Musique d'église --- History and criticism --- Catholic Church --- Histoire et critique --- Eglise catholique --- Anne --- Musique vocale sacrée --- Musique d'église --- Catholic Church. --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Choruses --- Part songs --- Part songs, Sacred --- Masses (Mixed voices) --- Communion service music --- Religious music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Religious aspects --- Christianity --- Ana --- Ann --- Anna --- Anne, --- Songs and music --- History and criticism. --- (Mother of the Virgin Mary)
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This book provides a collection of some 400 passages on music from early Christian literature - New Testament to c. 450 AD - newly translated from the original Greek, Latin, and Syriac. As there are no musical sources of the period, music historians must rely upon remarks about music in literary sources to gain some knowledge of early Christian liturgical music. This volume makes a large and representative collection of the material conveniently available. The passages are arranged chronologically and regionally in eleven chapters with brief commentary. An introduction sets out the major subjects and themes of the original source material.
Music --- Patrology --- Muziek en literatuur --- -Music and literature --- -Literature and music --- -Religieuze muziek --- -246.8 --- -246.8 Religieuze muziek --- Church music --- Music and literature --- 246.8 --- 246.8 Religieuze muziek --- Religieuze muziek --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Literature and music --- Literature --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Sources --- History --- Philosophy and aesthetics --- History and criticism --- Religious aspects --- Christianity --- Musique d'église --- Musique et littérature --- Musique --- Philosophie et esthétique --- To 500 --- 78.90 --- Sources. --- Philosophy and aesthetics.
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In the "priestly paradise" of medieval Liège, sacred music became a pervasive and versatile medium by which the clergy promoted the holy status of their city. While this hotbed of female piety and Eucharistic devotion is recognized as a center of liturgical innovation and clerical writing, the symbiosis of saintly and civic ideals voiced in locally composed plainchant and polyphony has remained overlooked. The key to unlocking the civic meaning of this music lies in the saints' legends and bishops' deeds from which it emerged and in the rituals and performance spaces in which it was heard. In 'A Paradise of Priests', Catherine Saucier forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies to demonstrate how 'liégeois' clerics constructed a civic sacred identity through sung rituals in conjunction with hagiographic writing and relic display. Focusing on the veneration and influence of five bishops active between the seventh and sixteenth centuries, Saucier explains how the performance of sacred music accrued new meanings at moments of signal importance in the life of the city. 'A Paradise of Priests' is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. Catherine Saucier is Assistant Professor of Music History at Arizona State University.
Church music --- Christian saints --- Musique d'église --- Saints chrétiens --- Cult --- Culte --- -27 <493 LIEGE> --- 246.8 <09> --- -Saints --- Canonization --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Kerkgeschiedenis--België--LIEGE --- Religieuze muziek--Geschiedenis van ... --- -History and criticism --- History and criticism --- Religious aspects --- Christianity --- -Kerkgeschiedenis--België--LIEGE --- -Church music --- 246.8 <09> Religieuze muziek--Geschiedenis van ... --- Church music. --- Liege --- 500-1400 --- History --- Instruction & study --- Theory. --- Cult. --- 500-1400. --- Belgium --- -246.8 <09> Religieuze muziek--Geschiedenis van ... --- Musique d'église --- Saints chrétiens --- 27 <493 LIEGE> --- Saints --- Religieuze muziek--Geschiedenis van .. --- Christelijke kerkgeschiedenis --- Muziek --- Cultuurgeschiedenis --- Geschiedenis van de Nederlanden --- anno 1200-1499 --- anno 1500-1599 --- Luik --- Christian church history --- History of civilization --- History of the Low Countries --- Religieuze muziek--Geschiedenis van . --- Religieuze muziek--Geschiedenis van --- Church music - Belgium - Liège - 500-1400 --- Christian saints - Cult - Belgium - Liège --- Liège --- Hagiographie --- Church Musicians. --- Churches. --- Civic Function. --- Clergymen. --- Diocese. --- Episcopal Origins. --- Hagiography. --- Image. --- Interdisciplinary. --- Liturgy. --- Low Countries. --- Medieval Liège. --- Music. --- Musicology. --- Religious Worship. --- Ritual. --- Saintly Persona. --- Text. --- Urban Studies.
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Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The men and women who held this office in cathedrals and monasteries wereresponsible for calculating the date of Easter and the feasts dependent on it, for formulating liturgical celebrations season by season, managing the library and preparing manuscripts and other sources necessary to sustain the liturgical framework of time, and promoting the cults of saints. Crucially, their duties also often included committing the past to writing, from simple annals and chronicles to more fulsome histories, necrologies, and cartularies, thereby ensuring that towns, churches, families, and individuals could be commemorated for generations to come.
The contributions hereseek to address the fundamental question of how the range of cantors' activities can help us to understand the many different ways in which the past was written and, in the liturgy, celebrated acrossthe middle ages. Cantors, as this volume makes clear, shaped the communal experience of the past in the Middle Ages; the essays are studies of constructions, both of the building blocks of time and ofthe people who made and performed them, in acts of ritual remembrance and in written records.
Contributors: Cara Aspesi, Alison I. Beach, Katie Ann-Marie Bugyis, Margot E. Fassler, David Ganz, James Grier, Paul Antony Hayward, A.B. Kraebel, Lori Kruckenberg, Rosamond McKitterick, Henry Parkes, Susan Rankin, C.C. Rozier, Sigbjoryn Olsen Sonnesyn, Teresa Webber, Lauren Whitnah,
Church history --- Church music --- Civilization, Medieval --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- Cantors (Church music) --- Chantres --- Eglise --- Musique d'église --- Civilisation médiévale --- Histoire --- Musique d'église --- Civilisation médiévale --- Church history -- Middle Ages --- Historiography --- Middle Ages --- Catholic Church --- History --- Katholische Kirche --- 500-1500 --- Church musicians --- Historical criticism --- Authorship --- Criticism --- Katolikus Egyház --- RCC --- Katoličeskaj Cerkovʹ --- Katoličke Cerkve --- Katolska Cyrkej --- Katolske Kirke --- Ecclesia Catholica --- Igreja Católica --- Römisch-Katholische Kirche --- Katholikē Ekklēsia --- Roman Catholic Church --- Eglise Catholique --- Eglise Catholique Romaine --- Chiesa Cattolica --- Katholieke Kerk --- Iglesia Católica --- Katolické Církve --- Kościoł Katolicki --- Katoličke Crkve --- Eglise catholique romaine --- Chiesa cattolica romana --- Roman catholic Church --- Eglise catholique --- Römische Kirche --- Kirche --- Katholizismus --- Unierte Ostkirchen --- Medieval Period --- Christian church history --- History of Europe --- anno 500-1499 --- Cantors. --- Catholic Church. --- Christianity. --- Church History. --- Church music. --- Divine Office. --- Historiography. --- Liturgy. --- Medieval Europe. --- Medieval Latin West. --- Middle Ages. --- Necrologies. --- Prayer. --- Religion. --- Ritual Remembrance. --- Sacred song. --- Saint.
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