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A critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita

African Americans --- Harlem Renaissance --- New Negro Movement --- Renaissance, Harlem --- African American arts --- American literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Music&delete& --- History and criticism --- African American authors --- Harlem (New York, N.Y.) --- Intellectual life --- Black people --- Music --- Harlem Renaissance. --- History and criticism.

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African Americans --- Harlem Renaissance --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- New Negro Movement --- Renaissance, Harlem --- African American arts --- American literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Music&delete& --- History and criticism --- African American authors --- Harlem (New York, N.Y.) --- Intellectual life --- Black people --- CULTURE --- MUSIC --- HARLEM RENAISSANCE --- ETATS-UNIS --- BLACK --- U.S.