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Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
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Told from the perspective of the dancers, Processing Choreography: Thinking with William Forsythe's Duo is an ethnography reconstructing the dancers' activity within William Forsythe's Duo project, written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerges through practice and changes over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process - arguing for choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author gives novel insight into this choreographic community.
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This second edition of Contemporary Choreography has been completely revised to present an fully up-to-date range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. The book features contributions from a global range of practitioners and researchers, investigating the field in seven broad domains from Conceptual and Philosophical concerns to Challenging Aesthetics. Twenty three new chapters capture the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.
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Choreography. --- Dance.
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A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns. The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography. This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual's creativity. After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept. The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers. (A Teacher's Addendum offers suggestions on how to use the material in the classroom.) It is a guide, a text, and an extensive resource of every choreographic concept central to the art form.
Choreography. --- Dance --- Danstherapie --- Choreography --- Performing Arts
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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Choreography. --- Choreography --- Dance --- Study and teaching.
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Dance --- Choreography. --- Philosophy. --- Theatrical science --- choreografie
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Internet and communication technologies offer dance and theatre new platforms for creating and performing work, with opportunities for remote interaction and collaboration on a scale never before imaginable. This book explores methods by which such technologies can facilitate creative collaborations between performers and viewers.
Dance --- Choreography --- Interactive multimedia. --- Technological innovations.
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Speaking of Dance: Twelve Contemporary Choreographers on Their Craft delves into the choreographic processes of some of America's most engaging and revolutionary dancemakers. Based on personal interviews, the book's narratives reveal the methods and quests of, among others, Merce Cunningham, Meredith Monk, Bill T. Jones, Trisha Brown, and Mark Morris. Morgenroth shows how the ideas, craft, and passion that go into their work have led these choreographers to disrupt known forms and expectations. The history of dance in the making is revealed through the stories of these int
Choreography. --- Choreographers --- Chorégraphie --- Chorégraphes --- Biography --- Biographies --- Dance
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Ballet --- Choreography --- Music, Dance, Drama & Film --- Dance --- Pantomime --- History
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