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7.01 "19" --- 7.01:003 --- 75.039 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Semiotiek van kunst en esthetiek --- Hedendaagse schilderkunst. Post-moderne schilderkunst --- Conferences - Meetings --- 75.039 Hedendaagse schilderkunst. Post-moderne schilderkunst --- 7.01:003 Semiotiek van kunst en esthetiek --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- painting [image-making] --- Painting --- schilderkunst --- anno 1900-1999 --- Painting, Modern --- Modern painting --- Paintings, Modern --- Painting [Modern ] --- 20th century --- Congresses
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Camera Lucida, Roland Barthes's personal, wide-ranging, and contemplative volume --and the last book he published-- finds the author applying his influential perceptiveness and associative insight to the subject of photography.Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag's On Photography.
Photography --- photographic processes --- photographic techniques --- photograph components --- Photography, Artistic --- 77.01 --- Avedon Richard --- fotografie --- fotografietheorie --- Klein William --- Mapplethorpe Robert --- Nadar --- twintigste eeuw --- Wessing Koen --- 7.01:003 --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Philosophy --- Aesthetics --- Fotografie ; theorie ; beschouwing ; analyse --- Fotografie ; theorie ; R. Barthes --- Fotografie ; theorie --- Barthes, Roland 1915-1980 (°Cherbourg, Frankrijk) --- Fotografie ; theorie, filosofie, esthetica
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Drawing on an enormous range of examples from children's drawings to textbook illustrations, photo-journalism to fine art, as well as three-dimensional forms such as sculpture and toys, the authors examine the ways in which images communicate meaning. Features of this fully updated second edition include: new material on moving images and on colour; a discussion of how images and their uses have changed through time; websites and web-based images; and ideas on the future of visual communication.
316.772.22 --- 7.01:003 --- 165.212 --- audiovisuele communicatie --- 165.212 Semiotiek. Pragmatiek. Communicatie. Informatie. Symbool.Symbolisering --- Semiotiek. Pragmatiek. Communicatie. Informatie. Symbool.Symbolisering --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- beeldanalyse --- Communication in design. --- Semiotics and art --- Communication en design --- Sémiotique et art --- Sémiotique et art --- Communication in design --- beeldtaal --- Semiotics --- Product strategy --- beeldelementen --- visuele communicatie --- Mass communications --- Picture interpretation --- Visual communication --- Illustrations, images, etc. --- Communication visuelle --- Interprétation --- departement Onderzoek 09 --- design --- communicatie
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design --- grafische vormgeving --- grafisch ontwerp --- geschiedenis --- productdesign --- grafisch design --- affiches --- posters --- typografie --- Ukiyo-e --- art nouveau --- paleografie --- miniaturen --- manuscripten --- renaissance --- boekdrukkunst --- modernisme --- Wright Frank Lloyd --- Glasgow School --- Behrens Peter --- Neue Sachlichkeit --- futurisme --- surrealisme --- expressionisme --- constructivisme --- suprematisme --- De Stijl --- Bauhaus --- postmodernisme --- New York School --- corporate identity --- huisstijl --- Japan --- illustraties --- fotografie --- negentiende eeuw --- twintigste eeuw --- naslagwerk --- 766.03 --- 655.262 --- 655.24 <09> --- 7.01:003 --- 316.772.22 --- Boekdesign--algemeen --- Lettertypes. Lettersoorten--geschiedenis van --- Semiotiek van kunst en esthetiek --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- 7.01:003 Semiotiek van kunst en esthetiek --- Graphic arts --- history [discipline] --- typography --- graphic design --- Book design --- Graphic design (Typography) --- History
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Dit boek biedt een heldere methode aan om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt de auteur ons langs beeldaspecten als : materiaal en techniek, afmetingen en kader, ruimte, licht, kleur, beweging, standpunt en plaatsing, waarnemening en abstractie.
7.04 --- 7.01:003 --- Visual perception --- 7.01 --- abstractie --- bewegen --- compositieleer --- kleurenleer --- kunst --- kunstbeschouwing --- kunsttheorie --- kunstzinnige vorming --- licht --- materialen --- ruimtelijkheid --- vormleer --- 700.6 --- De Visser, Ad --- kunstfilosofie --- kunstgeschiedenis --- semiotiek --- Optics, Psychological --- Vision --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- kunst algemeen, filosofie van de kunst en vormgeving --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Psychological aspects --- Kunsten --- Filosofie --- Kunstbeschouwing --- Art appreciation --- Abstractie --- Beweging --- Brons --- Compositie --- Computerkunst --- Contouren --- Driedimensionaal --- Factuur --- Fotografie --- Glas --- Grafiek --- Kader --- Kleurenspectrum --- Kleur --- Kunst --- Land art --- Licht --- Lichtkunst --- Materiaal --- Mozaïek --- Ordonnantie --- Perspectief --- Plasticiteit --- Plastiek --- Portret --- Realisme --- Ruimte --- Ruimtelijkheid --- Schaduw --- Schilderen --- Schriftuur --- Sculptuur --- Techniek --- Tekenen --- Textiel --- Textuur --- Tweedimensionaal --- Video --- Waarneming --- Perception --- Visual discrimination --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- #KVHA:Kunst --- #KVHA:Kunstbeschouwing --- Kunsttheorie ; kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- #gsdbA --- History --- art history --- art theory --- color [perceived attribute] --- space [composition concept] --- light [energy] --- motion --- Iconography --- techniques [processes] --- perception --- materials [matter] --- art criticism --- Aesthetics of art --- Aesthetics --- kunsteducatie --- Art appreciation. --- Visual perception. --- Lerarenopleiding --- (vak)didactiek menswetenschappen. --- Kunstesthetica --- kunstkritiek --- materials [substances] --- 696 --- Kunstgeschiedenis --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Reception of art --- Reception --- CDL --- kunstbeschouwing.
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