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Programming --- software --- colors [hues or tints] --- graphic arts --- grafische computerprogramma's --- kleuren --- Colour management
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Optics. Quantum optics --- Art --- 535.6 --- Kleurenleer ; evolutie --- Frans Gerritsen --- kleur --- kleurenleer --- perceptie --- waarneming --- 7.017 --- Kleurenleer --- Colours and their properties. Colour theory --- Natuurkunde ; kleurenleer --- 535.6 Colours and their properties. Colour theory --- Housekeeping --- Kleurenschalen --- Kleurengamma's --- Kleurenschaal --- Kleurengamma
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*COLOR STUDIES* introduces students from all concentrations of visual arts to color theory, the physiology and psychology of color perception, and the physics of color. The text discusses in detail the four dimensions of color - hue, value, intensity, and temperature - with tips for putting knowledge into practice in a variety of disciplines, from painting and other fine arts to interior design, architecture, fashion, design, textile design, and graphic design. Taking a multidisciplinary approach, this lavishly illustrated edition balances traditional and modern perspectives and examples in all areas of the fine arts and design.
Color. --- Color in art. --- Couleur --- Couleur dans l'art --- 76.017.4 --- 535.6 --- 655.3.024 --- Grafische kunsten. Grafiek. Prentkunst--Kleur --- Colours and their properties. Colour theory --- Kleurendruk --- 535.6 Colours and their properties. Colour theory --- 76.017.4 Grafische kunsten. Grafiek. Prentkunst--Kleur --- Aesthetics of art --- aesthetics --- colors [hues or tints] --- kleurenleer
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Dyes and dyeing --- Dyes and dyeing. --- Dyeing --- Dyestuffs --- Tinctorial substances --- Color --- Pigments --- Bleaching --- Cleaning and dyeing industry --- Color in the textile industries --- Coloring matter --- #ANTILTPNE9607 --- Periodicals --- Chemical technology --- Dyes --- Chemistry --- Chemical Engineering --- Analytical Chemistry --- Textile industry --- Textile printing --- Chromatics --- Colour --- Light --- Optics --- Colors --- Thermochromism
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6-0100-8
Color --- Psychological aspects --- History. --- History of civilization --- Aesthetics of art --- Semiotics --- anno 500-1499 --- 535.6 --- 7.033 --- Kleuren ; Middeleeuwen --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Psychological aspects&delete& --- History --- Natuurkunde ; kleurenleer --- Kunstgeschiedenis ; Middeleeuwen --- Kleuren --- Geschiedenis --- Middeleeuwen --- Kleur (kleur) --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- CDL --- cultuurgeschiedenis --- kleuren
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Aesthetics of art --- kleurenleer --- Color vision --- Color --- Color in art --- Visual perception --- 7.017 --- waarneming --- perceptie --- design --- kleur --- kunst --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Colors in art --- Art --- Monochrome art --- Chromatic vision --- Color discrimination --- Color perception --- Color-sense --- Psychological aspects --- Psychology
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"Blue has had a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs." "Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism, despite the resistance of chromophobic prelates. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance, the Romantics, and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space." "With an elegant design and illustrated with nearly one hundred color plates, Blue tells the history of our favorite color and the cultures that have hated it, loved it, and created great art with it."--Jacket.
colors [hues or tints] --- Dyes --- kleuren --- cultuurgeschiedenis --- 091.31 --- Blue in art --- Color --- -Color --- -Symbolism of colors --- -930.85 --- #GBIB:SMM --- Color symbolism --- Symbolic colors --- Colors --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Thermochromism --- Verluchte handschriften --- Psychological aspects --- -History --- Social aspects --- History --- Cultuurgeschiedenis. Kultuurgeschiedenis --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- 091.31 Verluchte handschriften --- Blue --- Symbolism of colors --- 930.85 --- Psychological aspects&delete& --- Social aspects&delete& --- 535.6 --- Kleur ; eigenschappen ; verfstoffen ; pigmenten --- Blauw --- 7.048.3 --- Heraldiek ; bronnen ; symbolen ; betekenis --- Natuurkunde ; kleurenleer --- Iconografie ; licht, beweging, kleur
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