Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Les quelque 110 textes ici réunis, la plupart inédits en français, témoignent de ce foisonnement. Signés des plus grands écrivains et intellectuels de la période, de Walter Benjamin à Siegfried Kracauer, d'Ernst Jünger à Kurt Tucholsky ou à Alfred Döblin, d'artistes d'avant-garde comme Laszlo Moholy-Nagy ou Raoul Hausmann, de photographes majeurs comme Albert Renger-Patzsch ou August Sander, mais également d'auteurs injustement oubliés, ...¦propagande, expérimentation, peinture et photographie, photogramme, typophoto, la nouvelle objectivité, le photomontage
Photography --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- Germany --- Entre-deux guerres --- Histoire de la photographie --- Années 1920 --- Années 1910 --- Années 1930 --- Allemagne --- photography [process] --- photographie allemande --- Photographie --- 1900-1945 --- Anthologie
Choose an application
Bibliotheek François Vercammen
Linguistics --- German literature --- Modernité --- Photographie --- Philosophie de l'art --- Histoire de la photographie --- Ecrivain --- Critique d'art --- Analyse de l'art --- Sociologie --- Philosophie --- Langage --- Histoire --- Valery, Paul --- Proust, Marcel --- Gide, André --- Benjamin, Walter --- Goethe, Johann Wolfgang Von --- Kafka, Franz --- 20e siècle --- Benjamin, Walter (1892-1940) --- Journal intime --- Littérature allemande --- Littérature française --- Benjamin, Walter, --- Benjamin, Walter, 1892-1940
Choose an application
This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
Photography --- Theater --- Histoire de la photographie --- History --- camera obscura --- perspectief --- lanterna magica --- nieuwe media --- computers --- kunst en technologie --- 791.5 --- 82:77 --- Literatuur en fotografie --- 82:77 Literatuur en fotografie --- kunsttheorie --- media --- fotografie --- film --- technologie --- 7.01 --- 82:7 --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Mass communications --- Semiotics --- Photography - History --- Theater - History
Choose an application
Cinema. --- Illustrations, images, etc. en education --- Anamorphose --- Art classique --- Encadrement --- Litterature --- Peinture murale --- Portrait --- Rapport du spectateur à l'objet créé --- Rapport forme-fond --- Représentation de l'espace --- Semiologie --- Semiologie de l'image --- Théorie de la forme --- Theorie de la perception --- Interpretation --- Welles, Orson --- Cadrage --- Echelle --- Didactics of the arts --- Littérature --- Semiotics and the arts --- Motion pictures --- Illustrations, images, etc. --- Cinema --- Communication visuelle --- Cartographie --- Cinéma --- Communication --- Copie --- Corps humain --- Couleur --- Esthétique --- Graphisme --- Histoire de la peinture --- Histoire de la photographie --- Imitation --- Pédagogie --- Peinture --- Perception --- Perspective --- Photographie --- Préhistoire --- Religion --- Sociologie --- Symbolique --- Temps --- Study and teaching --- Semiotics --- Iconographie --- Représentation architecturale --- Psychologie de la forme --- 905.2 --- 700.6 --- semiotiek --- semantiek --- communicatie --- beeldtaal --- beeldcultuur --- schilderkunst --- fotografie --- film --- Lerarenopleiding --- cultuurfilosofie, -psychologie en -sociologie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Sémiologie --- Semiotics and the arts - Study and teaching --- Motion pictures - Semiotics - Study and teaching --- Illustrations, images, etc. - Interpretation --- Illustrations, images, etc. - Interpretation - Problemes et exercices --- Cinema - Problemes et exercices --- Communication visuelle - Problemes et exercices
Listing 1 - 4 of 4 |
Sort by
|