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Het is bijna niet voor te stellen dat een Catalaanse reiziger in de hoge middeleeuwen bij het bezoeken van een plattelandskerk in Noorwegen geen enkele moeite zou hebben gehad om de misviering bij te wonen en te begrijpen. De liturgie en aankleding van het altaar waren in heel West-Europa gelijk. Er was in de periode 1100-1350 een opvallende religieuze en culturele eenheid in heel West-Europa. Dit kan worden geïllustreerd aan de hand van de middeleeuwse kerkelijke kunst. De altaardecoraties uit de twaalfde tot veertiende eeuw zijn echter zeer ongelijk over Europa verdeeld. Alleen in het noorden en zuiden zijn deze vroege stukken nog in ongekende rijkdom bewaard gebleven. Aangezien er geen directe verbinding tussen Noorwegen en Catalonië bestond, bestaat het vermoeden dat vergelijkbare kunstvormen met bijbehorende beeldtaal ook in alle tussengelegen landen van West-Europa hebben bestaan. Dit rijkgeïllustreerde boek, dat verschijnt bij de gelijknamige tentoonstelling, toont aan dat heel West-Europa in de middeleeuwen putte uit een gedeeld arsenaal van geloofsvoorstellingen en -overtuigingen, uitdrukkingsvormen en symbolen. Er was een gedeelde Europese beeldtaal in het gebied rondom de Noordzee door een groeiende eenwording van Europa, die hand in hand ging met de verspreiding van het christendom over het gehele continent.
Art médiéval --- Art religieux --- Art, Medieval --- Religious art --- History
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Books in art --- Religious art --- Art, Italian --- Codex purpureus Rossanensis.
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Este livro materializa a multiplicação dos resultados do curso intensivo internacional Iconografia: pesquisa e aplicação em estudos de artes visuais, realizado no Museu de Arte da Bahia (MAB) coordenado pelo Programa de Pós-Graduação em Artes Visuais da Escola de Belas Artes da Universidade Federal da Bahia. São 13 artigos presentes na publicação de autoria de pesquisadores brasileiros e portugueses que se debruçam sobre o protagonismo da imagem, a linguagem figurativa, que se configura como ponto de partida para as análises iconográficas e diversas outras temáticas da área.
Art --- Pictures in art. --- Religious art. --- Study and teaching.
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Religious art --- Archaeology and religion --- Solomon, --- Sheba, --- Sheba, --- Ethiopia --- Folklore.
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Tourism --- Museum exhibits --- Religious art --- Religious aspects --- Exhibitions
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At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Art and globalization --- Culture and globalization --- Religious art --- Globalization and culture --- Globalization and art --- History --- Sacred art --- Art --- Globalization --- Comparative religion --- Religious art. --- History.
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Painting --- Christus aan het Kruis --- religious art --- Pasture, de le, Roger --- Early Netherlandish
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Christian special devotions --- Christian religion --- Judaism --- Islam --- Jewish religion --- religious art --- pilgrimages --- Christianity --- Art --- Exhibitions
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"Introduces the subjects and themes most frequently depicted in medieval art, many of them drawn from the Bible and both religious and secular literature. Included among the 38 representative works of art discussed are brilliant altarpieces, stained-glass windows, intricate tapestries, carved wood sculptures, delicate ivories, and captivating manuscript illuminations, all from the holdings of the Metropolitan Museum, one of the world's most comprehensive collections of medieval art. Informative texts on iconic masterworks such as the Merode Altarpiece, the Unicorn Tapestries, and the Belles Heures of Jean de France, duc de Berry along with less familiar work highlight the context in which the objects were made, conveying their visual and technical nuances as well as their broader symbolic meaning."--Résumé de l'éditeur.
Religious art --- Art, Medieval --- Medieval art --- Sacred art --- Art --- Art, Medieval.
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