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Entre 1846 et 1884, la maison Goupil fut l'une des galeries d'art françaises les plus réputées. Elle a développé ses affaires autour du commerce d'estampes, de peintures, de pastels, de sculptures et de dessins d'artistes pour la plupart contemporains, européens et de style académique. La stratégie mercantile de la société s'appuie principalement sur un réseau de succursales et de comptoirs établis dans les grandes capitales : La Haye, New York, Bruxelles, Berlin et Londres. William Schaus et ultérieurement Michael Knoedler ont développé un marché en Amérique, et Vincent Van Gogh (oncle Cent) a consolidé les relations entre les Pays-Bas et Paris. En parallèle, la société participe aux manifestations internationales marquantes de l'époque comme les Expositions universelles. La réussite de la maison Goupil est évidente. Ce processus général d'internationalisation a permis le renouvèlement de la clientèle et des artistes et garanti la pérennité du nom "Goupil" dans l'histoire et l'histoire de l'art. De nombreuses oeuvres conservées dans les musées internationaux proviennent de son stock. Cette thèse analyse les livres d'inventaire qui répertorient les transactions de la galerie de peintures parisienne qui sont devenus une source fondamentale pour la connaissance du marché de l'art au XIXe siècle et l'histoire du collectionnisme et du goût.
Art -- Commerce --- Commerce --- Boussod, Valadon et Cie --- Economic relations. Trade --- art galleries [buildings] --- Art --- Goupil Kunsthandel --- anno 1800-1899 --- Art galleries, Commercial --- Galeries d'art --- Goupil & Cie
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Ce livre est consacre au marche du tableau et à la pratique de la collection à Paris au xviiie siècle. Son objet n’est pas d envisager les mécanismes de la production de l’image peinte, étudies par ailleurs, ni même la circulation des œuvres dans le sens de « consommation des images » par quelques groupes socio-professionnels, mais plutôt d’étudier les modalités de circulation du tableau, considéré comme objet de collection. Au cours de la seconde moitié du xviiie siècle, Paris devient l’une des places les plus importantes d’Europe pour le marché de l’œuvre peinte, alors que dans le même temps, on assiste à un essor considérable des collections privées, nouveaux lieux de sociabilité et de formation du regard. Cette période correspond à un grand dynamisme de la pratique et à une mutation des « mondes de l’art ». C’est en effet au cours de la seconde moitié du siècle que le marché du tableau se structure et se dote d’instruments efficaces et modernes. Le marchand de tableau n’est plus alors systématiquement issu du corps des maîtres-peintres de l’Académie de Saint-Luc ou de celui des marchands merciers. L’apparition de grands marchands experts, imposant une nouvelle idée du commerce de l’art, et l’essor considérable de la vente publique avec catalogue qui devient la forme la plus voyante, la plus offensive et spectaculaire du marché, sont les deux grandes nouveautés de la période.
Painting --- Economic relations. Trade --- anno 1700-1799 --- Paris --- Art --- Painting, French --- Peinture française --- Marketing --- Commercialisation --- Peinture française --- Marketing. --- Peinture --- Commerce --- Aspect économique --- Collectionneurs et collections --- Arts & Humanities --- peinture --- commerce --- tableau --- Paris (France) --- History
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History of the Netherlands --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Shipping --- History --- Netherlands --- Baltic Sea Region --- Commerce
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The papers in this volume were presented at the two-day Technical Art History conference, held by CATS, titled 'Trading Paintings and Painters? Materials 1550-1800. held in Copenhagen 21 and 22 June 2018. The focus of the conference was the emerging international markets and their implications for the artistic production in Early Modern Europe (1550-1800), in particular in relation to the trade in paintings and artists? materials.
Artists' materials industry --- Artists' materials industry. --- Painting, Modern --- Painting, Renaissance --- History --- Economic aspects --- 1600-1799. --- Peinture --- Matériel d'artistes --- Art --- Aspect économique --- Actes de congrès. --- Industrie et commerce --- Commerce --- Congresses. --- Trade theory --- Sculpture --- Painting --- trade [function] --- influencing --- artists' materials --- raw material --- anno 1500-1799 --- Conferences - Meetings --- Aspect économique. --- Industrie et commerce. --- trade [general function]
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Economic conditions. Economic development --- Trade theory --- ondernemers --- Antwerp (Prov.) --- Antwerpen (provincie) --- Anvers (province) --- Commerce --- Entreprises --- Handel --- Industries --- Industrieën --- Ondernemingen --- Périodiques --- Tijdschriften --- Antwerp [Province]
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History of Europe --- anno 500-1499 --- Merchants --- Commerce --- Money --- Commerçants --- Argent (Monnaie) --- History --- Histoire --- Europe --- Economic conditions --- Conditions économiques --- Commerçants --- Conditions économiques
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338 <09> <492> "15/16" --- Economische geschiedenis--Nederland--?"15/16" --- 380.903 --- Social sciences Commerce History 1500 --- -Merchants --- -338 <09> <492> "15/16" --- 338 <09> <492> "15/16" Economische geschiedenis--Nederland--?"15/16" --- Merchants --- History --- Businesspeople --- Amsterdam (Netherlands) --- Netherlands --- Amesterdão (Netherlands) --- Amstelodamum (Netherlands) --- Amstelaedamum (Netherlands) --- Amstelredamum (Netherlands) --- Amsterodamum (Netherlands) --- Amstelrodamum (Netherlands) --- Commerce --- History of the Low Countries --- Economic relations. Trade --- anno 1600-1699 --- anno 1500-1599 --- Amsterdam --- Commerçants --- Histoire --- Amsterdam (Pays-Bas) --- Pays-Bas --- Merchants - Netherlands - Amsterdam - History - 16th century --- Merchants - Netherlands - Amsterdam - History - 17th century --- Amsterdam (Netherlands) - Commerce - History - 16th century --- Amsterdam (Netherlands) - Commerce - History - 17th century --- Netherlands - History - Wars of Independence, 1556-1648
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Economic relations. Trade --- History of Europe --- Art --- anno 500-1499 --- anno 1600-1699 --- anno 1500-1599 --- Artists' materials industry --- History --- Europe --- Commerce --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Economische betrekkingen. Handel --- Kunst --- Geschiedenis van Europa --- beursgebouwen --- handelsroutes --- verfstof --- exchanges [financial institutions] --- trade routes --- dye --- Artists' materials industry - Europe - History - Congresses --- Europe - Commerce - History - Congresses --- exchanges [financial building]
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History of the Netherlands --- Foreign trade. International trade --- History of Belgium and Luxembourg --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Merchants --- Financial institutions --- Infrastructure (Economics) --- International trade --- History --- Congresses --- Social aspects --- Benelux countries --- Commerce --- Economic conditions --- Amsterdam (Nederland) --- Antwerpen --- Brugge --- Histoire du Commerce --- Histoire économique --- Pays-Bas (anciens) --- 338 <09> --- 339 <09> <491.9> --- -Infrastructure (Economics) --- -International trade --- -Merchants --- -Businesspeople --- External trade --- Foreign commerce --- Foreign trade --- Global commerce --- Global trade --- Trade, International --- World trade --- International economic relations --- Non-traded goods --- Capital, Social (Economics) --- Economic infrastructure --- Social capital (Economics) --- Social infrastructure --- Social overhead capital --- Economic development --- Human settlements --- Public goods --- Public works --- Capital --- Financial intermediaries --- Lending institutions --- Associations, institutions, etc. --- Economische geschiedenis --- Handelsgeschiedenis--De Nederlanden. Benelux --- -History --- -Benelux countries --- -Low countries --- -Congresses --- -Economische geschiedenis --- -Commerce --- 339 <09> <491.9> Handelsgeschiedenis--De Nederlanden. Benelux --- 338 <09> Economische geschiedenis --- -338 <09> Economische geschiedenis --- Businesspeople --- -External trade --- Low countries --- Congresses. --- art market --- Merchants - Benelux countries - History - Congresses. --- Financial institutions - Benelux countries - History - Congresses. --- Infrastructure (Economics) - Benelux countries - History - Congresses. --- International trade - Social aspects - Benelux countries - History - Congresses. --- Benelux countries - Commerce - History - Congresses. --- Benelux countries - Economic conditions - Congresses. --- Merchants - Benelux countries - History --- International trade - Social aspects - Benelux countries - History --- Financial institutions - Benelux countries - History --- Infrastructure (Economics) - Benelux countries - History --- Benelux countries - Economic conditions - Congresses --- Benelux countries - Commerce - History --- geschiedenis
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trade [function] --- art market --- Art --- Nuremberg --- Economic relations. Trade --- anno 1500-1799 --- anno 1400-1499 --- Art objects [German ] --- Germany --- Nuremberg (Germany) --- Exhibitions --- Art metal-work --- Book industries and trade --- History --- Commerce --- Germanisches Nationalmuseum (Nuremberg, Germany)
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