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Die Gattung des Epos gilt gemeinhin als die Antithese moderner Literatur. Wenn zu Beginn des 20. Jahrhunderts das Epische restituiert wird und dabei insbesondere seine Erzählökonomie der Entschleunigung hervorgehoben wird, zeigt sich daran aber nicht nur, dass es in der Neuzeit sehr wohl einen Epikdiskurs gibt, sondern auch, dass dieser kritisch auf die Erfahrung einer beschleunigten Lebenswelt Bezug nimmt. Die Monografie verfolgt diese alternative Erzähltradition in die Eposdebatte um 1800 zurück und zeigt das Epische entlang der theoretischen Gattungsdiskussion sowie Goethes Versepen als zeitdiagnostischen und -kritischen Verhandlungsort der ästhetischen Moderne auf.
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What literary and social functions do self-annotations (i.e. footnotes and endnotes that authors appended to their own works) serve? Focussing on Alexander Pope’s Dunciad s and a wide selection of Lord Byron’s poems, Lahrsow shows that literary self-annotations rarely just explain a text. Rather, they multiply meanings and pit different voices against each other. Self-annotations serve to ambiguate the author’s self-presentation as well as the genre, tone, and overall interpretation of a text. The study also examines how notes were employed for ‘social networking’ and how authors used self-annotations to address, and differentiate between, various groups of readerships. Additionally, the volume sheds light on the wider literary and cultural context of self-annotations: How common were they during the long eighteenth century? What conventions governed them? And were they even read? The study hence combines literary analysis with insights into book history and the history of reading.
English & Anglophone. --- Literature and Cultural Studies. --- English literature --- History and criticism.
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Le statut polygraphique et la structure hétérogène de l' Histoire des deux Indes invitent à réexaminer les méthodes et les stratégies employées par les rédacteurs, et amènent à lire le texte dans une double perspective : celle dictée par la tradition historiographique et celle suggérée, en parallèle, par les intrusions du discours philosophique. C'est ce dernier aspect que tâchent d'interroger les études ici réunies, en mettant l'accent sur le recyclage des sources et le croisement des voix textuelles (ce qui finit par « mettre en scène » une pluralité de visions sur les thématiques traitées), sur les phénomènes rhétoriques utilisés par les auteurs (apostrophes, commentaires, dialogues fictifs et apartés), et/ou sur les figures qui marquent la narration d'une polyphonie subjective. The polygraphic status and the heterogeneous structure of the Histoire des deux Indes invite us to re-examine the methods and strategies employed by the editors, and lead us to read the text from a double perspective: that dictated by the historiographical tradition and that suggested, in parallel, by the intrusions of philosophical discourse. It is this latter aspect that the articles gathered here attempt to examine, focusing on the recycling of sources and the crossing of textual voices (which ends up "staging" a plurality of visions on the themes treated), on the rhetorical phenomena used by the authors (apostrophes, commentaries, fictitious dialogues and asides), and/or on the figures that mark the narrative with a subjective polyphony.
Indians of North America --- Criticism & Theory. --- Literature and Cultural Studies. --- Raynal,
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"Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander's crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author's distinctive views on the complementary forms and functions of history and landscape"--
Art History. --- Art Theory. --- Early Modern History. --- History. --- Literature and Cultural Studies. --- Literature, Arts & Science. --- Mander, Carel van, --- Art history --- History of art --- Art theory. --- Painting
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Die vorliegende Forschung definiert die Literatur der Renaissance neu: Die Bedeutung der aristotelischen Poetik wird zurückgestuft zugunsten innovativer - erstaunlicher - literarischer Ansätze. Das seit langem geltende Paradigma, die italienische Renaissance würde von der klassisch-aristotelischen Literaturtheorie dominiert, wird damit maßgeblich ausdifferenziert. Anhand der Analyse des Staunens - ein Begriff, den Aristoteles und Platon an den Anfang des wissenschaftlichen und metaphysischen Denkens stellten und der sich in der italienischen Renaissance zu einem zentralen Konstitutions- und Alleinstellungsmerkmal der Literatur wandelte - wird gezeigt, dass Momente der Neuheit und der Überraschung, ja der erstaunlichen innovatio auf allen Ebenen, die Literatur der Renaissance entscheidend prägten.
Authors, American --- Italienische Literatur --- Giambattista Marino --- Francesco Patrizi --- Francesco Colonna --- Adone --- Manierismus --- Mannerism --- Italian Literature --- aristotelische Poetik --- Aristotelian Poetics --- Literature and Cultural Studies --- Literature, Arts & Science --- Italian poetry. --- Italian poetry --- History and criticism.
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How did the life course, with all its biological, social and cultural aspects, influence the lives, writings and art of the inhabitants of early medieval England? This volume explores how phases of human life such as childhood, puberty, and old age were identified, characterized and related in contemporary sources, as well as how nonhuman life courses were constructed. The multi-disciplinary contributions range from analyses of age vocabulary to studies of medicine, name-giving practices, theology, Old English poetry, and material culture. Combined, these cultural-historical perspectives reveal how the concept and experience of the life course shaped attitudes in early medieval England. Contributors are Jo Appleby, Debby Banham, Darren Barber, Caroline R. Batten, James Chetwood, Katherine Cross, Amy Faulkner, Jacqueline Fay, Elaine Flowers, Daria Izdebska, Gale R. Owen-Crocker, Thijs Porck, and Harriet Soper.
Literature and Cultural Studies --- Medieval History --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- Middle Ages --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- History --- Life cycle, Human, in literature. --- English literature --- Medical literature --- History and criticism. --- England --- Social conditions
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This volume develops new conceptual and theoretical directions in the study of religion, conflict, and violence through a sharp focus on materiality, drawing upon two previously unrelated fields of scholarship: research on religion and conflict and the material turn within religious studies. How do objects become contested in settings characterized by (violent) conflict? Why are some things contested by religious actors? How do religious actors mobilize things in conflict situations and how are conflict and violence experienced by religious groups? This volume explores relations between materiality, religion, and violence by drawing upon two fields of scholarship that have rarely engaged with one another: research on religion and (violent) conflict and the material turn within religious studies. This way, this volume sets the stage for the development of new conceptual and methodological directions in the study of religion-related violent conflict that takes materiality seriously.
Art History. --- Criticism & Theory. --- Literature and Cultural Studies. --- Material Studies. --- Religion & Society. --- Religious Studies. --- Social Sciences. --- Art history --- History of art --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Religions --- PHILOSOPHY / Religious --- PHILOSOPHY / Ethics & Moral Philosophy --- RELIGION / Ethics --- Comparative religion --- Denominations, Religious --- Religion, Comparative --- Religions, Comparative --- Religious denominations --- World religions --- Gods --- Religion
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Shibata Renzaburō and the Reinvention of Modernism in Postwar Japanese Popular Literature explores the life and work of Shibata Renzaburō (柴田錬三郎, 1917–1978), the author of adventure and historical novels who was instrumental in reinvigorating popular Japanese literature in the postwar period. This book considers postwar Japanese society through the prism of Shibata’s writing, exploring how the postwar period under SCAP Occupation influenced Shibata’s writing and generated the extraordinary popularity of samurai fiction in the postwar era at large. Through the use of a nihilistic warrior, Nemuri Kyōshirō, and other samurai characters, Shibata Renzaburō addresses important social issues of the day, such as the trauma of defeat, postwar reconstruction, and the attending societal ills and neuroses, while keeping his literature entertaining and easy to read, which ensured its mass appeal in postwar Japan.
Philosophy and psychology of culture --- Ethnology. Cultural anthropology --- Film --- Asian literature --- History --- History of Asia --- etnologie --- TV (televisie) --- cultuur --- film --- geschiedenis --- literatuur --- Japan --- Asia --- Oriental literature. --- Ethnology. --- Culture. --- Motion pictures --- Literary form. --- Asian Literature. --- Regional Cultural Studies. --- Literature and Cultural Studies. --- History of Japan. --- Asian Film and TV. --- Literary Genre. --- History. --- Asia. --- Modernism (Literature) --- Shibata, Renzaburō, --- Criticism and interpretation.
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'The key idea of this book is to reevaluate the rise of the British novel from Defoe to Dickens by reading it alongside early Black Atlantic writings from Equiano to Seacole. Elahe Haschemi Yekani profoundly argues that the rise of bourgeois regimes of affect – from 18th century sentimentalism all the way to the heteronormative model of the Victorian family which still haunts us today – was neither a national, nor a white project, but deeply invested and entangled in transatlantic slavery and its aftermath. Compellingly argued, and beautifully written.' - Lars Eckstein, Professor of Anglophone Literatures and Cultures, University of Potsdam, Germany. 'Familial Feeling provides a necessary corrective to the narrowly defined canon of great British Literature. Haschemi Yekani makes us rethink the structures that gird British literary epistemologies and opens our eyes to changes long past due. Familial Feeling is not only required reading for everyone who reads in the British literary tradition, it is also a compelling, nuanced inquiry into the construction of knowledge itself.' - Michelle M. Wright, Longstreet Professor of English, Emory University, USA This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial “writing back” to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the “rise of the novel” framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.
Literature, Modern—18th century. --- Literature, Modern—19th century. --- Critical criminology. --- Ethnology—Europe. --- Eighteenth-Century Literature. --- Nineteenth-Century Literature. --- Ethnicity, Class, Gender and Crime. --- British Culture. --- Radical criminology --- Criminology --- Eighteenth-Century Literature --- Nineteenth-Century Literature --- Ethnicity, Class, Gender and Crime --- British Culture --- Race and Ethnicity Studies --- Literature and Cultural Studies --- Postcolonial Literature --- Black Atlantic Writing --- The British Novel --- Open Access --- Literary studies: c 1600 to c 1800 --- Literary studies: c 1800 to c 1900 --- Crime & criminology --- Cultural studies
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In The Life and Work of Ernesto de Martino , Flavio A. Geisshuesler offers a comprehensive study of one of Italy's most colorful historians of religions. The book inserts de Martino's dramatic life trajectory within the intellectual climate and the socio-political context of his age in order to offer a fresh perspective on the evolution of the discipline of religious studies during the 20th century. Demonstrating that scholarship on religion was animated by moments of fear of the apocalypse, it brings de Martino's perspective into conversation with Mircea Eliade, Claude Lévi-Strauss, and Clifford Geertz in order to recover an Italian approach that promises to redeem religious studies as a relevant and revitalizing field of research in the contemporary climate of crisis.
Religion --- Anthropology of religion --- Religion and sociology --- Religion historians --- Study and teaching --- History --- De Martino, Ernesto, --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- 27 <092> --- 27 <092> Kerkgeschiedenis--Biografieën --- Kerkgeschiedenis--Biografieën --- 27 <092> Histoire de l'Eglise--Biographies --- Histoire de l'Eglise--Biographies --- Historians of religion --- Religious historians --- Historians --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Religious anthropology --- Ethnology --- Martino, Ernesto de, --- Martino, Ernesto de. --- Religion. --- Anthropology of religion. --- Religion and sociology. --- Religion historians. --- Study and teaching. --- 1900-1999 --- Italy --- Italy. --- Intellectual life --- Intellectual History --- Literature and Cultural Studies --- Postcolonial Literature & Culture --- Philosophy --- 19th & 20th Century Philosophy --- Philosophy of Religion --- Religious Studies --- History of Religion
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