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Dans The Murmuring of the Artistic Multitude, le sociologue de l'art Pascal Gielen défend l'hypothèse selon laquelle le monde de l'art globalisé est un terrain idéal pour l'exploitation économique. Dans l'ivresse des villes créatives et de l'industrie créative, les gouvernements adoptent ce modèle de travail post-fordiste et s'intègrent donc parfaitement dans l'économie de marché mondiale et néolibérale. Gielen explore cette situation et veut en même temps proposer de nouvelles alternatives dont le monde de l'art a besoin pour maintenir sa propre dynamique et sa propre liberté. Sa recherche le mène vers des lieux d'intimité partagée et de «ralentissement» au milieu du flux mouvementé et mondial des développements et des tendances artistiques. Cette troisième édition a été entièrement révisée et mise à jour avec les plus récentes perspectives de Gielen sur les dimensions politiques de l'art, l'autonomie et la relation entre l'art, l'éthique et la démocratie. In 'The murmuring of the artistic multitude' art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. How can the art world preserve its won dynamic and freedom? Gielen's quest leads to places of intimacy and "slowability" in the hectic global flow of artistic events and artistically-minded trends. This third edition has been thoroughly updated with Gielen's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics, and democracy.

Sociology of culture --- Art --- art criticism --- philosophy of art --- globalization --- kunstkritiek --- cultuursociologie --- globalisering --- Sociologie --- Sociologie de l'art --- Sociologie de la culture --- Politique --- Economie --- Economic aspects --- Political aspects --- Art - Economic aspects --- Art - Political aspects --- kunstsociologie

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In a world ruled by seemingly continuous and increasingly complex conflicts, questions about justice, about 'the right' course of action, are at the forefront of artistic investigation. In *Aesthetic Justice* sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers to reflect on new futures for the notion and practice of justice. Launching the proposition of 'aesthetic justice', the book offers thought-provoking views on how works of art can confront, and potentially redirect social and political imaginaries. Using analyses of contemporary art works that challenge the social, political, or economic status quo, as well as theoretical reflections and interviews with artists, this book imagines alternatives for a more just future.

kunst --- ethiek --- kunst en ethiek --- kunsttheorie --- esthetica --- 7.01 --- kunst en politiek --- Kunsttheorie ; 21ste eeuw ; over kunst en ethiek --- Kunst ; theorie, filosofie, esthetica --- General ethics --- Art --- ethics [philosophical concept] --- philosophy of art --- Law and aesthetics --- Sociologie de la culture --- Ethique et art --- Morale en art --- Economie --- Législation --- Droit

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Over the past decade, the European Union has fallen into a drawn-out crisis, politically as well as economically. In this book, the authors argue that analyses of this crisis miss an important element: culture. Faith in politics, like faith in a European currency, is first and foremost a cultural issue. Democracy is a matter of political culture, just as good economic relations are a matter of economic culture. So, culture as a shared frame of reference and as something that lends meaning to people's lives is not the superstructure but the very foundation or substructure of any society. Its essays analyze and describe both theoretical models and straightforward, concrete and provocative examples that clarify this central thesis: culture is an essential, binding fabric of investigating and assessing our identity, our human activities and how we can critically reflect on these. What would happen if culture succeeded in giving the European project a completely different meaning or sense?

cultuurfilosofie --- kunst --- 130.2 --- kunst en economie --- economie --- Europese unie --- Europa --- politiek --- kunst en politiek --- #SBIB:316.7C140 --- 7.01 --- Cultuurfilosofie ; over Europa ; globalisering --- Kunst en politiek --- Cultuursociologie: cultuur en globale samenlevingen --- Kunst ; theorie, filosofie, esthetica --- Filosofie ; Cultuurfilosofie --- Philosophy and psychology of culture --- Sociology of cultural policy --- European Union --- Europe --- Politics and culture --- Culture --- Politique culturelle --- Identité culturelle --- Mode de représentation de systèmes économiques --- Démocratie --- Sociologie de la culture --- Philosophy --- Union européenne --- European Union countries --- Politics and government --- Politics and culture - European Union countries --- Culture - Philosophy --- European Union countries - Politics and government - 21st century --- cultuurbeleid --- cultuursociologie

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Résumé éditeur : "Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's "Women Artists" at LACMA in the mid-1970s to Jean-Hubert Martin's "Carambolages" in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators."

kunst --- tentoonstellingen --- museologie --- activisme --- 069 --- kunst en politiek --- kunst en ethiek --- homoseksualiteit --- seksualiteit --- racisme --- feminisme --- politiek --- ethiek --- gender studies --- 7.01 --- 7.039 --- kunsttheorie --- Art and society. --- Art museum curators --- Art museums --- Artists and art museum curators. --- Race discrimination. --- Sex discrimination against women. --- Political activity. --- Curatorship. --- Exposition --- Musée --- Féminisme --- Racisme --- Sociologie de la culture --- Art --- exhibitions [events] --- discrimination --- racial discrimination --- sex discrimination --- ethics [philosophical concept] --- social ethics --- LGBT --- exhibition curators --- tentoonstellingsbouw --- Militantisme --- Expositions --- Commissaires d'exposition --- Muséologie --- Aspect social. --- Dans l'art. --- Aspect moral. --- Muséologie --- Art museum curators. --- ART / General. --- Art and Design. --- Ausstellung --- Diskriminierung --- Geschlechterforschung --- Museum --- Museumskunde --- Politische Bewegung --- Rassismus --- Sexismus --- Exhibitions --- Philosophy. --- Social aspects. --- Sex discrimination against women --- Race discrimination --- Art and morals --- 700.6 --- curator --- kunst en samenleving --- gendergelijkheid --- 493 --- etnocentrisme --- heterocentrisme --- homofobie --- lesbofobie --- beeldcultuur --- gender --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Sociaal-cultureel werk, publiekswerking --- heteronormativiteit (heterocentrisme) --- LGBTQ+

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This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

artists [visual artists] --- exhibitions [events] --- museology --- curating --- Museology --- Art --- Artists as art museum curators --- Artists and museums --- Curatorship --- History. --- Exhibition techniques. --- Techniques d'exposition --- kunst --- Avant-Garde Argentinian Visual Artists Group --- 7.038/039 --- Warhol Andy --- Thomas Philippe --- Ter-Oganyan Avdev --- Rosler Martha --- Zaatari Akram --- Raad Walid --- Oiticica Hélio --- Olowska Paulina --- McKenzie Lucy --- Macuga Goshka --- Leckey Mark --- Kippenberger Martin --- Hammons David --- Pasmore Victor --- Hamilton Richard --- Group Material --- Parreno Philippe --- Gillick Liam --- Hinderer Max Jorge --- Siekmann Andreas --- Creischer Alice --- Colab --- Collaborative Projects Inc. --- CalArts Feminist Art Program --- Schapiro Miriam --- Chicago Judy --- Cage John --- Ding Yi --- Shi Yong --- Zhou Tiehai --- Bull Hank --- Broodthaers Marcel --- Bochner Mel --- 069 --- museologie --- tentoonstellingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Curating --- Curatorial practice --- Museums and artists --- Display techniques --- Artists and museums. --- Artists as art museum curators. --- Curatorship. --- Kunstausstellung. --- Kunstmuseum. --- Kurator --- Künstler. --- Geschichte 1957-2015. --- Collaborative Projects Inc --- History --- Exhibition techniques --- Artistes conservateurs de musée d'art --- Artistes et musées --- Conservation --- Histoire --- Exhibitions --- Art museums --- Art museum curators --- exhibition curators --- Exposition --- Musée --- Sociologie de la culture --- MAD-faculty 17 --- musea --- hedendaagse kunstenaars --- kunsttentoonstellingen