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Im Zuge der rasanten Entwicklungen in der Informationstechnologie werden neue Umgebungen geschaffen, die sowohl die Architektur selbst als auch Rolle und Aufgaben der Architekten maßgeblich verändern werden. Architektur kann mit den bekannten Begriffen nicht mehr beschrieben werden kann, weil sie nicht mehr der Form entspricht, die wir kennen: als eine klar abgegrenzte und ein- und ausschließende Architektur mit einem Innen und einem Außen. Die zukünftige Herausforderung für Architekten wird somit zunehmend auch darin bestehen, mit hybriden Umgebungen kreativ umzugehen, das gestalterische Potential digitaler Räume innerhalb der physischen Umwelt zu erfassen und die Rolle für die Architektur innerhalb einer visuell dominierten Kultur neu zu definieren. Peter Weibel ist Vorstand des Zentrums für Kunst und Medientechnologie (ZKM) in Karlsruhe. Georg Flachbart arbeitet als Video- und Kommunikationsdesigner. Er ist Mitbegründer der mind(21)factory for Knowledge Engineering and Knowledge Design in Stuttgart/Frankfurt a.M./Berlin. The creation of new environments through the use of developments in Information Technology is significantly altering not only architecture itself but also the roles and tasks of the architects. Architecture can no longer be described in the terms we are familiar with since it no longer corresponds to the form of architecture as we know it: an inclusive and exclusive structure, clearly defined, with a single interior and a single exterior. For architects, the challenge of the future will increasingly lie in creatively coming to terms with hybrid environments, understanding and exploiting the design potential of digital spaces within the physical world, and redefining the role of architecture within a visually dominated culture. This volume presents a valuable and attractive contribution to the contemporary discussion on this subject.

Architecture --- Virtual reality in architecture. --- Réalité virtuelle en architecture --- Data processing. --- Informatique --- Architecture -- Data processing. --- Electronic books. -- local. --- Virtual reality in architecture --- Art, Architecture & Applied Arts --- Data processing --- 72.012/013 --- Virtuele architectuur --- Digitale architectuur --- 72:681.3 --- CAAD --- Computer aided architectural design --- Virtuele realiteit (architectuur) --- Architectuur en computerwetenschappen --- Réalité virtuelle en architecture

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Although 3D printing promises a revolution in many industries, primarily industrial manufacturing, nowhere are the possibilities greater than in the field of product design and modular architecture. Ronald Rael and Virginia San Fratello, of the cutting-edge San Francisco-based design firm Emerging Objects, have developed remarkable techniques for printing from a wide variety of powders, including sawdust, clay, cement, rubber, concrete, salt, and even coffee grounds, opening an entire realm of material, phenomenological, and ecological possibilities to designers. In addition to case studies and illustrations of their own work, Rael and San Fratello offer guidance for sourcing alternative materials, specific recipes for mixing compounds, and step-by-step instructions for conducting bench tests and setting parameters for material testing, to help readers to understand the process of developing powder-based materials and their unique qualities.Bron: www.standaardboekhandel.be

Building materials. --- Three-dimensional printing. --- Impression 3D --- Construction --- Three-dimensional printing --- Building materials --- Matériaux --- 72:681.3 --- Architectuur ; 21ste eeuw ; nieuwe materialen --- Experimentele materialen --- Digitale productietechnieken ; 3D Printing --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- 3-D printing --- 3D printing --- 3DP (Three-dimensional printing) --- Rapid prototyping --- Architectuur en computerwetenschappen --- Impression 3D. --- Matériaux. --- Additive manufacturing --- Modular construction --- Impression tridimensionnelle --- Construction modulaire --- 3D-printen --- Matériaux

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Architecture --- Architectural design --- Computer-aided design --- Design architectural --- Conception assistée par ordinateur --- History --- Data processing. --- Histoire --- Informatique --- CAAD (Computer Aided Architectural Design) --- Architectuur ; Verenigde Staten ; 1995-2000 --- Greg Lynn/FORM --- Reiser+Umemoto (Rur Architecture) --- Denari, Neil M. (SCI-ARC) --- Diller & Scofidio --- Winka Dubbeldam --- Marcos Novak --- Asymptote (Lise Anne Couture, Hani Rashid) --- Leeser, Thomas --- Karl S. Chu (Xkavya) --- 72:681.3 --- 72.038 --- Architectuur en computerwetenschappen --- Architectuurgeschiedenis ; 1950 - 2000 --- Conception assistée par ordinateur --- CAD (Computer-aided design) --- Computer-assisted design --- Computer-aided engineering --- Design --- Architecture, Modern --- Data processing

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The last decade has witnessed a proliferation of artists whose primary medium is software. Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. The newest volume in our Design Brief series Form+Code in Design, Art, and Architecture is a non-technical introduction to the history, theory, and practice of software in the arts. Organized into themes linked to aspects of code—repetition, transformation,parameters, visualization, and simulation—each of the book's sections contains an essay, code samples, and numerous illustrations. An accompanying website (www.formandcode.com) features code samples in various programming languages for the examples in the book. An ideal introductory text for digital design and media arts courses, this unique primer will also appeal to students and professionals looking for a survey of this exciting new area of artistic production.

Computer software --- Computer-aided design. --- Art and technology. --- Logiciels --- Conception assistée par ordinateur --- Art et technologie --- Development. --- Développement --- 72.04 --- 72:681.3 --- 766:681.3 --- Digital Imaging --- Vormgeving ; gebruik van computerprogramma's --- Architectuur ; design ; digitale ontwerpen --- Virtual reality --- Virtuele architectuur --- Digitale kunsten ; vrije en toegepaste ; theorie --- 72.012 --- Architectuur ; details, ornamenten, decoratie --- Architectuur en computerwetenschappen --- Gebruiksgrafiek ; digitale ; webtoepassingen ; computerprogramma's --- Architectuur. Bouwkunst --- scientific illustrations [images] --- architectuur --- illustratieve vormgeving --- Graphic arts --- wetenschappelijke illustraties --- Architecture --- architecture [discipline] --- Conception assistée par ordinateur --- Développement --- Art and technology --- Computer-aided design --- Development of computer software --- Software development --- CAD (Computer-aided design) --- Computer-assisted design --- Computer-aided engineering --- Design --- Technology and art --- Technology --- Development --- departement Beeldende Kunst 11 --- kunst & techniek --- Computer graphics --- Computer software - Development

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Derrière la mutation technologique qui impose une transformation des usages et des pratiques, c'est un changement d'ordre culturel imposant ses modes de pensée et son esthétique auquel il va falloir se confronter. L'informatique n'est plus seulement un outil de communication, ou un nouvel instrument de représentation, mais organise bien l'ensemble du domaine de la production industrielle. L'exposition définit une rupture quicorrespond au changement des logiques de conception et de production de l'architecture.

architectuurtekeningen --- CAD (computer aided design) --- architectural drawings [visual works] --- Artificial intelligence. Robotics. Simulation. Graphics --- Architecture --- hedendaagse architectuur --- computer-aided design --- Visionary architecture --- Architecture, Modern --- Avant-garde (Aesthetics) --- Architecture visionnaire --- Avant-garde (Esthétique) --- Exhibitions. --- Designs and plans --- History --- Expositions --- Dessins et plans --- Histoire --- Asymptote --- dECOi Architects --- DR_O --- Greg Lynn FORM --- Kovac Architecture --- KOL/MAC Studio --- NOX --- Objectile --- oosterhuis.nl --- R&SIE --- Servo --- UN studio --- 72.012/013 --- 51 --- Architectuur ; non standard ; ontwerpen ; 1995-2007 --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- Architectuur ; ontwerpanalyse ; vormanalyse ; 20ste eeuw --- Asymptote Architecture --- DECOi --- DR_D ; Dagmar Richter Studio --- Greg Lynn/FORM --- Kolatan/Mac Donald Studio ; KOL/MAC --- Objectile (B. Cache & P. Beaucé) --- Oosterhuis.nl --- R&Sie ; Roche, François & Stéphanie Lavaux --- UN Studio --- Architectuur ; stedenbouw ; digitale ontwerpen --- 72.039 --- (069) --- 72:681.3 --- Ontwerp (architectuur) --- Wiskunde --- Architectuurontwerp --- Architectonisch ontwerp --- Architectuurgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Architectuur en computerwetenschappen --- Avant-garde (Esthétique) --- Modern [style or period] --- architecture [object genre] --- Architecture organique --- Avant-garde --- Utopie --- Informatique --- Création --- Le Corbusier --- Duchamp, Marcel --- Ray, Man --- Buckminster Fuller, Richard --- Le Corbusier, --- Futuristic architecture --- Utopian architecture --- Fantastic architecture --- Modern architecture --- Le Corbusier, Charles-Edouard Jeanneret, --- Fuller, Richard Buckminster, --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Fuller, Richard Buckminster, 1895-1983 --- computer-aided design [process] --- Architecture informatique expositions architecture innovations expositions utopies architecturales expositions design architectural expositions 1990-....