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Camera Lucida, Roland Barthes's personal, wide-ranging, and contemplative volume --and the last book he published-- finds the author applying his influential perceptiveness and associative insight to the subject of photography.Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag's On Photography.
Photography --- photographic processes --- photographic techniques --- photograph components --- Photography, Artistic --- 77.01 --- Avedon Richard --- fotografie --- fotografietheorie --- Klein William --- Mapplethorpe Robert --- Nadar --- twintigste eeuw --- Wessing Koen --- 7.01:003 --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Philosophy --- Aesthetics --- Fotografie ; theorie ; beschouwing ; analyse --- Fotografie ; theorie ; R. Barthes --- Fotografie ; theorie --- Barthes, Roland 1915-1980 (°Cherbourg, Frankrijk) --- Fotografie ; theorie, filosofie, esthetica
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Dit boek biedt een heldere methode aan om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt de auteur ons langs beeldaspecten als : materiaal en techniek, afmetingen en kader, ruimte, licht, kleur, beweging, standpunt en plaatsing, waarnemening en abstractie.
7.04 --- 7.01:003 --- Visual perception --- 7.01 --- abstractie --- bewegen --- compositieleer --- kleurenleer --- kunst --- kunstbeschouwing --- kunsttheorie --- kunstzinnige vorming --- licht --- materialen --- ruimtelijkheid --- vormleer --- 700.6 --- De Visser, Ad --- kunstfilosofie --- kunstgeschiedenis --- semiotiek --- Optics, Psychological --- Vision --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- kunst algemeen, filosofie van de kunst en vormgeving --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Psychological aspects --- Kunsten --- Filosofie --- Kunstbeschouwing --- Art appreciation --- Abstractie --- Beweging --- Brons --- Compositie --- Computerkunst --- Contouren --- Driedimensionaal --- Factuur --- Fotografie --- Glas --- Grafiek --- Kader --- Kleurenspectrum --- Kleur --- Kunst --- Land art --- Licht --- Lichtkunst --- Materiaal --- Mozaïek --- Ordonnantie --- Perspectief --- Plasticiteit --- Plastiek --- Portret --- Realisme --- Ruimte --- Ruimtelijkheid --- Schaduw --- Schilderen --- Schriftuur --- Sculptuur --- Techniek --- Tekenen --- Textiel --- Textuur --- Tweedimensionaal --- Video --- Waarneming --- Perception --- Visual discrimination --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- #KVHA:Kunst --- #KVHA:Kunstbeschouwing --- Kunsttheorie ; kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- #gsdbA --- History --- art history --- art theory --- color [perceived attribute] --- space [composition concept] --- light [energy] --- motion --- Iconography --- techniques [processes] --- perception --- materials [matter] --- art criticism --- Aesthetics of art --- Aesthetics --- kunsteducatie --- Art appreciation. --- Visual perception. --- Lerarenopleiding --- (vak)didactiek menswetenschappen. --- Kunstesthetica --- kunstkritiek --- materials [substances] --- 696 --- Kunstgeschiedenis --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Reception of art --- Reception --- CDL --- kunstbeschouwing.
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