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Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kéré. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, including coming to terms with the German past, anti-Semitism, critical race theory, and questions of postcolonial (self-)criticism. From Bayreuth to Burkina Faso introduces the notion of the postcolonial Gesamtkunstwerk to disrupt the Eurocentric perspective on art history, exploring how the socio-political force of a postcolonial Gesamtkunstwerk could affect processes of transcultural identity construction. It reveals how Schlingensief translocated the Wagnerian concept to Burkina Faso to address German colonial history and engage with it from the perspective of multidirectional memory cultures.

Art --- antisemitism --- racial discrimination --- colonization --- community art --- Gesamtkunstwerk --- political art --- Burkina Faso --- postcolonialism --- architecture [object genre] --- interactive art --- Schlingensief, Christoph --- Germany --- Opera --- Gesamtkunstwerk (Arts) --- Schlingensief, Christoph, --- Wagner, Richard, --- Criticism and interpretations. --- Postcolonial studies --- Laongo Lango (Burkina Faso) --- Operndorf Afrika.

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Schlemmer, Oskar --- costumes [character dress] --- art [fine art] --- Theatrical science --- masks [costume] --- Iconography --- scenography [discipline] --- Art --- dances [performance events] --- anno 1900-1999 --- Germany --- dans --- theater --- decorontwerpen --- dansen --- theater, toneel, toneelvoorstelling --- Theaters --- Costume --- CDL --- 792 --- Experimental theater --- Alternative theater --- Avant-garde theater --- Theater --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theatrical costume --- Decorative arts --- Clothing and dress --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Stage-setting and scenery --- Schlemmer, Oskar, --- Bauhaus --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Influence --- ballet --- Schlemmer, Oskar. --- art [discipline]

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Artists --- Animation (Cinematography) --- Scene painting --- Artistes --- Animation (Cinema) --- Scenographie --- Exhibitions --- Exhibitions. --- Expositions --- Kentridge, William, --- Johannesburg --- Kentridge, W. --- Scénographie --- Carolyn Christov-Bakargiev --- opera --- 791.46 KENTRIDGE --- Animation (Cinéma) --- Scénographie --- 7.071 KENTRIDGE --- animatie --- Kentridge William --- kunst --- schilderkunst --- tekenkunst --- theater --- twintigste eeuw --- Zuid-Afrika --- Drawing --- sociology --- Iconography --- drawing [image-making] --- Kentridge, William --- anno 1900-1999 --- South Africa --- Kentridge, William, - 1955- - Exhibitions --- kunst over kunst --- Kentridge, William, - 1955 --- -Kentridge, William

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Choreographers --- Dance costume --- Dancers --- Dance --- Music scores --- Theaters --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Costume --- Artists --- Interviews --- Catalogs --- Film catalogs --- Stage-setting and scenery&delete& --- Cunningham, Merce --- Jones, Bill T. --- Monk, Meredith --- Jones, Bill, --- Jones, William Tass --- Interviews. --- Exhibitions --- Music --- Theatrical science --- music [performing arts] --- drama [literature] --- scenography [discipline] --- dances [performance events] --- anno 1900-1999 --- United States --- Cunningham, Mercier Philip --- Stage-setting and scenery --- music [performing arts genre] --- drama [discipline] --- United States of America

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A survey of performance art from the 1960s to the present, this text examines its emergence in the work of Yves Klein, Piero Manzoni and "Happenings", the work of Hermann Nitsch and Joseph Beuys, and the opera spectacles of Robert Wilson. Laurie Anderson and Pina Bausch are also covered

Performance art. --- Performance art --- History. --- performance art --- performances (kunst) --- Theatrical science --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- music [discipline] --- religions [belief systems, cultures] --- feminism --- video art --- Butoh --- drama [literature] --- dances [performance events] --- art history --- eroticism --- Childs, Lucinda --- Smith, Jack --- Fagan, Garth --- McQueen, Steve --- Tiravanija, Rirkrit --- Laub, Michel --- Kounellis, Jannis --- Jones, Bill T. --- Whitman, Robert --- Sierens, Arne --- Latham, John --- Eno, Brian --- Schneemann, Carolee --- Fusco, Coco --- Guerilla Art Action Group --- Stitt, André --- Sherman, Cindy --- Lauwers, Jan --- Maclennan, Alastair --- Alien Comic --- Wampler, Claude --- Castellucci, Romeo --- Elwes, Catherine --- Jonas, Joan --- Riley, Terry --- Rosenthal, Rachel --- Sprinkle, Annie --- Cale, John --- Gilbert and George --- Knizak, Milan --- Ludovicus --- Beecroft, Vanessa --- Julien, Isaac --- Mabou Mines --- McLean, Bruce --- Moorman, Charlotte --- Bausch, Pina --- Wilson, Robert --- English, Rose --- Montano, Linda --- Kusama, Yayoi --- Teshigawara, Saburo --- Nauman, Bruce --- Antin, Eleanor --- Lebel, Jean-Jacques --- Orr, Jill --- Zazeela, Marian --- Orlan --- Mortensen, Kevin --- Lemon, Ralph --- Wilson, Martha --- Foreman, Richard --- Heyward, Julia --- Kaprow, Allan --- Chicago, Judy --- Goebbels, Heiner --- Glass, Philip --- Catling, Brian --- Stuart, Meg --- Muehl, Otto --- Tanaka, Min --- Kipper Kids --- Saint-Phalle, de, Niki --- Rolfe, Nigel --- Branca, Glenn --- Adams, John --- Koek, Paul --- Kubota, Shigeko --- Korot, Beryl --- Gray, Spalding --- Labowitz, Leslie --- McCauley, Robbie --- Oleszko, Pat --- Rainer, Arnulf --- Fabre, Jan --- O'Connor, Tere --- Beuys, Joseph --- Halprin, Anna --- Antoni, Janine --- Klein, Yves --- Carlos, Laurie --- Jesurun, John --- Lepage, Robert --- Brown, Trisha --- Petronio, Stephen --- Potter, Sally --- Rosenbach, Ulrike --- Gaulke, Cheri --- Streb, Elizabeth --- Colette --- Grooms, Red --- Keersmaeker, de, Anne Teresa --- Horn, Rebecca --- Brisley, Stuart --- Forsythe, William --- Ruller, Tomás --- Platel, Alain --- Manzoni, Piero --- Cage, John --- Reedy, Carlyle --- Ulay --- Rainer, Yvonne --- Maciunas, Georg --- Burden, Chris --- Galas, Diamanda --- Kelly, John --- Schechner, Richard --- Barney, Matthew --- Guo-Qiang, Cai --- Rauschenberg, Robert --- Malpede, John --- Forti, Simone --- Chang, Patty --- Taylor-Wood, Sam --- Pucher, Stefan --- Cunningham, Merce --- Hamilton, Ann --- Apple, Jacki --- Jones, Kim --- Nakas, Kestutis --- Bean, Ann --- Fraser-Munro, Ronald --- Wilding, Faith --- McCarthy, Paul --- Eichelberger, Ethyl --- Stevens, Gary --- Finley, Karen --- Piper, Adrian --- Dine, Jim --- Dance Noise --- Ontani, Luigi --- Bruguera, Tania --- La Fura Dels Baus --- Rockburne, Dorothea --- Lacy, Suzanne --- Garhel, Pedro --- Mendieta, Ana --- Ono, Yoko --- Gómez-Peña, Guillermo --- Young, La Monte --- Oppenheim, Dennis --- Export, Valie --- Armitage, Karole --- Signer, Roman --- Abramovic, Marina --- Magnuson, Ann --- Rousseve, David --- Kelly, Mary --- O'Grady, Lorraine --- Dean, Laura --- Tropicana, Carmelita --- Ashley, Robert --- Nitsch, Hermann --- Knowles, Alison --- Arcade, Penny --- Bag, Alex --- Metzger, Gustav --- Miller, Tim --- Oliveros, Pauline --- Vostell, Wolf --- Baker, Bobby --- Warhol, Andy --- Wojnarowicz, David --- Rinke, Klaus --- Kelley, Mike --- Miller, Paul D. --- Oldenburg, Claes --- Longo, Robert --- Abdoh, Rezah --- Fenley, Molissa --- Hatoum, Mona --- Greenaway, Peter --- Monk, Meredith --- Pane, Gina --- Marclay, Christian --- Paik, Nam June --- Wilke, Hannah --- Comfort, Jane --- Anderson, Laurie --- Arias, Joey --- Galindo, Rosa --- Mori, Mariko --- Hoch, Danny --- Brus, Günther --- Marthaler, Christoph --- Hughes, Holly --- Reich, Steve --- Bogosian, Eric --- Oursler, Tony --- Acconci, Vito --- Stelarc --- Zane, Arnie --- Raban, Tamar --- Graham, Dan --- Orta, Lucy --- Vautier, Ben --- Station House Opera --- Athey, Ron --- Neuer Tanz --- Grand Union --- Act Up --- Ting Theatre of Mistakes --- Gutai Group --- Guerrilla Girls --- DV8 Physical Theatre --- Gob Squad --- COUM Transmissions --- Hi Red Center --- Forced Entertainment Opera --- Black Market International --- Falso Movimento --- The Velvet Underground --- The Wooster Group --- Urban Bushwomen --- Naslagwerken ; kunst ; 1960-1998 ; performances --- Kunstgeschiedenis ; 1950 - 2000 --- music [performing arts] --- Cai Guo Qiang --- Hi Red Center [Tokyo] --- 7.038 --- History --- photography [process] --- Film --- Iconography --- Art --- art [fine art] --- Photography --- Music --- anno 1900-1999 --- Arts, Modern --- Themes, motives --- Ruller, Tomáš --- Guerrilla Girls [New York, N.Y.] --- Bean, Anne --- Mabou Mines [New York, N.Y.] --- Performance art - History. --- Performance art - Themes, motives --- Arts, Modern - 20th century - Themes, motives --- art [discipline] --- music [performing arts genre] --- drama [discipline] --- culturele diversiteit (kunst) --- Knížák, Milan