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Broomberg and Chanarin ; Ellison, Buck ; Lewis, Nate ; Gonzalez-Day, Ken ; Thomas, Hank Willis ; Burson, Nancy ; Lucas, John ; Rankine, Claudia ; Mpagi Sepuya, Paul ; Dizon, Michelle ; Le, Viet ; Krantiz, Stacy ; Abdullah, Abdul ; Birkin, David ; Nisha Patel, Kajal ; Misrach, Richard ; Clayton, Libita ; Gabrielle, Sophie ; Madjeska, Agata ; Biswas, Sutapa ; Wolukau-Wanambwa, Stanley

Photography, Artistic --- Whites --- Photography --- White supremacy movements --- White nationalism --- Racism --- Race relations --- fotografie --- fotografietheorie --- cultuurgeschiedenis --- cultuurfilosofie --- cultuursociologie --- racisme --- twintigste eeuw --- eenentwintigste eeuw --- 77.01 --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Nationalism --- Nationalism, White --- Supremacist movements, White --- Supremacy movements, White --- White supremacist movements --- Social movements --- Skinheads --- Race identity of whites --- Racial identity of whites --- Whiteness (Race identity) --- Race awareness --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Race identity --- Social aspects --- Ethnic identity --- Aesthetics --- Daniel C. Blight --- photography [process] --- rassendiscriminatie --- 760.3 --- 905.2 --- identiteit --- Cultuurfilosofie --- 316.7 --- fotogeschiedenis --- beeldtaal --- fotografie, plaatwerken en jaarboeken --- cultuurfilosofie, -psychologie en -sociologie --- cultuursociologie. Culturele context van het sociale leven --- racial discrimination --- film stills --- identity --- digital art [visual works] --- Critical race theory --- Supremacy, White (White nationalism) --- White supremacy (White nationalism) --- White people --- Race identity of white people --- Racial identity of white people --- White persons --- Caucasian race --- social criticism

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Art --- sculpture [visual works] --- outdoor sculpture --- installations [visual works] --- photography [process] --- sexuality --- performance art --- steel [alloy] --- race [group of people] --- gender --- human figures [visual works] --- Hyperrealist --- Ray, Charles

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"This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, 'Among Others' confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum's role in the history of the cultural politics of race. The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA's encounters with racial blackness since its founding--from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s, to its activities during the Civil Rights Movement, to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum's record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields."--Publisher's description.

Art --- art [fine art] --- racial discrimination --- race [group of people] --- African American --- minorities --- Museum of Modern Art [New York, N.Y.] --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2099 --- Graphic design --- Interaction design --- Schilderkunst --- Kunst ; zwarten ; Verenigde Staten --- MoMa (New York (stad)) --- Design --- anno 1900-1999 --- African Americans in art --- Blacks in art --- African American artists --- Artists, Black --- Museums and minorities --- African Americans --- Blacks --- Race in art --- kunst --- verzamelingen --- collecties --- Verenigde Staten --- afro-amerikanen --- afro-amerikaanse kunst --- New York --- MOMA --- musea --- museologie --- 7.078 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Ethnicity --- Race awareness --- Minorities and museums --- Minorities --- Black artists --- Negro artists --- Afro-American artists --- Artists, African American --- Artists --- Negroes in art --- Afro-Americans in art --- Race identity --- Ethnic identity --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- History. --- Art museums --- Art, American --- Racism and the arts --- Race identity of Black people --- Racial identity of Black people --- Black persons --- Negroes --- Ethnology --- Black people in art. --- Art, Primitive --- art [discipline]

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Nelson analyzes not only how, where, why and by whom black female subjects have been represented in Western art, but also what the social and cultural impacts of the colonial legacy of racialized Western representation have been. She poses questions about the concepts of production, the consequences of comsumption and more.

Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Iconography --- minorities --- kunstfilosofie --- #breakthecanon --- Art --- racial discrimination --- sex discrimination --- slavery --- nudes [representations] --- women [female humans] --- Canada --- Women, Black, in art --- Race in art

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La dernière installation multimédia à grande échelle des artistes américains Lizzie Fitch et Ryan Trecartin (tous deux nés en 1981) explore les frontières, l’idéologie du retour à la terre et la promesse perpétuelle de nouveaux terrains. Si Line documente ce projet dans la campagne de l’Ohio.

Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- boundaries --- popular culture --- video art --- race [group of people] --- interactive art --- gender [sociological concept] --- Lizzie Fitch/Ryan Trecartin --- Installation-art