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book (7)


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Book
Der moderne Holzschnitt in der Schweiz
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ISBN: 3857911069 Year: 1987 Publisher: Zürich Limmat

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Book
Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment
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ISBN: 9780826357359 0826357350 9780826357342 0826357342 Year: 2017 Publisher: Albuquerque, [New Mexico] : University of New Mexico Press,

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Book
Jacques Wiener's most remarkable edifices of Europe : the man, monuments, and medals
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ISBN: 0897225058 9780897225052 0897223594 9780897223591 Year: 2019 Publisher: American Numismatic Society

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"The nineteenth century medal series The Greatest Edifices of Europe by Belgian engraver-medalist Jacques Wiener is examined in detail. The work begins by providing a biographical background for Wiener, integrating two primary, existing sources. The overall medal series is then addressed starting with its inception as defined in Wiener's original 1854 prospectus through its quietly incomplete conclusion. The scope of the series, its range of issue dates, and elements and characteristics of its production are presented. For each edifice commemorated, the associated medals, including new and unpublished varieties, are presented, legends translated, die characteristics examined, contemporary supporting documentation cited, issue dates revised, and source images used by the artist are identified in limited cases. Where applicable, instances of divergence between the state of the actual monument and Wiener's renderings are noted as well. The intent of the work is to provide a greater understanding of the medal series through a contextual approach"--


Book
Coins, artists, and tyrants : Syracuse in the time of the Peloponnesian War
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ISBN: 0897225147 9780897225144 9780897223416 0897223411 Year: 2017 Publisher: American Numismatic Society

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"Coins, Artists, and Tyrants contains the first fully translated and revised text of Lauri O. Tudeer, Die Tetradrachmenprägung von Syrakus in der Periode der signierenden Künstler, as well as a biography of Tudeer, plus a completely new evaluation of signed coin dies and the artists who produced them. Over 100 years after its first publication, Wolfgang R. Fischer-Bossert completely updates the scholarship and bibliography on signed Syracusan tetradrachms, making this book the single most important source on the subject. The book includes plates, a full-color die-link chart, and three pull-outs featuring Syracusan tetradrachms and hoards."--Publisher's website.


Book
The Comstocks of Cornell-The Definitive Autobiography : The Definitive Autobiography
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ISBN: 150171628X Year: 2020 Publisher: Ithaca, NY : Cornell University Press,

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The Comstocks of Cornell is the autobiography written by the naturalist educator Anna Botsford Comstock about her life and that of her husband, the entomologist John Henry Comstock-both prominent figures in the scientific community and in Cornell University history. A first edition was published in 1953, but it omitted key Cornellians, historical anecdotes, and personal insights. In this twenty-first-century edition, Karen Penders St. Clair restores the author's voice by reconstructing the entire manuscript as Anna Comstock wrote it-and thereby preserves Comstock's memories of the personal and professional lives of the couple as she originally intended. The book includes an epilogue documenting the Comstocks' last years and fills in gaps from the 1953 edition. Described as serious legacy work, this book is an essential part of the history of both Cornell University and its press.


Book
William Blake in the desolate market
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ISBN: 0773590293 9780773590298 9780773543065 0773543066 9780773581678 0773581677 Year: 2014 Publisher: Montréal, Québec : McGill-Queen's University Press,

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Experience taught William Blake that "Wisdom is sold in the desolate market where none come to buy." His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living. G.E. Bentley Jr, the dean of Blake scholars, details the poet's occupations as a commercial engraver, print-seller, teacher, copperplate printer, painter, publisher, and vendor of his own books. In his early career as a commercial engraver, Blake was modestly prosperous, but thereafter his fortunes declined. For his most ambitious commercial designs, he made hundreds of folio designs and scores of engravings, but was paid scarcely more than twenty pounds for two or three years' work. His invention of illuminated printing lost money, and many of his greatest works, such as Jerusalem, were left unsold at his death. He came to believe that his "business is not to gather gold, but to make glorious shapes." William Blake in the Desolate Market is an investigation of Blake's labours to support himself by his arts. The changing prices of his works, his costs and receipts, as well as his patrons and employers are expertly gathered and displayed to show the material side of the artistic career in Britain's Romantic period.


Book
Jean Marot : un graveur d'architecture à l'époque de Louis XIV
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ISBN: 3110376768 3110387301 9783110376760 9783110376777 3110376776 3110375958 Year: 2015 Publisher: Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter,

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Die bedeutendsten Architekten seiner Zeit vertrauten Jean Marot ihre Entwürfe an, und er verstand es, selbst ihren flüchtigen Ideen Dauer zu verleihen. Darum ist Jean Marots druckgraphische Dokumentation der französischen Baukunst des 17. Jahrhunderts für die Architekturgeschichte von immensem Wert. Bislang wurde sein Schaffen jedoch weitgehend auf diese dienende Rolle reduziert.Kristina Deutschs Monographie widmet sich nun erstmals der kreativen Seite seines Werks und beleuchtet Marots zuweilen ungemein freien Interpretationen fremder Zeichnungen. Anhand der wichtigsten graphischen Serien – vor allem seiner Radierungen zum Louvre – arbeitet sie die Parameter heraus, welche die ästhetische Inszenierung eines Bauwerks prägen. The most important architects of his time entrusted Jean Marot with their designs, and he knew how to give their ethereal ideas lasting tangibility. Which is precisely why Jean Marot’s prints, documenting 17th century French architecture, are of immense value to architectural history. And until today, his work has mainly been reduced to the role of a service rendered. Kristina Deutsch’s monograph is the first attempt to shift focus to the creative side of his work and sheds light on Marot’s sometimes extraordinarily free interpretations of drawings by other artists. Based on his most significant series of prints -and especially his etchings regarding the Louvre - Deutsch makes a detailed presentation of the parameters that characterize the aesthetic presentation of a structure.

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