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Art --- anno 500-1499 --- Greece --- Art, Byzantine --- Art byzantin --- Art [Byzantine ] --- History
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art history --- Art --- anno 500-1499 --- middeleeuwen --- Byzantijnse kunst --- Islamitische kunst --- Art, Medieval --- Art byzantin --- Art islamique --- Histoire de l'art --- Islam --- Byzance --- Art [Medieval ] --- History --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak)
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Catalogue of exhibit held at the Metropolitan Museum of Art, New York from Mar. 11-July 6, 1997. Includes bibliographical references (p. 522-559) and index
Art, Byzantine --- Art byzantin --- Exhibitions --- Expositions --- 091 <73 NEW YORK> --- 091 <064> --- 091 =75 --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Exhibitions. --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 <73 NEW YORK> Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--NEW YORK --- Art, Byzantine - Exhibitions --- Art byzantin - Expositions --- Art --- History of civilization --- religious art --- Byzantine [culture and style] --- anno 500-1499 --- Greece
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This is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.
Painting --- Iconography --- anno 1100-1199 --- anno 1200-1299 --- anno 1000-1099 --- Istanbul [city] --- Italy --- Christian saints in art --- Vita icons --- Painting, Byzantine --- Painting, Italian --- Saints chrétiens dans l'art --- Icônes biographiques --- Peinture byzantine --- Peinture italienne --- History. --- Histoire --- Francis, --- Art --- Saints chrétiens dans l'art --- Icônes biographiques --- Art. --- Biographical icons --- Icons --- Icons [Byzantine ] --- Icon painting --- Saints --- Iconographie --- Icônes --- Art byzantin --- Italie
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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Iconography --- Art --- anno 1400-1499 --- anno 1500-1599 --- Istanbul [city] --- Europe --- Art, Byzantine. --- Icons --- Renaissance. --- Art byzantin --- Icônes --- Renaissance --- Collectors and collecting --- Collectionneurs et collections --- Art, Byzantine --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Byzantine art --- Art, Medieval --- History --- Icônes --- Icons - Collectors and collecting - Europe
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History of Italy --- History of Greece --- Art --- anno 1400-1499 --- anno 1200-1299 --- anno 1300-1399 --- Painting, Italian --- Art, Italian --- Art, Byzantine --- Painting, Medieval --- Peinture italienne --- Art italien --- Art byzantin --- Peinture médiévale --- Byzantine influences --- Influence byzantine --- Byzantine Empire --- Empire byzantin --- Civilization --- Civilisation --- Painting, Italian. --- Painting, Renaissance --- Influence. --- -Painting, Italian --- -Paintings, Renaissance --- Renaissance painting --- Italian painting --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Influence --- -Influence --- Peinture médiévale --- Painting, Renaissance - Italy. --- Art, Byzantine - Influence.
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Zoology --- Christian religion --- Iconography --- History of Greece --- Botany --- Thematology --- Nature in art. --- Nature in literature. --- Art, Byzantine --- Byzantine literature --- Nature --- Nature dans l'art --- Nature dans la littérature --- Art byzantin --- Littérature byzantine --- Themes, motives. --- Religious aspects --- Christianity. --- Thèmes, motifs --- Aspect religieux --- Christianisme --- Arts, Byzantine --- Nature dans la littérature --- Littérature byzantine --- Thèmes, motifs --- Nature in art --- Nature in literature --- Byzantine arts --- Nature in poetry --- Greek literature, Byzantine --- Greek literature, Medieval and late --- Greek literature --- Themes, motives --- Religious aspects&delete& --- Christianity
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Art and Text in Byzantine Culture explores the relationship between images and words, and examines the different types of interactions between pictures and texts in Byzantine art. Byzantium is the only major world power to have experienced political upheaval on a vast scale as a result of an argument about art during the Iconoclasm period. The dynamic between art and text in Byzantium is essential to understanding Byzantine art and culture and allows us to explore the close linking of image and word in a society where the correct relationship between the two was critical to the well-being of the state. Composed of specially-commissioned essays written by an international team of scholars, this volume analyzes how contemporaries wrote about art, how images and text work together in Byzantine art, and how the words written on art works contribute to their meaning.
History of Greece --- Art --- Literature --- Istanbul [city] --- Art, Byzantine. --- Art and literature --- Writing in art. --- Art byzantin --- Art et littérature --- Ecriture dans l'art --- 7.033.2 --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- 7.033.2 Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- Art et littérature --- Art, Byzantine --- Writing in art
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Painting
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religious art
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Icon painting
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iconen
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Art --- anno 1200-1299 --- anno 1100-1199 --- anno 1000-1099 --- Cyprus --- Art [Cypriote ] --- Art chypriote --- Art cypriote --- Kunst [Cypriotische ] --- Art, Cypriot --- Icons, Byzantine --- Art, Byzantine --- Christian art and symbolism --- Illumination of books and manuscripts, Byzantine. --- Icônes byzantines --- Art byzantin --- Art et symbolisme chrétiens --- Enluminure byzantine --- Orthodox Eastern Church --- In art. --- Icônes byzantines --- Art et symbolisme chrétiens --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Art, Cypriote --- Cypriot art --- Medieval, 500-1500 --- In art --- Middle Ages, 500-1500 --- Symbolism in art
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