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Art and nationalism --- Art et nationalisme --- Ethnomusicologie --- Ethnomusicology --- Kunst en nationalisme --- Nationalism and art --- Nationalisme en kunst --- Nationalisme et art --- Music --- Nationalism in music. --- Musique --- Nationalisme dans la musique --- History and criticism. --- Histoire et critique --- History of European Musical Schools --- 19th-20th Century --- Nationalism in music --- From 1800 --- Folk music --- Influence --- 19th century --- History and criticism --- 20th century --- 78.34.0

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78.21.1 Liszt --- Muziekgeschiedenis --- Romantiek --- Nationalisme --- Hongarije --- Italië --- Duitsland --- 19e eeuw --- Frankrijk

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Music --- nationalisme --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- 78.29.1 --- Nationalism in music. --- Political aspects --- Politics and government --- Art --- Political aspects.

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Musique populaire --- Taiwan --- Volksmuziek --- S26/1700 --- volksmuziek --- muziek --- cultuurgeschiedenis --- az-china 943 --- Taiwan--Music and dance --- cultuurgeschiedenis van China --- 78.33.7 --- Etnomusicologie --- Theater --- Muziektheater --- Oosten --- Verre Oosten --- Nationalisme --- China --- Volksliederen

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Janaki Bakhle shows how the emergence of an 'Indian' cultural tradition reflected colonial & exclusionary practices, in particular the exclusion of Muslims by the Brahmanic elite - despite the fact that Muslims were the major practitioners of the Indian music that was installed as a 'Hindu' national tradition.

Music --- Musicians --- Nationalism in music. --- Musique --- Musiciens --- Nationalisme dans la musique --- Social aspects --- Political aspects --- Aspect social --- Aspect politique --- Bhatkhande, Vishnu Narayan, --- Paluskara, Vishṇu Digambara, --- Paluskar, Vishnu Degamber, --- muziek --- muziekgeschiedenis --- India --- Bhatkhande, Vishnu Narayan --- Paluskar, Vishnu Digambar