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This huge exploration of faith, tolerance, hatred, extermination, love, loyalty, self-sacrifice and hope in despair, is the first panel of a central diptych on the Reformation, and the heart of the wider tetralogy of Meyerbeer's grand operas, where issues of power, religion and love are examined in a variety of modes. For five years after the sensational première of Robert le Diable, Meyerbeer was thought to be resting on his laurels. Instead, he was drudging over a gigantic drama, partly ada...
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French literature --- CDL --- 741.071 GRANDVILLE --- Grandville, J. J., --- Grandville, J. J. --- Grandville --- Gérard, Jean Ignace Isidore --- Prose in English, 1837-1900 Texts. Facsimiles
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Fac-similés --- Facsimile's --- Facsimiles --- 526 --- Monografieën componisten en uitvoerders --- Schütz, Heinrich. --- Schütz, Heinrich --- Schütz, Henrich --- Schützen, Heinrico --- Sagittarius, Henricus --- Shi︠u︡tt︠s︡, Genrikh, --- Sagittarius, Henricus, --- Sagitarius, Henricus, --- Sagittarius, Heinricus, --- Schuetz, Heinrich, --- Schütz, Henrich,
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The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul's mysteries: Emily Dickinson. Yet that image scarcely captures the fullness and vitality of Dickinson's life, most notably her many connections-to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, "Master" to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson's vast literary remains, this volume-an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York-demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet's life. Seeing the network of connections and influences that shaped Dickinson's life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity. The materials collected here make clear that the story of Dickinson's manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson's life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson's salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England? Published to accompany The Morgan Library & Museum's pathbreaking exhibit I'm Nobody! Who are You? The Life and Poetry of Emily Dickinson-part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors-The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.
Dickinson, Emily, --- Biography: general --- Biography: literary --- Poetry --- Dickinson, Emily; 1830-1886; Exhibitions; Manuscripts; Facsimiles --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili,
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Alfred, King of England, 849-899. --- Anglo-Saxons -- Early works to 1800. --- Anglo-Saxons -- England -- Historiography. --- English literature -- Old English, ca. 450-1100 -- History and criticism. --- Great Britain -- History -- Anglo-Saxon period, 449-1066 -- Sources. --- Manuscripts, English (Old) -- Facsimiles. --- Manuscripts, Latin -- Facsimiles. --- English literature --- Anglo-Saxons --- Manuscripts, English (Old) --- Manuscripts, Latin --- Alfred, --- Regions & Countries - Europe --- History & Archaeology --- Great Britain --- Latin manuscripts --- Latin language --- Latin philology --- Anglo-Saxon manuscripts --- English manuscripts, Old --- Manuscripts, Anglo-Saxon --- Manuscripts, Old English --- Old English manuscripts --- Saxons --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism --- Historiography
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In Chilam Balam of Ixil Laura Caso Barrera translates for the first time a Yucatec Maya document that resulted from the meticulous reading by the Colonial Maya of various European texts such as the Bible and the Poem of the Mío Cid, as well as various studies on astronomy, astrology, calendars, and medicine. The Maya, showing considerable astuteness and insight, appropriated this knowledge. With this study and facsimile, experts can further their knowledge of Mayan calendars or traditional medicine; and Mayan enthusiasts can discover more about the culture’s world view and history. En el Chilam Balam de Ixil Laura Caso Barrera traduce por primera vez un documento en maya yucateco, que resultó de la minuciosa lectura que realizaron los mayas coloniales de distintos textos europeos como la Biblia o el Cantar del Mío Cid, así como de diversos estudios de astronomía, astrología, calendarios y medicina. Con astucia y perspicacia, los mayas hicieron propio ese saber. Con esta edición, los expertos podrán ahondar en las anotaciones calendáricas o la medicina tradicional maya; y los amantes de esta cultura conocerán otros aspectos de su pensamiento e historia.
Manuscripts, Maya --- Maya astronomy. --- Mayas --- Traditional medicine. --- Ethnic medicine --- Ethnomedicine --- Folk medicine --- Home cures --- Home medicine --- Home remedies --- Indigenous medicine --- Medical folklore --- Medicine, Primitive --- Primitive medicine --- Surgery, Primitive --- Alternative medicine --- Folklore --- Medical anthropology --- Ethnopharmacology --- Medicine, Maya --- Astronomy, Maya --- Astronomy --- Facsimiles. --- Medicine. --- Religion. --- Chilam Balam de Ixil (Manuscript). --- Chilam Balam books. --- Chilam Balam of Ixil (Manuscript)
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The brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Loffler and others?the leading graphic artists of the Vienna Secession and the Wiener Werkstätte?Die Fläche (German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world.This full-size facsimile of all 14 issues of Die Fläche lets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance.Die Fläche is the first volume in Letterform Archive?s facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights.Bron : https://www.copyrightbookshop.be/en/shop/die-flache-design-and-lettering-of-the-vienna-secesssion-1902-1911/
Arts graphiques --- Typographie --- Graphic arts --- Austrian periodicals --- Periodicals --- Facsimiles. --- History --- History and criticism. --- Wiener Secession (groupe d'artistes) (1897-2001) --- Wiener Secession --- Périodiques --- Fac-similés. --- Histoire. --- History. --- Wiener Werkstätte --- Kunstgeschiedenis --- Wenen (stad) --- Oostenrijk --- 20e eeuw --- Toegepaste kunst --- fasc --- Fascisme
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facsimile's --- pianomuziek --- anno 1700-1799 --- Germany --- Chansons acc. de basse continue --- Choeurs profanes (Voix mixtes, 4 vx) a cappella --- Choruses [Secular ] (Mixed voices, 4 pts.) [Unaccompanied ] --- Clavecin [Musique de ] --- Duos vocaux acc. de basse continue --- Harpsichord music --- Klavecimbelmuziek --- Koren [Wereldlijke ] (Gemengde stemmen, 4 st.) [Onbegeleide ] --- Liederen met basso continuo --- Organ music --- Orgelmuziek --- Orgue [Musique d'] --- Songs with continuo --- Vocal duets with continuo --- Vocale duetten met basso continuo --- Music --- Musique --- Facsimiles --- Fac-similés --- 361 --- Reeksen en verzamelingen allerlei: vokaal-instrumentaal van 2-stemmig tot meerstemmig --- Fac-similés --- Albums --- Bloemlezingen --- Instrumentaal --- Repertoirestukken --- Klavier --- Piano --- Zang --- Sonatines --- Variaties --- Marsen --- Solo's --- Duo's --- Duitsland --- Ensembles --- 18e eeuw --- Sonates
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Dans le présent ouvrage, la photographie, oeuvre documentaire mais aussi oeuvre d'art, rend compte des trois créations de Le Nôtre - Versailles, Sceaux et Saint-Cloud - au travers du regard d'Eugène Atget et de Daniel Quesney. Daniel Quesney a repris rigoureusement les vues d'images anciennes réalisées par Atget au début du XXe siècle. Les images dans ce livre sont extraites d'un travail portant sur les méthodes de reprises de vues d'images anciennes.
Bollaert, Ditmar --- Hinduism --- Photography --- Bollaert, Ditmar, --- Historic parks --- Parcs historiques --- Atget, Eugène, --- Le Nôtre, André, --- Parc de Versailles (Versailles, France) --- Photography of gardens --- Views --- Le Nôtre, André --- Quesney, Daniel --- Saint-cloud --- Versailles --- Photography - French gardens - Versailles --- 77.071 ATGET --- 77.071 QUESNOY --- Le Nôtre, André, --- CDL --- Jardin public --- Paysage --- Photographie --- Atget, Eugène --- Atget, Eugène, --- Sceaux --- Parks --- Parcs --- Geography --- Natural scenery --- Scenery --- Voyages and travels --- Pictures --- Garden photography --- Gardens --- Quesney, Daniel. --- Atget, Jean-Eugène, --- Photography of gardens - France --- Views - Facsimiles --- Atget, Eugène, - 1857-1927 --- Atget (eugene), 1856-1927 --- Beuys, Joseph --- Hamburg Art Gallery
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Cartography --- Cartographie --- History. --- Histoire --- London (England) --- Londres (Angleterre) --- Historical geography --- Maps. --- Maps --- Early works to 1800 --- Facsimiles. --- Géographie historique --- Cartes --- Ouvrages avant 1800 --- Fac-similés --- -71.03 --- 912 --- London --- Londen --- Groot-Brittannië --- 711.424 --- 912 <09> <41 LONDON> --- 912 <41 LONDON> --- 71(410) --- 912.43 --- Cartografie ; stadsplannen ; Londen --- Atlassen ; kaarten ; Londen --- Stedenbouw ; geschiedenis ; Londen --- Stadsontwikkeling ; a.h.v. kaarten ; Londen --- Geography, Historical --- Geography --- Stedenbouw (geschiedenis) --- Kaarten --- Historische plaatsen. Monumentale steden --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ...--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Cartography. Maps. Atlasses--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Stedenbouw. Ruimtelijke ordening ; Groot-Brittannië --- Geogafie ; kartografische beelden, kaarten --- 711.424 Historische plaatsen. Monumentale steden --- Géographie historique --- Fac-similés --- History --- -Maps
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