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"The nineteenth century medal series The Greatest Edifices of Europe by Belgian engraver-medalist Jacques Wiener is examined in detail. The work begins by providing a biographical background for Wiener, integrating two primary, existing sources. The overall medal series is then addressed starting with its inception as defined in Wiener's original 1854 prospectus through its quietly incomplete conclusion. The scope of the series, its range of issue dates, and elements and characteristics of its production are presented. For each edifice commemorated, the associated medals, including new and unpublished varieties, are presented, legends translated, die characteristics examined, contemporary supporting documentation cited, issue dates revised, and source images used by the artist are identified in limited cases. Where applicable, instances of divergence between the state of the actual monument and Wiener's renderings are noted as well. The intent of the work is to provide a greater understanding of the medal series through a contextual approach"--

Medals --- Architecture in numismatics --- Medalists --- Engravers --- History --- Wiener, Jacques,

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"Coins, Artists, and Tyrants contains the first fully translated and revised text of Lauri O. Tudeer, Die Tetradrachmenprägung von Syrakus in der Periode der signierenden Künstler, as well as a biography of Tudeer, plus a completely new evaluation of signed coin dies and the artists who produced them. Over 100 years after its first publication, Wolfgang R. Fischer-Bossert completely updates the scholarship and bibliography on signed Syracusan tetradrachms, making this book the single most important source on the subject. The book includes plates, a full-color die-link chart, and three pull-outs featuring Syracusan tetradrachms and hoards."--Publisher's website.

Coins, Greek --- Coins, Ancient --- Coin dies --- Engravers --- Peloponnesian War (Greece : 431-404 B.C.) --- To 800 --- Syracuse (Italy) --- Greece --- Greece. --- Italy --- History

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Artists --- Artists' marks --- Monograms. --- Engravers --- Engravers' marks. --- Sculptors --- Artistes --- Monogrammes --- Graveurs --- Sculpteurs --- Biography --- Dictionaries --- Biographies --- Dictionnaires anglais --- Signatures --- Biographie --- Marques --- Monograms --- French --- 7(03) --- Beeldende kunst ; naslagwerken ; encyclopedieën --- Benezit --- kunst --- naslagwerk --- tekenkunst --- grafiek --- schilderkunst --- beeldhouwkunst --- monogrammen --- 7 --- 7 <03> --- -Artists' marks --- Ciphers (Lettering) --- Decoration and ornament --- Inscriptions --- Lettering --- Alphabets --- Initials --- Marks, Artists' --- Painters' marks --- Engravers' marks --- Persons --- Kunst ; encyclopedieën --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Naslagwerken. Referentiewerken --- Artists' marks. --- French. --- 7 <03> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Naslagwerken. Referentiewerken --- 700.1 --- Artists - French

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Experience taught William Blake that "Wisdom is sold in the desolate market where none come to buy." His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living. G.E. Bentley Jr, the dean of Blake scholars, details the poet's occupations as a commercial engraver, print-seller, teacher, copperplate printer, painter, publisher, and vendor of his own books. In his early career as a commercial engraver, Blake was modestly prosperous, but thereafter his fortunes declined. For his most ambitious commercial designs, he made hundreds of folio designs and scores of engravings, but was paid scarcely more than twenty pounds for two or three years' work. His invention of illuminated printing lost money, and many of his greatest works, such as Jerusalem, were left unsold at his death. He came to believe that his "business is not to gather gold, but to make glorious shapes." William Blake in the Desolate Market is an investigation of Blake's labours to support himself by his arts. The changing prices of his works, his costs and receipts, as well as his patrons and employers are expertly gathered and displayed to show the material side of the artistic career in Britain's Romantic period.

Engravers --- Poets, English --- Graveurs --- Poètes anglais --- Metal engravers --- Artists --- Printmakers --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Finance, Personal. --- Finances personnelles. --- 76 BLAKE, WILLIAM --- 655.52 --- 655.54 --- 655.4 <41> --- 76 BLAKE, WILLIAM Grafische kunsten. Grafiek. Prentkunst--BLAKE, WILLIAM --- Grafische kunsten. Grafiek. Prentkunst--BLAKE, WILLIAM --- Relatie auteur-uitgever: royalties, contracten, rechten, vertaalrechten--z.o.{347.788} --- Boekenprijs --- Uitgeverij. Boekhandel--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland

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Titre néerlandais : N15689 : Georges Lemmen 1865-1916 : [ Tentoonstelling.. ]

Exposition --- Ixelles --- Lemmen, Georges --- Peintres --- Peinture --- Lemmen, G. --- Lemmen, Georges, --- 76 LEMMEN, GEORGES --- 76 LEMMEN, GEORGES Grafische kunsten. Grafiek. Prentkunst--LEMMEN, GEORGES --- Grafische kunsten. Grafiek. Prentkunst--LEMMEN, GEORGES --- Exhibitions. --- Exhibitions --- Painting, Belgian --- Peinture belge --- Expositions --- pointillism [painting technique] --- engravers [incisers] --- Impressionist [style] --- artists [visual artists] --- illustrators --- painters [artists] --- CDL --- 75.071 LEMMEN --- Lemmen, Georges, - 1865-1916 - Exhibitions