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"A collection of essays examining surrealism's cultural adaptations and genealogical descendants from the 1960s through the late 1980s. Explores surrealism's interactions with radical politics, protest movements, the sexual revolution, psychedelic subcultures, and other engaged and subcultural trends around the globe"--
Counterculture --- Surrealism --- History --- History.
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"New Age culture is generally regarded as a modern manifestation of Western millenarianism - a concept built around the expectation of an imminent historical crisis followed by the inauguration of a golden age which occupies a key place in the history of Western ideas. The New Age in the Modern West argues that New Age culture is part of a family of ideas, including utopianism, which construct alternative futures and drive revolutionary change. Nicholas Campion traces New Age ideas back to ancient cosmology, and questions the concepts of the Enlightenment and the theory of progress. He considers the contributions of the key figures of the 18th century, the legacy of the astronomer Isaac Newton and the Swedish visionary Emanuel Swedenborg, as well as the theosophist, H.P. Blavatsky, the psychologist, C.G. Jung, and the writer and artist, Jose Arguelles. He also pays particular attention to the beat writers of the 1950s, the counterculture of the 1960s, concepts of the Aquarian Age and prophecies of the end of the Maya Calendar in 2012. Lastly he examines neoconservatism as both a reaction against the 1960s and as a utopian phenomenon. The New Age in the Modern West is an important book for anyone interested in countercultural and revolutionary ideas in the modern West."--Bloomsbury Publishing.
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The postwar histories of Paris and Amsterdam have been significantly defined by the notion of the "underground" as both a material and metaphorical space. Examining the underground traffic between the two cities, this book interrogates the countercultural histories of Paris and Amsterdam in the mid to late-twentieth century. Shuttling between Paris and Amsterdam, as well as between postwar avant-gardism and twenty-first century global urbanism, this interdisciplinary book seeks to create a mirroring effect over the notion of the underground as a driving force in the making of the contemporary European city.
Counterculture -- France -- Paris. --- Counterculture -- Netherlands -- Amsterdam. --- Anthropology --- Social Sciences --- Social & Cultural Anthropology --- Counterculture --- Counter culture --- Countercultures --- Culture --- Hippies --- Subculture
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This collection of rebellious poems are a reflection of Macedonian poet Ilja Kostovski's travels across the United States, as well as his interpretations of God's purpose for man. Written over the course of a decade from the late 1970s, this work arose out of Kostovski's immersion in the 1978 San Francisco poetry scene and his experience of living in the Shaw district of Washington, DC during the 1980s.
Counterculture in literature. --- Balkan literature. --- Macedonian poetry.
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Toward a Cultural Archive of la Movida revisits the cultural and social milieu in which la Movida, an explosion of artistic production in the late 1970s and early 1980s in Spain, was articulated discursively, aesthetically, socially, and politically. Of interest to both researchers and academics interested in Spanish culture and the processes of political and cultural transition from dictatorship and democracy through the cultural p
Popular culture --- Counterculture --- History --- Spain --- Intellectual life
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In his 1969 book The Making of a Counterculture, Theodore Roszak described the youth of the late 1960s as fleeing science "as if from a place inhabited by plague," and even seeking "subversion of the scientific worldview" itself. Roszak's view has come to be our own: when we think of the youth movement of the 1960s and early 1970s, we think of a movement that was explicitly anti-scientific in its embrace of alternative spiritualities and communal living. Such a view is far too simple, ignoring the diverse ways in which the era's countercultures expressed enthusiasm for and involved themselves in science-of a certain type. Rejecting hulking, militarized technical projects like Cold War missiles and mainframes, Boomers and hippies sought a science that was both small-scale and big-picture, as exemplified by the annual workshops on quantum physics at the Esalen Institute in Big Sur, or Timothy Leary's championing of space exploration as the ultimate "high." Groovy Science explores the experimentation and eclecticism that marked countercultural science and technology during one of the most colorful periods of American history.
Science --- Counterculture --- Social aspects --- History --- Cold War. --- counterculture. --- groovy. --- science. --- technology.
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Mike Brake suggests that subcultures develop in response to social problems which a group experiences collectively, and shows how individuals draw on collective identities to define themselves.
Youth --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture
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Counterculture --- Criminals --- Subculture --- Counter culture --- Countercultures --- Culture --- Hippies
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Os artigos apresentados neste volume da coleção "Desafios Contemporâneos" têm como objetivo refletir sobre os problemas atuais que marcam o diálogo com o campo acadêmico e científico da Comunicação. Os 18 artigos reunidos aqui contemplam a área de Comunicação e envolvem diferentes linhas de pesquisa. A iniciativa teve como fim expor não apenas as discussões gerais sobre o campo, mas também a experiência singular e atuante dos pesquisadores da Unesp dedicados ao estudo da Comunicação. Três eixos nortearam a organização dos artigos. O primeiro, "Múltiplas formas de linguagem e produção de sentido", reúne textos que investigam o campo da produção, da circulação e do funcionamento e das estruturas da linguagem nas diversas mídias e nas suas tipologias textuais. "Políticas e estratégias da Comunicação" trata dos processos e fluxos de comunicação no mundo atual e sua relação com a política na sociedade. Já o terceiro eixo, "Relações socioculturais e suas manifestações na esfera da indústria cultural e das mídias digitais", analisa as dimensões dos processos, da difusão e da recepção dos produtos midiáticos em sua relação sociocultural. Entre os temas abordados estão a comparação entre as linguagens jornalística e publicitária, a censura judicial à liberdade de imprensa, o desafio teórico-metodológico na aplicação da antropologia interpretativa ao campo da comunicação, conjunturas e desafios da educação superior em comunicação no Brasil, a focalização da vida operária no cinema de Leon Hirszman pelo filme Eles não usam black-tie, entre outros.
Counterculture. --- Ethnology. --- Fichte, Hubert --- Criticism and interpretation. --- LANGUAGE ARTS & DISCIPLINES
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Films produced in late 1960's and early 1970's America--along with later films focusing on that period--continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the Utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation
Motion picture music --- Counterculture --- History and criticism. --- History --- United States
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