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Hamrah is committed to his ambivalence, conveying it with a mixture of precision and conviction that will remind you how much more there is to be gleaned from a review than whether a movie is 'good' or 'bad' (even if it's a movie you happen to deem very good or very bad indeed) . . . A political awareness imbues Hamrah's criticism without weighing it down. He doesn't succumb to a leaden moralizing because he pays close attention to the medium he's writing about, alert to what he sees and hears.

film --- filmtheorie --- filmanalyse --- filmkritiek --- eenentwintigste eeuw --- 791.41 --- Analyse de l'art --- Cinéma

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Cet ouvrage ouvre un champ nouveau de l'histoire de la peinture: le détail, vu inopinément ou peu à peu découvert, identifié, isolé, découpé de son ensemble, met en question des catégories de l'histoire de l'art qui semblent avoir été établies "de loin". En étudiant les différents statuts du détail, l'auteur propose une autre histoire de la peinture: une histoire rapprochée des pratiques du pinceau et du regard.

Painting --- Peinture --- History. --- Histoire --- Details (Art) --- Analyse de l'art --- Histoire de la peinture --- Theorie de la peinture --- Histoire. --- Détails (peinture) --- Esthétique --- Esthétique. --- Peinture - Histoire. --- CDL --- 75.04

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In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma. Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging. Lauzon's boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a unique set of responses to questions of home and belonging in an increasingly unwelcoming world. From the legacies of Colombia's 'dirty war' to migrant North African workers crossing the Mediterranean, The Unmaking of Home in Contemporary Art bears witness to the suffering of others whose overriding notion of home reveals the universality of human vulnerability and the limits of empathy.

Dwellings in art. --- Contemporary art --- Dwellings and society --- Society and dwellings --- Dwellings --- Art, Modern --- Modernism (Art) --- Social aspects. --- Habitat --- Analyse de l'art --- Philosophie --- 2000-2099

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Carpaccio, Vittore, --- Carpaccio, Vittore --- Karpachcho, Vittore, --- Scarpaccia, Vittore, --- Carpathius, Victor, --- Carpaccio, Vettore, --- Analyse de l'art --- Esthétique --- Peintre --- 15e siècle --- 16e siècle --- Paintings --- Psychoanalyse --- cultuur en religie. --- CDL --- 75.071 CARPACCIO --- Carpaccio, Vittore, - 1455?-1525?

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Cette publication, au graphisme et à la mise en page spécifiques, entend montrer comment le design franchit actuellement les frontières disciplinaires traditionnelles, en étant réinvesti dans les champs de l'industrie, de l'architecture et de l'urbanisme, de l'anthropologie, de la philosophie, des théories économiques... avec des contributions de Greg Lynn, Christopher Peterka, Wolfgang Weingart, Marcel Alexander Niggli, Christian Labonte, Fiona Raby et Anthony Dunne, Christian Doelker, Philipp Sarasin, Raymond Guidot, Eric Zimmerman, Manfred Fassler.

Analyse de l'art --- Communication --- Design --- Théorie de l'art --- kunst --- design --- designtheorie --- kunsttheorie --- productdesign --- grafisch design --- onderzoek in de kunsten --- onderzoek --- eenentwintigste eeuw --- 7.01 --- 745.01 --- Analyse de Philosophiel'art --- Philosophie --- Architecture --- Urbanisme --- Philosophie de l'art