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Le Je-ne-sais-quoi et le Presque-rien1. La manière et l’occasion« Le Je-ne-sais-quoi et le Presque-rien. Titre énigmatique... Quelque chose – ou presque rien – reste hors prise et remet la pensée en mouvement. »Marcel Neusch, La Croix« Une voix merveilleuse, une des plus précieuses et des plus singulières de notre temps. »Catherine Clément, Le Matin« Jamais on n’a écrit de philosophie comme ça. »Michèle Le Doeuff, Libération« Moraliste actuel, à la mesure des inquiétudes de notre temps, de ses urgences... »Christian...

General ethics --- Existentialism. --- Phenomenalism. --- Phenomenology. --- Metaphysics. --- Phénoménologie --- Existentialisme --- Métaphysique --- 14 --- CDL --- Philosophie --- Phenomenology --- Existentialism --- Metaphysics

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The Phenomenological Mind is the first book to properly introduce fundamental questions about the mind from the perspective of phenomenology. Key questions and topics covered include: What is phenomenology ? naturalizing phenomenology and the empirical cognitive sciences phenomenology and consciousness? consciousness and self-consciousness, including perception and action time and consciousness, including William James.This second edition includes a new preface and revised and improved sections on intentionality, the self, and social cognition. It also includes a completely updated chapter on perception.Interesting and important examples are used throughout, including phantom limb syndrome, blindsight and self-disorders in schizophrenia. Also included are helpful features such as chapter summaries, guides to further reading and a glossary, making The Phenomenological Mind an ideal introduction to key concepts in phenomenology, cognitive science and philosophy of mind

Cognitive psychology --- Theory of knowledge --- Phenomenology. --- Philosophy of mind. --- Cognitive science. --- Consciousness. --- Perception. --- Phénoménologie --- Philosophie de l'esprit --- Sciences cognitives --- Conscience --- Perception --- Phenomenology --- Philosophy of mind --- Cognitive science --- Consciousness --- Phénoménologie

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This book provides an extensive treatment of Husserl's phenomenology of time-consciousness. Nicolas de Warren uses detailed analysis of texts by Husserl, some only recently published in German, to examine Husserl's treatment of time-consciousness and its significance for his conception of subjectivity. He traces the development of Husserl's thinking on the problem of time from Franz Brentano's descriptive psychology, and situates it in the framework of his transcendental project as a whole. Particular discussions include the significance of time-consciousness for other phenomenological themes: perceptual experience, the imagination, remembrance, self-consciousness, embodiment, and the consciousness of others. The result is an illuminating exploration of how and why Husserl considered the question of time-consciousness to be the most difficult, yet also the most central, of all the challenges facing his unique philosophical enterprise.

Time. --- Phenomenology. --- Hours (Time) --- Husserl, Edmund, --- Husserl, Edmund --- Husserl, Edmond --- Phenomenology --- Time --- Geodetic astronomy --- Nautical astronomy --- Horology --- Philosophy, Modern --- Time perception --- Subjectivity --- Time perception. --- Subjectivity. --- Philosophy, German --- Phénoménologie --- Temps --- Philosophie allemande --- Arts and Humanities --- Philosophy --- Husserl, Edmund, - 1859-1938 --- Husserl, Edmund (1859-1938) --- Phénoménologie --- Perception du temps --- Subjectivité --- Critique et interprétation

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1. The phenomenological relevance of art / Mark Wrathall -- 2. Phenomenology and aesthetics; or, why art matters / Steven Crowell -- 3. Objectivity and self-disclosedness: the phenomenological working of art / Jeff Malpas -- 4. Horizon, oscillation, boundaries: a philosophical account of Mark Rothko?s art / Violetta L. Waibel -- 5. Representing the real: a Merleau-Pontyan account of art and experience from the Renaissance to New Media / Sean Dorrance Kelly -- 6. The judgment of Adam: self-consciousness and normative orientation in Lucas Cranach's Eden / Wayne Martin -- 7. Describing reality or disclosing worldhood?: Vermeer and Heidegger / Beatrice Han-Pile -- 8. Phenomenological history, freedom, and Botticelli's Cestello Annunciation / Joseph D. Parry -- 9. Showing and seeing: film as phenomenology / John B. Brough.

Phenomenology and art. --- Phénoménologie et art --- Phénoménologie et art --- Aesthetics of art --- Theory of knowledge --- Art --- Aesthetics. --- Philosophy. --- Esthétique --- Philosophie --- Aesthetics --- Phenomenology and art --- Art and phenomenology --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics --- Phénoménologie --- Esthétique

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Music --- Musical analysis --- Phenomenology --- Music theory --- Musique --- Analyse musicale --- Phénoménologie --- Théorie musicale --- Philosophy and aesthetics --- Mathematics --- Philosophie et esthétique --- Mathématiques --- Musical analysis. --- Philosophy and aesthetics. --- Mathematics. --- -Music theory --- -Musical analysis --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music appreciation --- Musical theory --- Theory of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Theory --- Phénoménologie --- Théorie musicale --- Philosophie et esthétique --- Mathématiques --- Musical aesthetics --- Aesthetics --- Philosophy --- Musique et mathématiques. --- Phénoménologie. --- Music - Philosophy and aesthetics. --- Music theory - Mathematics.