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"Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create ex-post stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist's identity, with, at time, quite unexpected effects on price"--4e de couv.

Art and history --- History and art --- History --- History in art --- Art and history. --- Painting, Flemish. --- Anonymous art --- Painting --- Consumer behavior. --- Economic aspects. --- Peinture --- Art anonyme --- Art --- Appréciation. --- Prix --- Commerce --- Economic relations. Trade --- art market --- easel paintings [paintings by form] --- Early Netherlandish --- anno 1900-1999 --- anno 2000-2099 --- Flanders --- collecting --- Western world --- Marketing --- Flemish painting --- Painting, Flemish

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Crowning Glories integrates Louis XIV's propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century - three historical touchstones - to examine what it would have meant for France's elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy's elaborate palace decors, the court's official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surprisingly dramatic role within the flourishing of the arts, both visual and textual, in France during Louis XIV's reign. Netherlandish realist art represented thinking about knowledge that challenged the monarchy's hold on the French imagination, and its efforts to impose the king's portrait as an ideal and proof of his authority. As objects appreciated for their aesthetic and market value, Northern realist paintings assumed an uncontroversial place in French royal and elite collections. Flemish and Dutch still lifes, genre paintings, and cityscapes, however, were not merely accoutrements of power, acquisitions made by those with influence and money. Crowning Glories reveals how the empirical orientation of Netherlandish realism exposed French court society to a radically different mode of thought, one that would gain full expression in the Encyclopédie of Diderot and d'Alembert.

Art --- patronage --- influence --- court art --- realism [artistic form of expression] --- Louis XIV [King of France] --- anno 1600-1699 --- anno 1700-1799 --- France --- Art and society --- Arts, French --- Painting, Dutch --- Painting, Flemish --- Realism in art --- Dutch Golden Age --- French --- Louis XIV --- Netherlandish realism --- Northern realism --- Sun King --- century --- classical theatre --- court culture --- cultural production --- cultures --- early modern period --- eighteenth --- epistemology --- history of ideas --- knowledge --- rise of empiricism --- systems --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Flemish painting --- Dutch painting --- French arts --- Art and sociology --- Society and art --- Sociology and art --- History --- Influence --- Social aspects --- Louis --- Lodewijk --- le Roi-Soleil --- Louis le Grand --- de Zonnekoning --- Art patronage. --- E-books --- Dutch Golden Age. --- French. --- Louis XIV. --- Netherlandish realism. --- Northern realism. --- Sun King. --- century. --- classical theatre. --- court culture. --- cultural production. --- cultures. --- early modern period. --- eighteenth. --- epistemology. --- history of ideas. --- knowledge. --- rise of empiricism. --- systems. --- HISTORY / Europe / General. --- Influence. --- France. --- Courts and courtiers --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- invloed van Vlaamse school --- schilderkunst, Nederlanden --- invloed van Hollandse school