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Musikalische Prosa
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ISBN: 3764921137 9783764921132 Year: 1975 Volume: 46 Publisher: Regensburg : G. Bosse,

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The Tenth Muse: a historical study of the opera libretto
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ISBN: 0575006692 Year: 1971 Publisher: London Gollancz

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Literature as opera
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ISBN: 0195022130 9780195022131 Year: 1977 Publisher: New York Oxford University Press

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Of poetry and song : approaches to the nineteenth-century Lied
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ISSN: 10719989 ISBN: 9781580460552 1580460550 9781580467599 Year: 2010 Publisher: Rochester, N.Y. University of Rochester Press

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"Das letzte Wort der Kunst" : Heinrich Heine und Robert Schumann zum 150. Todesjahr
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ISBN: 9783476021526 3476021521 9783761820407 3761820402 3476001970 Year: 2006 Publisher: Stuttgart Metzler

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Listening to Iris Murdoch : music, sounds, and silences
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ISBN: 9783031008603 9783031008597 9783031008610 9783031008627 9783031031175 9783031031168 9783031031151 Year: 2022 Publisher: Cham, Switzerland : Springer International Publishing,

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"Listening to Iris Murdoch's focus on the sonic, which in literary criticism is often treated like a poor relation to the visual, is most welcome. Through perceptive close readings, Gillian Dooley uses the lens of music, sound and silence to draw out gender, sexuality, Irish politics, domestic conflict and much more in Murdoch's novels. It will delight Murdoch fans but will also be of great interest to those who are attentive to sound studies and the relationship of music to literature." -Hazel Smith, Author of The Contemporary Literature-Music Relationship, Emeritus Professor, Writing and Society Research Centre, Western Sydney University "In this sensitive and insightful analysis of music and Iris Murdoch, Gillian Dooley certainly broadens the field of Murdoch scholarship but also demonstrates the rich and beautiful possibilities when one opens one's eyes, heart, mind and ears to the lyricism, musicality, and silences in Murdoch's work." -Lucy Bolton, author of Contemporary Cinema and the Philosophy of Iris Murdoch (2019) When we think of Iris Murdoch's relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes - music and other types of sound - contribute to the richly textured atmosphere and moral tenor of Murdoch's novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch's prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies. This study is supported by close readings of selected novels exemplifying the subtle variety of ways she deploys music, sounds and silence in her fiction. It also covers Murdoch's knowledge of music and her allusions to music throughout her work, and includes a survey of musical settings of her words by various composers.


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Paul Claudel et la rénovation du drame musical : étude de ses collaborations avec Darius Milhaud, Arthur Honegger, Paul Collaer, Germaine Tailleferre, Louise Vetch
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ISBN: 2870098618 9782870098615 Year: 2004 Volume: *81 Publisher: SPRIMONT : Pierre Mardaga,


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Words and notes in the long nineteenth century
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ISBN: 9781843838111 9781782041375 1843838117 1782041370 Year: 2013 Publisher: Suffolk : Boydell & Brewer,

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Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol


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Musikalische Lyrik
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ISBN: 3890071260 3890071317 3890075967 Year: 2004 Publisher: Laaber Laaber

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Essays on Music and Poetry in the Late Middle Ages
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ISBN: 3795211077 Year: 2003 Publisher: Tutzing : Verlegt bei Hans Schneider,

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