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Animators --- Animators --- Motion picture producers and directors --- Motion picture producers and directors --- Bardin, Garri,
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This is the definitive biography of Emile Cohl (1857-1938), one of the most important pioneers of the art of the animated cartoon and an innovative contributor to popular graphic humor at a critical moment when it changed from traditional caricature to the modern comic strip. This profusely illustrated book provides not only a wealth of information on Cohl's life but also an analysis of his contribution to the development of the animation film in both France and the United States and an interpretation of how the new genre fit into the historical shift from a "primitive" to a "classical" cinema. "Beautiful in look and design, with stunning reproductions from films and newspapers, Emile Cohl, Caricature, and Film offers a biography of a figure who virtually created the European art of animation... In its theory and history, the book is one of the most important contributions to [the field of animated film]. But [it] is central for film study per se, offering a fresh, exciting look at the complicated world of early cinema."--Dana Polan, Film QuarterlyOriginally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Cet ouvrage est issu du 6e colloque international du Réseau International de l'Animation (RIA) organisé à Paris au mois d'octobre 2013 par l'Association des Départements Carrières Sociales de France (ADCS). Durant trois journées, plus de 200 participants, chercheurs et praticiens, de 21 nationalités et territoires différents, ont pu témoigner de leurs travaux et pratiques, confronter leurs observations et analyses, échanger autour du thème « Animation socioculturelle et intervention sociale : pour quels projets de société ? ». La présente publication rassemble sept articles (un premier ouvrage a publié onze articles issus de ce même colloque) ayant plus particulièrement trait aux questions de formation personnelle et professionnelle. A partir des contextes français et suisse, les auteurs contribuent à une analyse critique des facteurs qui influent sur les parcours de vie, les contenus des formations et les engagements professionnels des animateurs et des animatrices. L'intérêt de ces communications est de questionner le sens que les acteurs institutionnels, associatifs, professionnels et bénévoles attribuent à l'animation et à l'intervention sociale. Un huitième article est écrit par Jean-Claude Gillet à l'occasion de la parution de cet ouvrage.
Cultural animation --- Cultural animators --- Social action --- Animation socioculturelle --- Animateurs socioculturels --- Action sociale --- Training of --- Formation --- Urban Studies --- Sociology --- animation socio-culturelle --- action sociale --- ville
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This book showcases the accomplishments and triumphs of women in Russian animation and reveals their past contributions to not only animation, but also world cinema. Through archival research, historical analysis, and close readings of animated films this book recuperates the often-overlooked contributions women made to Russian animation over the last 100 years.
Feminism and motion pictures --- Eastern European. --- Soviet and Russian animation. --- animation. --- animators. --- film and media studies. --- gender barriers. --- gender in film and media. --- women studies. --- world cinema.
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Children of immigrants --- Cultural animators --- Multicultural education --- Vocational education --- Enfants d'immigrants --- Education interculturelle --- Enseignement professionnel --- Education --- Training of --- 316.347 --- -Cultural animators --- -Multicultural education --- -Vocational education --- -Education, Vocational --- Vocational training --- Work experience --- Technical education --- Intercultural education --- Culturally relevant pedagogy --- Animators, Cultural --- Cultural administrators --- Cultural animation --- First generation children --- Immigrants' children --- Second generation children --- Immigrants --- Stratificatie volgens ras, cultuur, nationaliteit --- -Training of --- -Europe --- -Stratificatie volgens ras, cultuur, nationaliteit --- 316.347 Stratificatie volgens ras, cultuur, nationaliteit --- -316.347 Stratificatie volgens ras, cultuur, nationaliteit --- Education, Vocational --- Foreign workers --- European communities --- Occupational training --- European Union countries
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La personnalité de Wall Disney a longtemps occulté celle des autres auteurs de dessins animés. Aujourd'hui toutefois, grâce notamment à la télévision, au " Cinéma de minuit " comme à " la Dernière Séance ", Tex Avery a conquis le grand public. Bugs Bunny, le lapin facétieux, Droopy, le chien placide qui avoue d'une voix monocorde " je suis heureux ", l'écureuil fou, toujours prêt à inventer les pièges les plus diaboliques pour se débarrasser de ses adversaires, Spike, le gros chien vindicatif, Chilly Willy, le petit pingouin et le loup érotomane dont les sens se déchaînent à la vue d'une pulpeuse chanteuse, ont le même créateur. De la Warner Bros. à la Metro-Goldwyn-Mayer, Tex Avery a imaginé un univers irrationnel - surréaliste diront certains - dans lequel les loups ressemblent soudain à Adolf Hitler et où l'on se plaît à pulvériser les limites du possible et du bon sens. Bousculant les tabous, utilisant volontiers des jeux de mots et des phrases à double sens dignes des Marx Brothers, Tex Avery a donné une nouvelle dimension au dessin animé hollywoodien. Il n'existait à ce jour aucun ouvrage français sur cet auteur de génie dont l'influence sur la bande dessinée contemporaine est évidente. Voici donc, pour la joie des cinéphiles et pour tous les amoureux des " cartoons " de Droopy, un livre richement illustré, extrêmement documenté et réunissant des dessins originaux, publiés pour la première fois, un livre sur un monde fou, fou, fou : celui de Tex Avery !
791.43-252 --- #SBIB:309H1323 --- 799.97 --- Avery, Tex --- animatiefilm --- geschiedenis --- 791.43-252 Tekenfilms --- Tekenfilms --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- animatiefilm, productie (animators) --- -Criticism and interpretation --- Animation --- Avery, Tex, --- Avery, Fred, --- Avery, Frederick Bean, --- Criticism and interpretation. --- Criticism and interpretation --- animators --- Bugs Bunny --- Daffy Duck --- Warner Bros --- Hanna-Barbera --- Verenigde Staten --- 20e eeuw (twintigste eeuw) --- Avery, Tex, - 1908-1980 - Criticism and interpretation --- Avery, Tex, - 1908-1980
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This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews, this book illuminates, for the first time, the breadth and richness of Australia's animation history--back cover.
Animation (Cinematography) --- Animated films --- Cinematography --- Animated television programs --- Technique --- Animated films. --- Motion pictures. --- Australasia. --- Animation. --- Australasian Cinema and TV. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- History and criticism --- Animators --- 799.91 --- animatiefilm --- animators --- geschiedenis --- Australië --- Felix de kat --- Hanna-Barbera --- Cartoon makers --- History --- animatiefilm, geschiedenis
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Animators --- #SBIB:309H1323 --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Disney, Walt, --- Disini, --- Disneĭ, Uolt, --- Disney, Walter Elias, --- Ti-si-ñi, --- Ti-ssu-ni, --- W. ディズニー, --- Yensid, Retlaw, --- דיסני, וולט, --- ウォルトディズニー, --- Disnėjus, Voltas, --- United States --- Biography --- Disney (walter elias, dit walt), realisateur et producteur americain, 1901-1966
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"Animator Norman McLaren is best known for his experimental films using pioneering techniques and his work as founder of the animation department of the National Film Board of Canada (NFB), but little mention is made of his Scottish heritage or his personal life. Nichola Dobson examines some of the key events and people in his life through a close examination of his key works and his personal papers, and discusses how influential they were. By using archive material to discover his personal identity and close readings of his films, Norman McLaren rediscovers one of the most important figures in animation history. Divided into thematic chapters of significant areas of influence, Dobson analyzes his formative years growing up in Scotland and his relationship with fellow Scot, John Grierson; the international travel which influenced him politically and creatively; the creative arts which played a vital part of his life; his collaborations with other artists and his complex, and rarely discussed, personal life. Each of these chapters considers his key films during those periods with a close detailed analysis and a further examination of his life through his correspondence with family and close friends. By featuring this previously un-published material, the book allows much of the consideration of the work to be in McLaren's own words and offers a deep insight into his vast output of films over nearly 50 years."--Bloomsbury Publishing.
Animators --- McLaren, Norman, --- Cartoon makers --- Animation (Cinematography) --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey
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Animation (Cinematography) --- Animators --- Technological innovations. --- Breakthroughs, Technological --- Innovations, Industrial --- Innovations, Technological --- Technical innovations --- Technological breakthroughs --- Technological change --- Creative ability in technology --- Inventions --- Domestication of technology --- Innovation relay centers --- Research, Industrial --- Technology transfer --- Cartoon makers --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography)
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