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This monograph contributes to the scientific misconduct debate from an oblique perspective, by analysing seven novels devoted to this issue, namely: Arrowsmith by Sinclair Lewis (1925), The affair by C.P. Snow (1960), Cantor’s Dilemma by Carl Djerassi (1989), Perlmann’s Silence by Pascal Mercier (1995), Intuition by Allegra Goodman (2006), Solar by Ian McEwan (2010) and Derailment by Diederik Stapel (2012). Scientific misconduct, i.e. fabrication, falsification, plagiarism, but also other questionable research practices, have become a focus of concern for academic communities worldwide, but also for managers, funders and publishers of research. The aforementioned novels offer intriguing windows into integrity challenges emerging in contemporary research practices. They are analysed from a continental philosophical perspective, providing a stage where various voices, positions and modes of discourse are mutually exposed to one another, so that they critically address and question one another. They force us to start from the admission that we do not really know what misconduct is. Subsequently, by providing case histories of misconduct, they address integrity challenges not only in terms of individual deviance but also in terms of systemic crisis, due to current transformations in the ways in which knowledge is produced. Rather than functioning as moral vignettes, the author argues that misconduct novels challenge us to reconsider some of the basic conceptual building blocks of integrity discourse.
Philosophy. --- Literature, Modern --- Ethics. --- Psychoanalysis. --- Twentieth-Century Literature. --- Science, Humanities and Social Sciences, multidisciplinary. --- 20th century. --- Psychology --- Psychology, Pathological --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Philosophy --- Values --- Literature --- Mental philosophy --- Humanities --- Literature, Modern-20th century. --- Literature, Modern—20th century. --- scientific misconduct --- science novels --- Lacanian psychoanalysis --- research integrity --- plagiarism --- continental philosophy --- ethics --- falsification
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This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.
Literature: history & criticism --- Literary theory --- Literary studies: from c 1900 --- -Literature: history & criticism --- -European literature. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature—Philosophy. --- European Literature. --- Contemporary Literature. --- Literary Theory. --- European literature. --- European literature --- Literature --- Literature, Modern—20th century --- Literature, Modern—21st century --- Literature—Philosophy --- Literature, Modern --- 20th century. --- 21st century. --- Philosophy. --- Literature and philosophy --- Philosophy and literature --- Theory
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Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world.Three important as
Literature, Modern --- Postmodernism (Literature) --- History and criticism --- Theory, etc. --- Postmodernism (Literature). --- Littérature --- Postmodernisme (Littérature) --- History and criticism. --- Histoire et critique --- 82.015.9 --- 82.015.9 Literaire stromingen: postmodernisme --- Literaire stromingen: postmodernisme --- Literature --- anno 1900-1999 --- Theory, etc --- Letterkunde (Vergelijkende). Geschiedenis. (Reeks) --- Littératures européennes. Histoire. (Collection) --- Littérature comparée. Histoire. (Collection) --- Letterkunde (Europese). Geschiedenis. (Reeks) --- Literature, Modern -- 20th century -- History and criticism -- Theory, etc. --- Literature, Modern -- 20th century -- History and criticism. --- Literature, Modern. --- Literature - General --- Languages & Literatures --- Literary movements --- Modern literature --- Arts, Modern --- Literature, Modern - 20th century - History and criticism - Theory, etc. --- LITTERATURE MODERNE --- POSTMODERNISME (LITTERATURE) --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- THEORIE, ETC.
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Literature, Modern --- Avant-garde (Aesthetics) --- Popular culture --- Aesthetics --- Modernism (Art) --- History and criticism. --- History --- History and criticism --- Popular culture - United States - History - 20th century --- Avant-garde (Aesthetics) - United States --- Literature, Modern - 20th century - History and criticism
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In this text, the author highlights unrecorded discoveries about how maps and literature are associated. Not only do maps give us a tool by which to understand a physical reality as it actually exists, but maps can support the realm of literary fiction - such as Tolkien's Middle Earth, or Stevenson's Treasure Island. There are also maps that try to catch a certain historical moment like an urban space at a particular time period, or a rural environment. While maps had historically guided travel, in literature they provide an escape mechanism that transports the audience to an unfamiliar place.
Literature, Modern -- 19th century -- History and criticism. --- Literature, Modern -- 20th century -- History and criticism. --- Modernism (Literature). --- English literature --- Geography in literature --- Maps in literature --- English --- Languages & Literatures --- English Literature --- Topography in literature --- History and criticism
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In diesem Open-Access-band geht es um die Thematisierung des Verhältnisses zwischen den gegenwärtig getrennten „Zwei Kulturen“ und Umrisse ihrer neuen Synthese in Richtung auf eine zeitgenössische, auf Interdisziplinarität gegründeten „Dritten Kultur“ als Zusammenschau von Literaturwissenschaft, Philosophie und Naturwissenschaft. Dabei wird Kafka als ein Autor ernst genommen, dessen Nähe zu Autoren der Romantik (Kleist etwa als einer seiner „Blutsbrüder“) ihn dazu bestimmte, deren zentrales Interesse an der Elektrizität (in Form des Mesmerismus beispielsweise) zu teilen. Als eine Weiterführung hinein in die neueste Moderne gelangt Kafkas besondere Begegnung mit Einstein und dessen Relativitätstheorie zur Darstellung, deren Einwirkung insbesondere auf Kafkas Spätwerk dargelegt wird. Als moderne Spielform solch „electrisch“- transdisziplinär orientierten literarischen Schreibens wird diesen Ausführungen Botho Strauß` gegenwärtiges Novellenwerk zur Seite gestellt. Die Herausgeber Die Herausgeber sind Professoren an der Technisch-Naturwissenschaftlichen Universität Trondheim (Norwegen), an den Instituten für Geschichte (Prof. Dr. George Chabert), dem Institut für Physik (Prof. Dr. Michael Kachelriess) und dem für Sprache und Literatur (Prof. em. Dr. Bernd Neumann). Ihre wissenschaftlichen Schwerpunkte liegen bei der modernen (Sozial-)Geschichte, der Atomphysik und der modernen (deutschen) Literatur.
Literary studies: from c 1900 --- -Literature: history & criticism --- Dritte Kultur --- Relativitätstheorie --- Kafka --- Houellebeqc --- Interdisziplinarität --- Open Access --- Literature, Modern—20th century. --- Comparative literature. --- Twentieth-Century Literature. --- Comparative Literature. --- Comparative literature --- Literature, Comparative --- Philology --- History and criticism
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Dieses Open-Access-Buch beschreibt die rege Wiederaufnahme des Romantischen in der literarischen Landschaft um 1900. Es zeichnet die vergessene Diskursgeschichte einer sogenannten ‚Neuromantik‘ nach, um anschließend zu analysieren, was genau sich in diesen Texten im Vergleich zur historischen Romantik verändert hat. Die Neoromantik der Jahrhundertwende lässt sich damit als eine folgenreiche Station in der internationalen Kulturgeschichte wiederentdecken, die zugleich das Romantik-Bild des 20. Jahrhunderts entscheidend geprägt hat. Der Autor Raphael Stübe ist wissenschaftlicher Mitarbeiter (Post-Doc) an der Goethe-Universität Frankfurt am Main und am Freien Deutschen Hochstift (Deutsches Romantik-Museum).
Literature—Philosophy. --- Literature—History and criticism. --- Literature, Modern—19th century. --- Literature, Modern—20th century. --- Prose literature. --- Literary Theory. --- Literary History. --- Nineteenth-Century Literature. --- Twentieth-Century Literature. --- Narrative Text and Prose. --- Literature --- Literature, Modern --- Philosophy. --- History and criticism.
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This Open access book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even productive, means of expression. From a wide range of critical perspectives, the individual essays address, among other issues, the conspiracies of silence in Catholic Ireland, the silenced structural oppression of Celtic Tiger Ireland, the recovery of silenced stories/voices of the past and their examination in the present, as well as millennial disaffection and the silencing of vulnerability in today’s neoliberal Ireland. The book ’s attention to silence provides a rich vocabulary for understanding what unfolds in the quiet interstices of Irish writing from recent decades. This study also invokes the past to understand the present and, thus, demonstrates the continuities and discontinuities that define how silence operates in Irish culture. M. Teresa Caneda-Cabrera is Senior Lecturer in English at the University of Vigo, Spain. She is the author of a monograph on A Portrait of the Artist as a Young Man and sits on the Editorial Board of European Joyce Studies. Her research on silence and vulnerability in contemporary Irish fiction has been funded by the Spanish MCIN, AEI and ERDF. She is the co-editor of Atlantic Communities: Translation, Mobility, Hospitality (2023) and the editor of Telling Truths: Evelyn Conlon and the Task of Writing (2023). José Carregal-Romero lectures at the University of Huelva, Spain. His research focuses on the intersections between gender and sexuality in contemporary Irish literature, with a keen interest in silence and vulnerability. He is the co-editor of Revolutionary Ireland, 1916–2016: Historical Facts & Social Transformations Re-Assessed (2020) and the author of Queer Whispers: Gay and Lesbian Voices of Irish Fiction (2021).
Literature, Modern—20th century. --- Literature, Modern—21st century. --- Fiction. --- Great Britain—History. --- Contemporary Literature. --- Fiction Literature. --- History of Britain and Ireland. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy
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It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media. From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.
Culture in motion pictures. --- Disaster films - History and criticism. --- Disaster films -- History and criticism. --- Literature, Modern - 20th century - History and criticism. --- Literature, Modern -- 20th century -- History and criticism. --- Psychic trauma in literature. --- Psychic trauma in motion pictures. --- Terrorism in motion pictures. --- Terrorism in motion pictures --- Disaster films --- Psychic trauma in motion pictures --- Psychic trauma in literature --- Literature, Modern --- Culture in motion pictures --- Film --- Music, Dance, Drama & Film --- Motion pictures --- Modern literature --- Arts, Modern --- Disasters in motion pictures --- History and criticism --- History and criticism. --- 791.41 --- 9/11 --- Deren Maya --- Duras Marguerite --- film --- film en psychoanalyse --- Freud Sigmund --- Hitchcock Alfred --- Irak --- Kofman Sarah --- Moffatt Tracey --- oorlogen --- postkolonialisme --- psychoanalyse --- psychologie --- Rwanda --- Spellbound --- terrorisme --- trauma's --- Social psychology --- Sociology of culture --- Mass communications --- Literature --- Disaster films - History and criticism --- Literature, Modern - 20th century - History and criticism
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This book is open access under a CC BY 4.0 license. 'Despite the recent spate of books about Alzheimer’s disease by doctors, patients, and caregivers, no other writer to my knowledge has attempted to do what the humanities scholar and research scientist Martina Zimmermann has accomplished here: an analysis of dementia narratives attuned to the medical, political, sociological, ethical, and poetic aspects—that is, the full human experience—of living with inexorable, unforgiving cognitive decline.' - Eileen Gillooly, Columbia University, USA ‘This very fine study reflects capacious knowledge and insight into a condition that, as the author suggests, is one of the most complex and fraught for patients and caregivers, and one of the most misunderstood by policy makers. The Poetics and Politics of Alzheimer’s Disease Life-Writing offers an important intervention at a critical time, and deserves to meet with a wide readership.’ - Jane F. Thrailkill, University of North Carolina, USA This is the first book-length exploration of the thoughts and experiences expressed by dementia patients in published narratives over the last thirty years. It contrasts third-person caregiver and first-person patient accounts from different languages and a range of media, focusing on the poetical and political questions these narratives raise: what images do narrators appropriate; what narrative plot do they adapt; and how do they draw on established strategies of life-writing. It also analyses how these accounts engage with the culturally dominant Alzheimer’s narrative that centres on dependence and vulnerability, and addresses how they relate to discourses of gender and aging. Linking literary scholarship to the medico-scientific understanding of dementia as a neurodegenerative condition, this book argues that, first, patients’ articulations must be made central to dementia discourse; and second, committed alleviation of caregiver burden through social support systems and altered healthcare policies requires significantly altered views about aging, dementia, and Alzheimer’s patients. Martina Zimmermann has fifteen years of research and teaching experience in Pharmacology, and is Privatdozentin at Goethe University Frankfurt, Germany. Her scholarly interests have increasingly shifted towards the Health Humanities: with an MA in Literature and Medicine, she currently researches for a book on dementia in Science, Medicine and Literature of the 20th Century at King’s College London, UK, funded by the Wellcome Trust.
Literature. --- Literature, Modern --- British literature. --- Twentieth-Century Literature. --- British and Irish Literature. --- 20th century. --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature, Modern-20th century. --- Literature, Modern—20th century. --- Alzheimers --- medicine --- biography --- autobiography --- Alzheimer's --- European literature. --- European Literature. --- European literature --- Prophylaktische Operationen --- Risikoadaptierte Prävention --- Big Data --- Medizinrecht --- Governance Perspective --- BRCA --- Hereditärer Brustkrebs --- bioinformatischer Innovationsschub --- deutsches Gesundheitswesen --- genetische Brustkrebsrisiken --- Systemmedizin --- Gesundheitspolitik --- Leistungsanspruch --- Economic development. --- Medical policy. --- Ethics. --- Labor law. --- Gynecology . --- Health economics. --- Development and Health. --- Health Policy. --- Labour Law/Social Law. --- Gynecology. --- Health Economics.
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