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Human medicine --- medicine [discipline] --- medical equipment
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Iconography --- History of human medicine --- anatomy --- Paaw, Petrus --- Bidloo, Govard --- Horne, Joannes van --- Heurnius, Otho --- Drelincourt, Carolus --- anno 1600-1699 --- Leiden --- 378.4 <492 LEIDEN> --- Universiteiten--Nederland--LEIDEN --- Human anatomy --- Medicine --- Religion and science --- Anatomists --- Study and teaching --- History --- Rijksuniversiteit te Leiden. --- 378.4 <492 LEIDEN> Universiteiten--Nederland--LEIDEN --- Christianity and science --- Geology --- Geology and religion --- Science --- Science and religion --- Clinical sciences --- Medical profession --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- Anatomy, Human --- Anatomy --- Human body --- Biologists --- Medical scientists --- Scientists --- Religious aspects --- Leyden. --- Health Workforce
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In 1759 the British Museum opened its doors to the general public--the first free national museum in the world. James Delbourgo's biography of Hans Sloane recounts the story behind its creation, told through the life of a figure with an insatiable ambition to pit universal knowledge against superstition and the means to realize his dream. Born in northern Ireland in 1660, Sloane amassed a fortune as a London society physician, becoming a member of the Whig establishment and president of the Royal Society and Royal College of Physicians. His wealth and contacts enabled him to assemble an encyclopedic collection of specimens and objects--the most famous cabinet of curiosities of its time. For Sloane, however, collecting a world of objects meant collecting a world of people, including slaves. His marriage to the heir of sugar plantations in Jamaica gave Sloane access to the experiences of planters and the folkways of their human property. With few curbs on his passion for collecting, he established a network of agents to supply artifacts from China, India, North America, the Caribbean, and beyond. Wampum beads, rare manuscripts, a shoe made from human skin--nothing was off limits to Sloane's imagination. This splendidly illustrated volume offers a new perspective on the entanglements of global scientific discovery with imperialism in the eighteenth century. The first biography of Sloane based on the full range of his writings and collections, Collecting the World tells the rich and complex story of one of the Enlightenment's most controversial luminaries.--
Physicians --- Cabinets of curiosities --- Cabinets of curiosities. --- Physicians. --- Sloane, Hans, --- British Museum --- British Museum. --- History. --- England --- collectors --- Sloane, Hans --- British Museum [London] --- Biography. --- Collectors and collecting --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Daiei Hakubutsukan --- Matḥaf al-Barīṭānī --- Museo Británico --- Britské muzeum v Londýně --- Briṭish Muzeʼon --- Ta Ying po wu kuan --- Da Ying bo wu guan --- Museum Britannicum --- Great Britain. --- בריטיש מוזיאום --- מוזיאון הבריטי --- 大英博物館 --- British Library --- Allopathic doctors --- Doctors --- Doctors of medicine --- MDs (Physicians) --- Medical doctors --- Medical profession --- Medical personnel --- Medicine --- Cabinets of wonder --- Curiosities, Cabinets of --- Curiosity cabinets --- Kunst-und Wunderkammern --- Kunstkammern --- Kunstkammers --- Kunstschränke --- Wunderkammern --- Museums --- collecting, United Kingdom
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Visual anatomy books have been a staple of medical practice and study since the mid-sixteenth century. But the visual representation of diseased states followed a very different pattern from anatomy, one we are only now beginning to investigate and understand. With Visualizing Disease, Domenico Bertoloni Meli explores key questions in this domain, opening a new field of inquiry based on the analysis of a rich body of arresting and intellectually challenging images reproduced here both in black and white and in color. Starting in the Renaissance, Bertoloni Meli delves into the wide range of figures involved in the early study and representation of disease, including not just men of medicine, like anatomists, physicians, surgeons, and pathologists, but also draftsmen and engravers. Pathological preparations proved difficult to preserve and represent, and as Bertoloni Meli takes us through a number of different cases from the Renaissance to the mid-nineteenth century, we gain a new understanding of how knowledge of disease, interactions among medical men and artists, and changes in the technologies of preservation and representation of specimens interacted to slowly bring illustration into the medical world.
Human anatomy --- Pathology --- Art --- illustrations [layout features] --- anno 1500-1799 --- anno 1800-1899 --- Medical illustration --- Medicine and art --- Anatomy, Artistic --- Pathologic Processes --- Anatomie --- Maladies --- History. --- history --- Illustrations --- Histoire. --- Illustrations. --- color. --- disease history. --- hospitals. --- museums. --- surgeons. --- visual representation.
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astronomy --- science --- biology --- geography --- physics --- illustrations [layout features] --- Iconography --- Nature --- medicine [discipline] --- Book history --- History of physics --- Medical illustration --- Scientific illustration --- History --- 769.04:5 --- 5 (09) --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- Geschiedenis van wiskunde en natuurwetenschappen --- 769.04:5 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- 5 <09> Geschiedenis van wiskunde en natuurwetenschappen --- 5 <09> --- Natural history illustration --- science [modern discipline] --- Medical illustration - History --- Scientific illustration - History --- Illustration scientifique
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091:61 --- 769.04:61 --- 091:133.52 --- Medical astrology --- Zodiac --- 091:61 Handschriften i.v.m. geneeskunde --- Handschriften i.v.m. geneeskunde --- Astrology --- Astronomy --- Astrodiagnosis --- Astrology and medicine --- Medicine, Magic, mystic, and spagiric --- 091:133.52 Handschriften i.v.m. astrologie --- Handschriften i.v.m. astrologie --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Manuscrits médiévaux --- Astrologie medicale --- Medical astrology. --- Zodiac. --- Esoteric sciences --- History of human medicine --- Iconography --- medicine [discipline] --- astrology --- zodiac symbols --- illuminated manuscripts --- anno 1200-1299 --- anno 1300-1399
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Nouvel opus artiulant l'art et la science, Art et médecine offre au lecteur un aperçu clair et précis des relations qui se sont nouées entre le monde artistique et la médecine. Des premières scènes de dissection de l'Antiquité aux découpes anatomiques dérangeantes de Damien Hirst en passant par les représentations de nains et de bouffons de Vélasquez, l'ouvrage revisite la grande épopée de l'histoire de la médecine tout en mettant à l'honneur des figures incontournables de la médecine comme Hérophile, Galien, Vésale, Laennec, Semmelweis ou Charcot. Grâce à une multitude de dessins, gravures, peintures et sculptures, il explore l'évolution, à travers les siècles, des disciplines médicales telles que la chirurgie, la dentisterie, l'ophtalmologie ou encore la cardiologie, la cancérologie et la psychiatrie. L'étude d'oeuvres d'art soigneusement choisies, aussi bien auprès de grands maîtres qu'auprès d'artistes moins connus, est l'occasion de faire revivre les grandes découvertes anatomiques et médicales telles que la circulation du sang, le vaccin, l'invention du stéthoscope, la théorie microbienne, l'anesthésie, la transplantation cardiaque ... mais également de passer à la loupe les grands chefs-d'oeuvre de Van Eyck, Michel-Ange, Goya ou Munch sous le prisme souvent méconnu des pathologies.
Human medicine --- Art --- Médecine et art. --- Anatomie artistique. --- Médecine --- Illustration médicale. --- Histoire. --- Medicine and art --- Anatomy, Artistic --- Medical illustration --- Médecine et art. --- Médecine --- Illustration médicale. --- Anatomie artistique --- Illustration médicale --- Histoire --- medicine [discipline] --- iconography --- Antiquité --- 21e siècle --- Corps humain
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The first full study of "birth figures" and their place in early modern knowledge-making. Birth figures are printed images of the pregnant womb, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books in Western Europe from the mid-sixteenth to the mid-eighteenth century. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy.
Obstetrics --- Midwifery --- Childbirth in art. --- Pregnancy in art. --- Fetus in art. --- Medical illustration --- Illustration of books --- Medicine and art --- SCIENCE / History --- ART / Subjects & Themes / Human Figure --- History. --- History of human medicine --- Gynaecology. Obstetrics --- Iconography --- births --- pregnancy --- kunst en wetenschap --- book history --- scientific illustrations [images] --- anno 1500-1799 --- Western Europe
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Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also-perhaps even primarily-functional. From the fresco cycles at Caprarola, to the Vatican's Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
astrology --- Renaissance --- Art --- Italy --- Art, Renaissance --- Astronomy, Renaissance --- Renaissance astronomy --- art, artistic, artist, optics, astrology, astrological, italian, italy, renaissance, time period, era, history, historical, academic, scholarly, research, astronomy, theology, theological, belief, faith, religion, religious studies, medical, psychological, theory, theoretical, medicine, radiation, philosophy, philosopher, beauty, aesthetics, function, fresco, caprarola, vatican, sala dei pontefici, villa farnesina, celestial, logic, nature, natural world, physics, protochemistry, mathematics, rays, case study. --- kunst en wetenschap
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Physiology --- Medicine --- Famous Persons --- History of Medicine, 17th Century --- Biological Science Disciplines --- History --- history --- Famous Persons. --- History, 17th Century. --- -Physiology --- -Animal physiology --- Animals --- Biology --- Anatomy --- Clinical sciences --- Medical profession --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- 17th Cent. History (Medicine) --- 17th Cent. History of Medicine --- 17th Cent. Medicine --- Historical Events, 17th Century --- History of Medicine, 17th Cent. --- History, Seventeenth Century --- Medical History, 17th Cent. --- Medicine, 17th Cent. --- 17th Century History --- 17th Cent. Histories (Medicine) --- 17th Century Histories --- Cent. Histories, 17th (Medicine) --- Century Histories, Seventeenth --- Century History, 17th --- Century History, Seventeenth --- Histories, 17th Cent. (Medicine) --- Histories, 17th Century --- Histories, Seventeenth Century --- History, 17th Cent. (Medicine) --- Seventeenth Century Histories --- Seventeenth Century History --- Famous Person --- Person, Famous --- Persons, Famous --- history. --- History of medicine --- Philosophy of medicine --- Physiology. --- 17th century --- -history. --- -Medicine --- Philosophy of medicine. --- 17th century. --- -17th Cent. History (Medicine) --- Animal physiology --- History of human medicine --- history of medicine --- anno 1600-1699 --- Physiology - History - 17th century --- Medicine - History - 17th century --- Famous Persons - biography --- Biological Science Disciplines - history --- geschiedenis van de wetenschappen --- Medecine --- Histoire --- Physiologie --- Europe --- Sciences et civilisation --- 17e siecle
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