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Anne Berning: Kunstpreisträgerin der Stadt Nordhorn 1994
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ISBN: 3922303161 Year: 1994 Publisher: Nordhorn Städtische Galerie Nordhorn

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Baldessari: While something is happening here, something else is happening there. Works 1988-1999
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ISBN: 3883753963 Year: 1999 Publisher: Köln Walther König

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Eberhard Fiebig: Werke und Dukumente: Plädoyer für eine intelligente Kunst
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ISBN: 3893228667 Year: 1996 Volume: Band 11 Publisher: Nürnberg Germanisches Nationalmuseum

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François Curlet[1997]
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ISBN: 2907331124 Year: 1997 Publisher: Reims Le Collège Editions / FRAC Fonds Régional d'Art Contemporain Champagne-Ardenne

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Jochen Gerz: Life after Humanism: Photo, Text 1988-1992
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ISBN: 3893224688 Year: 1992 Publisher: Stuttgart Cantz

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Tatiana Trouvé : [exposition : Nice, Villa Arson, 18 octobre-21 décembre 1997]
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ISBN: 2905075937 Year: 1997 Publisher: Nice Villa Arson

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Richard Grayson: I am good at Games
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ISBN: 3932754484 Year: 2004 Publisher: Berlijn Künstlerhaus Bethanien

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Die tägliche Jubelrolle: 365 Öffnungen nach 25 Jahren und 29 von 1000 Notwandlungsstücken (Hier zurückgemalt) 1999, zur Ausstellung vom 31. Januar bis 11. April 1999
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ISBN: 3929040409 Publisher: Recklinghausen Kunsthalle Recklinghausen

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Kunstpreis der Stadt Nordhorn 2005: Anett Frontzek
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ISBN: 3922303587 Year: 2006 Publisher: Nordhorn Städtische Galerie

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Dorothy Iannone : A Cookbook
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ISBN: 9783037644881 3037644885 Year: 2018 Publisher: Zürich JRP Ringier Kunstverlag AG

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Since the 1960s, Dorothy Iannone has attempted to represent ecstatic love, “the union of gender, feeling, and pleasure.” Today her oeuvre, encompassing painting, drawing, collage, video, sculpture, objects, and artist’s books, is widely recognized as one of the most provocative and fruitful bodies of work in recent decades in terms of the liberalization of female sexuality, and political and feminist issues. As Robert Filliou stated as early as in 1972, “She is a freedom fighter, and a forceful and dedicated artist, skillfully blending imagery and text, beauty and truth. Her aim is no less than human liberation.” A narrative element fed with personal mythologies, experiences, feelings, and relationships runs through all of her work, unified by her distinctive colorful, explicit, and comic book style. Created in 1969, when she was living with Swiss artist Dieter Roth, “A Cookbook” is a perfect example of how she mixes daily life and an existential approach, culminating in her vision of cooking as an outlet for both eroticism and introspection. A book of real recipes full of visual delights, “A Cookbook” contains densely decorated pages with patterned designs, packed text, and vibrant colors. Personal sentences are interspersed among the lists of ingredients, revealing the exultations and tribulations of her life between the lines of recipes. Filled with wit and wordplay, associations between aliments and idiosyncratic thoughts—”At least one can turn pain to color” accompanies the recipe for gazpacho; “Dorothy’s spirit is like this: green and yellow,” is written next to the ingredients for lentil soup—” A Cookbook” constitutes a mundane but essential self-portrait of the artist as a cook and a lover.

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