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Drawing --- Painting --- wars --- colors [hues or tints]
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"A kaleidoscopic exploration that traverses history, literature, art, and science to reveal humans' unique and vibrant relationship with color. We have an extraordinary connection to color-we give it meanings, associations, and properties that last millennia and span cultures, continents, and languages. In The World According to Color, James Fox takes seven main colors-black, red, yellow, blue, white, purple, and green-and uncovers behind each a root idea, based on visual resemblances and common symbolism throughout history. Through a series of stories and vignettes, the book then traces these meanings to show how they morphed and multiplied and, ultimately, how they reveal a great deal about the societies that produced them: reflecting and shaping their hopes, fears, prejudices, and preoccupations. Fox also examines the science of how our eyes and brains interpret light and color, and shows how this is inherently linked with the meanings we give to hue. And using his background as an art historian, he explores many of the milestones in the history of art-from Bronze Age gold-work to Turner, Titian to Yves Klein-in a fresh way. Fox also weaves in literature, philosophy, cinema, archaeology, and art-moving from Monet to Marco Polo, early Japanese ink artists to Shakespeare and Goethe to James Bond. By creating a new history of color, Fox reveals a new story about humans and our place in the universe: second only to language, color is the greatest carrier of cultural meaning in our world"--
Psychology --- History of civilization --- colors [hues or tints] --- cultuurgeschiedenis
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Art --- Thematology --- color [perceived attribute] --- colors [hues or tints] --- dye
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History of Europe --- anno 500-1499 --- Symbolism in art --- Symbolism of colors --- Illumination of books and manuscripts, Medieval --- Themes, motives --- -Symbolism in art --- Color symbolism --- Symbolic colors --- Color --- Colors --- Allegory (Art) --- Signs and symbols in art --- Art --- Painting, Medieval --- Psychological aspects --- Symbolism in art. --- Symbolism of colors. --- Themes, motives. --- -Symbolism in art. --- Illumination of books and manuscripts, Medieval - Themes, motives
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Programming --- software --- colors [hues or tints] --- graphic arts --- grafische computerprogramma's --- kleuren --- Colour management
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Aesthetics of art --- Dutch literature --- colors [hues or tints] --- Liedjes --- Prentenboeken ; verhalen --- Kleuren ; verhalen
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Semiotics --- Psychology --- semiotics --- psychology --- colors [hues or tints] --- psychologie --- kleuren --- semiotiek
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Affective and dynamic functions --- colors [hues or tints] --- kleurenpsychologie --- kleurgebruik --- kleurenpsychologie --- kleurgebruik --- kleuren
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Didactics of the arts --- Aesthetics of art --- colors [hues or tints] --- kleuren --- kleurenleer
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"Blue has had a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs." "Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism, despite the resistance of chromophobic prelates. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance, the Romantics, and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space." "With an elegant design and illustrated with nearly one hundred color plates, Blue tells the history of our favorite color and the cultures that have hated it, loved it, and created great art with it."--Jacket.
colors [hues or tints] --- Dyes --- kleuren --- cultuurgeschiedenis --- 091.31 --- Blue in art --- Color --- -Color --- -Symbolism of colors --- -930.85 --- #GBIB:SMM --- Color symbolism --- Symbolic colors --- Colors --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Thermochromism --- Verluchte handschriften --- Psychological aspects --- -History --- Social aspects --- History --- Cultuurgeschiedenis. Kultuurgeschiedenis --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- 091.31 Verluchte handschriften --- Blue --- Symbolism of colors --- 930.85 --- Psychological aspects&delete& --- Social aspects&delete& --- 535.6 --- Kleur ; eigenschappen ; verfstoffen ; pigmenten --- Blauw --- 7.048.3 --- Heraldiek ; bronnen ; symbolen ; betekenis --- Natuurkunde ; kleurenleer --- Iconografie ; licht, beweging, kleur
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