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Byzantine art
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ISBN: 0192842110 9780192842114 Year: 2000 Volume: *29

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L'art du moyen Age : Occident, Byzance, Islam
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ISBN: 2070742024 2711826007 9782070742028 9782711826001 Year: 1995 Volume: *1 Publisher: Paris : Gallimard,

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The glory of byzantium : Art and culture of the Middle Byzantine Era A.D. 843-1261
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ISBN: 0870997777 0810965070 0870997785 9780870997778 9780870997785 9780810965072 9780300086164 0300086164 Year: 1997 Publisher: New York, NY : Metropolitan Museum of Art,


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The living icon in Byzantinium and Italy : the vita image, eleventh to thirteenth centuries
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ISBN: 9781107034969 9781139542401 9781107784482 1107784484 1139542400 1107034965 1139894587 1107779553 1107778778 1107784948 1107780047 1107781280 Year: 2014 Publisher: Cambridge : Cambridge University Press,

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This is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.


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Byzantine Art and Renaissance Europe
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ISBN: 9781409420385 9781315261041 9781351953856 9781138273870 1409420388 Year: 2013 Publisher: Burlington : Ashgate,

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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.


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Nectar and illusion : nature in Byzantine art and literature
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ISBN: 9780199766604 Year: 2012 Volume: *4 Publisher: Oxford Oxford University Press

Art and text in Byzantine culture
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ISBN: 9780521834094 0521834090 Year: 2007 Publisher: Cambridge [etc.] Cambridge University Press

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Art and Text in Byzantine Culture explores the relationship between images and words, and examines the different types of interactions between pictures and texts in Byzantine art. Byzantium is the only major world power to have experienced political upheaval on a vast scale as a result of an argument about art during the Iconoclasm period. The dynamic between art and text in Byzantium is essential to understanding Byzantine art and culture and allows us to explore the close linking of image and word in a society where the correct relationship between the two was critical to the well-being of the state. Composed of specially-commissioned essays written by an international team of scholars, this volume analyzes how contemporaries wrote about art, how images and text work together in Byzantine art, and how the words written on art works contribute to their meaning.

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