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This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Literature --- literatuur --- anno 1900-1999 --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Contemporary Literature.
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Samuel Beckett’s work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett’s own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett’s Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett’s ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett’s techniques and ambitions, but also of modernism’s experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett’s uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Beckett’s artistic ambitions—his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play—as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments. Nick Wolterman is an independent scholar based in York, UK. He received his PhD in English and Related Literature from the University of York. .
Theatrical science --- Fiction --- Literature --- History --- theater --- geschiedenis --- literatuur --- fantasie (verbeelding) --- anno 1900-1999 --- Literature, Modern—20th century. --- Fiction. --- Literature. --- Drama. --- Theater—History. --- Twentieth-Century Literature. --- Fiction Literature. --- Contemporary Theatre and Performance.
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“This essay collection, written by a stellar group of Canadian literature specialists, is a love letter to the late Canadian writer Carol Shields, who died about twenty years ago. The essays revisit Shields’s prolific career—short story writer, novelist, book reviewer, teacher and biographer—through the lens of her posthumous collection, Startle and Illuminate: Carol Shields on Writing (2016), edited by her daughter Anne Giardini and grandson Nicholas Giardini. The chapters are eclectic, both intimate and academic in tone, as they reflect different relationships with this beloved writer within our Can Lit circle—and beyond.” —Laurie Kruk, Professor in English Studies, Nipissing University, Canada This collection of essays explores celebrated Canadian author Carol Shields's experimentation with the essay genre in relation to her novels and short stories. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and short stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes, by revealing how her essays reflect and refract the brilliance of her fiction, both novels and stories, helping readers to comprehend her art. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction. Nora Foster Stovel is a Professor Emerita of the Department of English and Film Studies at the University of Alberta, Canada. She has published books and essays on Jane Austen, D.H. Lawrence, Margaret Drabble, Carol Shields, Margaret Atwood, and Margaret Laurence, including Divining Margaret Laurence: A Study of Her Complete Writings. She currently holds a SSHRC Insight Grant for her program of research on Carol Shields. .
Philosophy --- American literature --- Literature --- filosofie --- literatuur --- anno 1900-1999 --- America --- America—Literatures. --- Literature, Modern—20th century. --- Creative nonfiction. --- Literature—Philosophy. --- Feminism and literature. --- Prose literature. --- North American Literature. --- Twentieth-Century Literature. --- Non-Fiction Literature. --- Feminist Literary Theory. --- Narrative Text and Prose.
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“Interrupted Narratives and Intersectional Representations in Italian Postcolonial Literature is a tour-de-force from one of the leading scholars in the field. Romeo argues that rethinking the concepts of Italian identity and culture is necessary in order to highlight the transnational nature of cultural formations, and that adopting a postcolonial and decolonial approach to those concepts is an equally urgent task. Her deft, comprehensive overview of Italian postcolonial literature and accomplished thematic analysis of an astonishing number of texts make this book essential reading for students and scholars of Italian worldwide. It constitutes a significant contribution to the ongoing reconceptualization of Italian Studies and to the reshaping of cultural understandings of italianità.” -Emma Bond, author of Writing Migration through the Body Interrupted Narratives and Intersectional Representations in Italian Postcolonial Literature is a tribute to one of the most historically significant, culturally incisive, and artistically revitalizing literary and cultural phenomena that have developed in Italy in recent decades. With a new introduction, this expanded English translation of Riscrivere la nazione: La letteratura italiana postcoloniale (2018) exposes the colonial imaginaries that still permeate contemporary Italian culture and examines multiple counternarratives authored by postcolonial writers, artists, and intellectuals. Connecting diverse histories of migration that implicate Italy, including incoming migrations from many parts of the world, colonialism, and periodic waves of emigration, this volume also looks outward to a more diffuse postcolonial condition characterizing Europe at present. Adopting an intersectional perspective, this study analyzes literary and cinematic representations of gender, race, color, and space, thus arguing for a reconceptualization of Italian identity and contributing to a redefinition of national literature as well as to the decolonization of Italian society and culture. Caterina Romeo is Associate Professor at Sapienza Università di Roma, Italy, where she teaches Literary Theory, Gender Studies, and Migration Studies. She is the author of Riscrivere la nazione. La letteratura italiana postcoloniale (2018) and Narrative tra due sponde: Memoir di italiane d'America (2005). She has coedited Postcolonial Italy: Challenging National Homogeneity (2012), Postcolonial Europe (special issue of the journal Postcolonial Studies, 2015), and Intersectional Italy (special issue of the Journal of Postcolonial Writing, 2022).
Philosophy --- Migration. Refugees --- Literature --- History --- History of Italy --- History of Eastern Europe --- postkolonialisme --- filosofie --- geschiedenis --- literatuur --- migratie (mensen) --- anno 1900-1999 --- Europe --- European literature. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Italy—History. --- Philosophy. --- Postcolonialism. --- Emigration and immigration. --- European Literature. --- Contemporary Literature. --- History of Italy. --- Postcolonial Philosophy. --- Human Migration. --- Italian literature --- Postcolonialism in literature. --- Emigration and immigration in literature. --- History and criticism.
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This book offers a series of short, provocative essays about value and reputation in the world of American comic books. Inspired by Pierre Bourdieu’s analyses of fields of cultural production, The Greatest Comic Book of All Time explores why works have the reputations that they do and what it might take to re-structure the comics world along different principles. .
Sociology of culture --- Didactics of the arts --- Mass communications --- Film --- Literature --- History of civilization --- communicatie --- cultuur --- film --- literatuur --- leren --- Amerikaanse cultuur --- beeldverhalen --- lesgeven --- Spiegelman, Art --- Crumb, Robert --- Satrapi, Marjane --- Kirby, Jack --- Moore, Alan --- Vaughn-James, Martin --- anno 1900-1999 --- anno 2000-2099 --- United States of America --- Communication. --- United States—Study and teaching. --- Film genres. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Media and Communication. --- American Culture. --- Genre. --- Contemporary Literature. --- United States. --- Comic books, strips, etc. --- History and criticism.
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"A literary quarterly of the University of Oklahoma."
Literature --- Books --- Literature, Modern --- Livres --- Littérature --- Reviews --- Periodicals --- History and criticism --- Recensions --- Périodiques --- Histoire et critique --- Books. --- Literature, Modern. --- 1900-2099 --- Arts and Humanities --- Library and Information Sciences --- General and Others --- Arts and Humanities. --- Literature. --- Littérature --- Périodiques --- EBSCOASP-E EJLITTE EPUB-ALPHA-W EPUB-PER-FT JSTOR-E --- Modern literature --- Arts, Modern --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Open Access Collection. --- Periodicals. --- Letterkunde. --- Books - Reviews - Periodicals. --- Literature, Modern - 20th century - History and criticism - Periodicals. --- 17.70 study of literature: general. --- LITTERATURE MODERNE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- PERIODIQUES --- 21E SIECLE
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Thematology --- Literature --- anno 1900-1999 --- Women and literature --- Feminism and literature --- Literature, Modern --- Difference (Psychology) in literature. --- Women --- History --- History and criticism. --- Women authors --- cultuurfilosofie --- feminisme --- gender studies --- afro-amerikanen --- literatuur --- postkolonialisme --- antropologie --- identiteit --- 130.2 --- 82:396 --- Literatuur en feminisme --- 82:396 Literatuur en feminisme --- History and criticism --- Difference (Psychology) in literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Women authors&delete& --- feminism --- minorities --- postcolonialism --- #breakthecanon --- Women and literature - History - 20th century. --- Feminism and literature - History - 20th century. --- Literature, Modern - 20th century - History and criticism. --- Literature - Women authors - History and criticism. --- Women - Developing countries. --- Race --- Feminism --- Identity --- Writers --- Féminité --- Book --- Anthropology
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