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Epic poetry, Greek --- Poésie épique grecque --- Translations --- Traductions --- Homer --- Translations.
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Epic poetry, Greek --- Epic poetry, Greek. --- Classical Greek literature --- Poésie épique grecque --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Poésie épique grecque --- Anthologies
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Et si l'on avait tort de ne plus guère attacher d'importance aux Vies d'Homère qui nous ont été conservées ? Parfois contradictoires, invraisemblables, elles tiennent du roman. Certes, mais n'est-ce pas en cela, précisément, qu'elles doivent retenir l'attention ? Car un roman peut n'être pas fait seulement pour le loisir ; il peut aller plus loin que la mince ligne des faits, réels ou inventés, pour atteindre une profondeur à laquelle ne parvient pas la biographie scientifique, celle qui relève de l'Histoire. Tel est bien le cas du roman d'Homère, dont sont ici montrés la richesse et l'intérêt, du roman d'Homère qui raconte une autre histoire que celle d'un vieux poète aveugle.
Epic poetry, Greek --- Poésie épique grecque --- History and criticism --- Histoire et critique --- Homer. --- biographie --- Homère --- Homère - réception --- Poésie épique grecque --- Literature (General) --- historiographie
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"The Egyptian Nonnus of Panopolis (5th century AD), author of both the 'pagan' Dionysiaca, the longest known poem from Antiquity (21,286 lines in 48 books, the same number of books as the Iliad and Odyssey combined), and a 'Christian' hexameter Paraphrase of St John's Gospel (3,660 lines in 21 books), is no doubt the most representative poet of Greek Late Antiquity. Brill's Companion to Nonnus of Panopolis provides a collection of 32 essays by a large international group of scholars, experts in the field of archaic, Hellenistic, Imperial, and Christian poetry, as well as scholars of late antique Egypt, Greek mythology and religion, who explore the various aspects of Nonnus' baroque poetry and its historical, religious and cultural background. Contributors are: Domenico Accorinti, Benjamin Acosta-Hughes, Gianfranco Agosti, Herbert Bannert, Alberto Bernabé, Pierre Chuvin, Claudio De Stefani, Jitse H.F. Dijkstra, Gennaro D'Ippolito, Filip Doroszewski, Riemer A. Faber, Roberta Franchi, Rosa García-Gasco, Camille Geisz, Daria Gigli Piccardi, Fotini Hadjittofi, David Hernández de la Fuente, Scott Fitzgerald Johnson, Troels Myrup Kristensen, Nicole Kröll, Anna Maria Lasek, Jane L. Lightfoot, Calum Alasdair Maciver, Enrico Magnelli, Laura Miguélez-Cavero, Peter van Minnen, Ronald F. Newbold, Robert Shorrock, Fabian Sieber, Christos Simelidis, Konstantinos Spanoudakis, Francesco Tissoni, Berenice Verhelst, and Mary Whitby."--
Nonnus, --- Criticism and interpretation. --- Epic poetry, Greek --- Classical literature --- Poésie épique grecque --- Littérature ancienne --- History and criticism --- Histoire et critique --- Poésie épique grecque --- Littérature ancienne
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Poets, Greek --- Epic poetry, Greek. --- Poètes grecs --- Poésie épique grecque --- Biography. --- Biographies --- Homer. --- Biographie --- Homerus, --- Biographie. --- Poètes grecs --- Poésie épique grecque
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Voyage dans le temps et dans l'histoire, voyage dans les profondeurs de l'imagination, le présent ouvrage entend remonter jusqu'à la source la plus lointaine de l'épopée grecque. Le voyage est aussi une invitation à une autre lecture d'Homère : le vieux poète est le plus actuel et l'un de ceux dont le chant éveille en nous l'écho le plus puissant.
Epic poetry, Greek --- Poésie épique grecque --- History and criticism --- Histoire et critique --- Poésie épique grecque --- Literature (General) --- épopée --- littérature --- littérature grecque --- histoire
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From a corpus of Greek epics known in antiquity as the "Epic Cycle," six poems dealt with the same Trojan War mythology as the Homeric poems. Though they are now lost, these poems were much read and much discussed in ancient times, not only for their content but for their mysterious relationship with the more famous works attributed to Homer. In Device and Composition in the Greek Epic Cycle, Benjamin Sammons shows that these lost poems belonged, compositionally, to essentially the same tradition as the Homeric poems. He demonstrates that various compositional devices well-known from the Homeric epics were also fundamental to the narrative construction of these later works. Yet while the "cyclic" poets constructed their works using the same traditional devices as Homer, they used these to different ends and with different results. Sammons argues that the essential difference between cyclic and Homeric poetry lies not in the fundamental building blocks from which they are constructed, but in the scale of these components relative to the overall construction of poems. This sheds important light on the early history of epic as a genre, since it is likely that these devices originally developed to provide large-scale structure to shorter poems and have been put to quite different use in the composition of the monumental Homeric epics. Along the way Sammons sheds new light on the overall form of lost cyclic epics and on the meaning and context of the few surviving verse fragments.
Epic poetry, Greek --- Epic poetry, Greek. --- Epischer Kyklos. --- Erzähltechnik. --- Textstruktur. --- History and criticism. --- History and criticism --- Poésie épique grecque --- Histoire et critique
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This final volume of the Poetae epici Graeci includes the testimonia and fragments of Musaeus, Linus, Epimenides and the Papyrus Derveni. Numerous indices (fontium, verborum, auctorum et operum) and a Concordantia numerorum facilitate the use of the entire edition.
Epic poetry, Greek --- Poésie épique grecque --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Classical Greek literature --- Epic poetry, Greek. --- Greek literature (epic). --- history of religion.
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Homer --- Classical Greek literature --- Achilles (Greek mythology) --- Epic poetry, Greek --- Odysseus (Greek mythology) --- Trojan War --- Poésie épique grecque --- Achille (Mythologie grecque) --- Guerre de Troie --- Ulysse (Mythologie grecque) --- Translations into English. --- Poetry. --- Traductions en anglais --- Poésie --- Achilles
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Die Hekale des hellenistischen Dichters Kallimachos stellt eines der bekanntesten Kleinepen der griechischen Literatur dar und fand als solches großen Anklang in der Antike. Im Mittelpunkt dieser Untersuchung steht die bisher nur selten gestellte und daher nicht ausreichend behandelte Frage nach dem Verhältnis der Hekale zu dem homerischen Epos, und zwar zur Odyssee. Den gewonnenen Erkenntnissen zufolge stellt sich heraus, dass die Odyssee ebenso deutlich wie nachhaltig die Sprache, die Figurenkonstellation des hellenistischen Miniaturepos wie auch die gesamte Struktur dessen Handlung beeinflusste. Die Untersuchung dokumentiert die zahlreichen und verschiedenartigen Rekurse, Anklänge, Anleihen, die Kallimachos auf sprachlicher, figurenbezogener und nicht minder auch struktureller Ebene bei der Odyssee gemacht hat, indem sie Lesestrategien in Anspruch nimmt, die auf Inter- und Intratextualität, Erzähltheorie, poetische Etymologie, Mündlichkeit vs. Schriftlichkeit und Geschlechterforschung beruhen. In diesem methodischen Rahmen enthält sie mehrere Interpretationsversuche, die neues Licht auf die ,kleinen Leute' sowohl des homerischen als auch des hellenistischen Epos werfen sollen.
Epic poetry, Greek --- Poésie épique grecque --- History and criticism. --- Histoire et critique --- Homer. --- Callimachus. --- Poésie épique grecque --- History and criticism --- Homerus. --- Classical literature --- Hellenistic Poetry. --- Intertextuality. --- Reception in Antiquity.
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