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Art styles --- nouvelle tendance --- nul --- zero --- stijlen in Westerse kunst --- Armando --- Verheyen, Jef --- Haacke, Hans --- Fontana, Lucio --- Dadamaino --- Savio, Lo, Francesco --- Manzoni, Piero --- Goepfert, Hermann --- Holweck, Oskar --- Bury, Pol --- Mack, Heinz --- Mavignier, Almir --- Megert, Christian --- Peeters, Henk --- Piene, Otto --- Pohl, Uli --- Schoonhoven, Jan --- Uecker, Günther --- Vries, de, Herman --- Kusama, Yayoi --- Aubertin, Bernard --- Castellani, Enrico --- Dorazio, Piero --- Arman --- anno 1960-1969

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Art styles --- Art --- Kinetic Art --- private collections [object groupings] --- zero --- Graubner, Gotthard --- Lenz, Gerhard --- Rainer, Arnulf --- Verheyen, Jef --- Bartels, Hermann --- Fontana, Lucio --- Manzoni, Piero --- Colombo, Gianni --- Goepfert, Hermann --- Graevenitz, von, Gerhard --- Holweck, Oskar --- Bury, Pol --- Mack, Heinz --- Mavignier, Almir --- Megert, Christian --- Piene, Otto --- Schoonhoven, Jan --- Soto, Jesús Rafael --- Uecker, Günther --- Vries, de, Herman --- Girke, Raimund --- Aubertin, Bernard --- Castellani, Enrico --- Dorazio, Piero --- anno 1960-1969 --- anno 1900-1999 --- anno 2000-2099

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"... presents the first large-scale survey in a United States museum dedicated to the history of the experimental German artists' group Zero (1957-66) and ZERO, an international network of artists that shared the group's aspiration to redefine and transform art in the aftermath of World War II. The exhibition featured work by the three core members of Group Zero--Heinz Mack, Otto Piene, and Günther Uecker--and by more than 40 artists from 10 countries who comprised the larger ZERO network, including Lucio Fontana, Yayoi Kusama, Yves Klein, Piero Manzoni, Jesús Rafael Soto, Jean Tinguely, and herman de vries. These artists found common cause in the desire to use novel materials drawn from everyday life, nature, and technology and to develop innovative techniques and formats such as room-scaled installations, kinetic artworks, and live art actions. Focusing on the points of intersection, exchange, and collaboration that define the ZERO artists' shared history, the exhibition is at once a snapshot of a specific group and a portrait of a generation. ZERO: Countdown to Tomorrow, 1950s-60s celebrates the pioneering nature of ZERO art and the transnational vision advanced by this network of artists during a pivotal decade." -- Publisher's description.

Art styles --- anno 1960-1969 --- anno 1950-1959 --- Zero (Group of artists) --- Art, German --- Art, Modern --- de Vries Herman --- Verheyen Jef --- geometrische abstractie --- 7.038 --- abstractie --- abstracte schilderkunst --- Tinguely Jean --- Spoerri Daniel --- Schoonhoven Jan --- Pohl Uli --- Peeters Henk --- Megert Christian --- Manzoni Piero --- Uecker Günther --- Piene Otto --- Mack Heinz --- Lo Savio Francesco --- Leblanc Walter --- Soto Jesús Rafael --- Mavignier Almir --- Kusama Yayoi --- Klein Yves --- Henderikse Jan --- Goepfert Hermann --- Fontana Lucio --- Castellani Enrico --- Bury Pol --- Aubertin Bernard --- Armando --- Arman --- Zero --- Duitsland --- twintigste eeuw --- kunst --- 0 (Group of artists) --- Group 0 (Group of artists) --- Group Zero (Group of artists) --- Exhibitions --- Zero (Group of artists). --- Avant-garde (Aesthetics) --- Zero (kunststroming)

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Art styles --- avant-garde --- Spoerri, Daniel --- Graubner, Gotthard --- Tinguely, Jean --- Luther, Adolf --- Armando --- Shimamoto, Shozo --- Verheyen, Jef --- Bartels, Hermann --- Haacke, Hans --- Leblanc, Walter --- Fontana, Lucio --- Dadamaino --- Kanayama, Akira --- Motonaga, Sadamasa --- Murakami, Saburō --- Shiraga, Fujiko --- Shiraga, Kazuo --- Tanaka, Atsuko --- Yamazaki, Tsuruko --- Yoshida, Toshio --- Yoshihara, Jiro --- Yoshihara, Michio --- Klein, Yves --- Manzoni, Piero --- Colombo, Gianni --- Goepfert, Hermann --- Graevenitz, von, Gerhard --- Holweck, Oskar --- Bury, Pol --- Mack, Heinz --- Mavignier, Almir --- Megert, Christian --- Morellet, François --- Peeters, Henk --- Piene, Otto --- Pohl, Uli --- Salentin, Hans --- Schoonhoven, Jan --- Soto, Jesús Rafael --- Uecker, Günther --- Vries, de, Herman --- Kusama, Yayoi --- Henderikse, Jan --- Aubertin, Bernard --- Castellani, Enrico --- Dorazio, Piero --- Arman --- anno 1900-1999

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Art styles --- Sculpture --- Painting --- painting [image-making] --- Kinetic Art --- light art --- sculpting --- Op art --- Tsai, Wen Ying --- Tinguely, Jean --- Pérez-Flores, Dario --- Gabo, Naum --- Alviani, Getulio --- Mari, Enzo --- Duchamp, Marcel --- Takis --- Picelj, Ivan --- Anceschi, Giovanni --- Andrade, César --- Albers, Josef --- Biasi, Alberto --- Boriani, Davide --- Munari, Bruno --- Costa, Toni --- Vecchi, de, Gabriele --- Debourg, Narciso --- Duarte, Angel --- Dupriez, Colette --- Gordillo, Gun --- Landi, Edoardo --- Massironi, Manfredo --- Olson, Eric --- Palatnik, Abraham --- Chryssa --- Kowalski, Piotr --- Tomasello, Luis --- Vasarely, Victor --- Breer, Robert C. --- Colombo, Gianni --- Cruz-Diez, Carlos --- Garcia-Rossi, Horacio --- Gerstner, Karl --- Graevenitz, von, Gerhard --- Bury, Pol --- Mack, Heinz --- Mavignier, Almir --- Morellet, François --- Parc, le, Julio --- Soto, Jesús Rafael --- Uecker, Günther --- Yvaral, Jean-Pierre --- Schöffer, Nicolas --- Agam, Yaakov --- Riley, Bridget --- Boto, Martha --- Demarco, Hugo --- Sobrino, Francisco --- Steele, Jeffrey --- Stein, Joël --- Vardenega, Gregorio --- Varisco, Grazia --- Castellani, Enrico --- Rickey, George --- Calder, Alexander --- Equipo 57 --- anno 1900-1999 --- anno 2000-2099