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Plissart, Marie-Françoise --- Photography, Artistic --- 77.092.07 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Fotografen A - Z --- Aesthetics --- photography [process] --- fotonovelas
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After it is gone, the landscape appears — Yutaka Takanashi In The “Landscape” Appears, an essay written in 1984, Japanese photographer Yutaka Takanashi discusses a haiku by the poet Matsuo Basho, using it as a metaphor for landscape photography. ‘What is up to the photographer to do with the “landscape”‘, Takanashi writes, ‘is to encounter it, destroy it, rebuild it, and then release it.’ Therein lies the pursuit of a new “landscape”, the landscape of the photograph, the landscape of the haiku. One that not only relates an experience, but is an experience. Like Basho’s haiku. Maybe that is what The hill that wasn’t, in the form of a book, is about. I had seen the landscape many times, but it was not until that summer morning that I encountered it. And by photographing it and turning it into this book, I destroyed it, rebuilt it and released it.
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Kijken met Cyriel Buysse, een fotoverhaal is een hedendaags kunstfotoboek met een sterke historische neerslag. De foto’s zijn een persoonlijke verwerking van zowel gebeurtenissen als van — in de ruimste zin van het woord — attitudes waarover Buysse nu zowat een eeuw geleden schreef. De beelden zijn geen letterlijk weergave van zijn teksten maar een persoonlijke interpretatie van de fotografé. Negentiende- en vroeg twintigste- eeuws denken wordt in confrontatie gebracht met een hedendaagse beeldentaal. Tania Desmet gaat daar op een creatieve manier mee om. Ze laat ons, in haar typische reportagestijl, de wereld zien, die ze bekijkt door de ogen van Cyriel Buysse. In zijn voetsporen nam ze foto’s in België (Aalter, Afinee, Bellem,Deinze, Deurle,De Panne, Drongen, Gent, Gottem, Hansbeke, Ieper, Landegem, Meigeur, Nevele, Passendale, Vosselare en Zonnebeke), Frankrijk (Duinkerke, Limoges, Lourdes en Parijs), Nederland (Den Haag), Spanje (Sevilla), Marokko (Fez, Rabat, Marakessh en Meknes), Groot-Brittannië (Londen) en in de USA (New-York).De tekstenfragmenten klinken, ook al werden zij soms honderd jaar geleden geschreven, nog steeds hedendaags en kunnen daardoor een brede waaier aan publiek bereiken. Dit boek richt zich dan ook tot iedereen die met de kritische en ruimdenkende blik van een figuur als Buysse over de grenzen van tijd, plaats en ruimte wil kijken. Zelf schreef hij ooit: Ik bemin mijn tijd om wat er uit zal groeien. Misschien een tip om op onze beurt onze omgeving zoals hij ze heeft beschreven te herbekijken...
photography [process] --- fotografie --- Photography --- History of civilization --- Buysse, Cyriel --- Buysse, Cyriel, --- Fotografie --- Cultuurgeschiedenis --- 77.092.07 --- Cyriel Buysse 1859-1932 (°Nevele, België) --- Demet, Tania --- Belgische fotografen --- Fotografen A - Z
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Fotografe Karin Borghouts fotografeert in publieke ruimtes, liefst mooie architecturale omgevingen, dierentuinen, amusementsparken en musea. Haar voorkeur is duidelijk te zien in dit boekje: we herkennen lege museumvitrines, dierenkooien, terrariums, ...
motion pictures [visual works] --- Architecture --- Photography --- architecture [discipline] --- interior views --- Borghouts, Karin --- Belgium --- 77.092.07 --- Fotografen A - Z --- Exhibitions --- Fotografen ; begin 21ste eeuw ; K. Borhouts --- Borghouts, Karin °1959 (°Kapellen, België) --- Belgische kunstenaars --- Vrouwelijke kunstenaars
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Theatrical science --- ballet [discipline] --- Photography --- ballet --- Rosas --- Fotografen ; Herman Sorgeloos fotografeert Rosas --- Dans ; 1980-1993 ; Rosas ; Anne Teresa De Keersmaeker --- 77.092.07 --- 792.8 --- Fotografen A - Z --- Theater ; voorstellingen van bewegingskunst, balletten, dansen --- CDL --- 77.071 SORGELOOS --- Rosas [Brussels]
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Jacobs, Roel --- Fotografen ; 2005-2012 ; Roel Jacobs --- Thema's in de fotografie ; geïsoleerde rijhuizen ; rijwoningen --- Photography --- landschapsfotografie --- 77.092.07 --- Belgische kunstenaars --- Fotografen A - Z --- Thema's in de fotografie ; geïsoleerde rijhuizen ; rijwoningen --- Architectuur ; België
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As a photographer, Frederik Vercruysse specialised in shooting architecture and interiors, but his portfolio also includes intriguing still lifes, pure and abstract compositions and carefully stylised landscapes. His love for straight lines always shows, as well as the fascination for the play of shadow and light. Stillness is a key factor. Vercruysse works in a very controlled way, weighing and balancing until his image finds its equilibrium. It's almost an obsession, the way he composes and arranges his subject, how he moves things until they are completely straight. This book contains 3 sections: compositions, control, out of control. The photos in of these sections are accompagnied by a text by Jina Khayyer, in which she reflects on Vercruysse's work.
photography [process] --- Vercruysse, Frederik --- Still-life photography --- Photography, Artistic --- 77.092.07 --- Vercruysse, Frederik °1974 --- Architectuurfotografie --- Stillevens --- Belgische fotografen --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Still-life --- Fotografen A - Z --- Aesthetics --- Vercruysse, Frederik, --- Vercruysse, Frederik °1974 (°België)
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761.2 --- Arbus, Diane --- fotografie --- fotoreportage --- portretfotografie --- fotografen, afzonderlijk --- Arbus, Diane 1927-1971 (°New York City, USA) --- Nemerov, Diane (meisjesnaam van Diane Arbus) --- Fotografen ; 20ste eeuw ; Diane Arbus --- Straight photography --- 77.092.07 --- Fotografen A - Z --- portraits --- portretten
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In 1941 Penn, then an associate in Vogue 's art department handling the magazine's layouts, was encouraged by Alexander Lieberman to pick up a camera and do the actual photography instead. Since then, he has been producing images at once penetrating and mysterious. While Penn's incisive portraits of both the famous and the unknown--particularly ethnic peoples he posed carefully in studios--capture the specifics even as he renders the sitters timeless, his graceful yet boldly inventive fashion photography has gone far beyond the standard expectations of that genre. In fact, perhaps the most remarkable aspect of this overview is its demonstration that, in the hands of a master, the line between fashion photography and art photography simply does not exist. Penn provides some rather brief commentary on the images displayed here, but the photographs themselves--thoughtfully laid out, beautifully reproduced--make the book. For all libraries that collect photography books seriously. *- Barbara Hoffert, "Library Journal"*
Irving Penn °1917 (Plainfield, New Jersey, USA) --- Fotografen ; modefotografie ; Irving Penn --- 77.092.07 --- Fotografen A - Z --- fotografie --- twintigste eeuw --- Verenigde Staten --- Penn Irving --- portretfotografie --- reportagefotografie --- stillevens --- modefotografie --- 77.071 PENN --- Photography --- photography [process] --- fashion photography --- artistieke fotografie --- Penn, Irving
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