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Dieu et la pub !
Authors: ---
ISBN: 2204056936 9782204056939 288264017X Year: 1997 Publisher: Paris : Arare (Suisse) : Editions du Cerf ; Presses bibliques universitaires,


Book
Duivels en demonen : de duivel in de Nederlandse beeldcultuur [catalogus bij de gelijknamige tentoonstelling in Museum Het Catherijneconvent van 27 maart t/m 26 juni 1994]
Authors: ---
ISBN: 9071240150 Year: 1994 Publisher: Utrecht : Museum Het Catharijneconvent,


Book
Lexique des stalles médiévales : mobilier liturgique du XIII au XVIe siècle = Lexicon of medieval choir stalls : liturgical furniture of the 13th to 16th Centuries
Authors: ---
ISBN: 9782503515120 2503515126 Year: 2019 Publisher: Turnhout : Brepols Publishers,


Book
Les stratégies de la narration dans la peinture médiévale : la représentation de l'ancien testament aux IVe-XIIe siècles
Authors: ---
ISBN: 9782503581712 2503581714 Year: 2020 Volume: 37 Publisher: Turnhout : Brepols,

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Abstract

From the contents:00I. Des premiers siècles au Moyen Âge central0- Jean-Michel Spieser, Les cycles paléochrétiens dits narratifs0- Anne-Orange Poilpré, Figurer l?Ancien Testament dans la Bible chrétienne à l?époque carolingienne : (re)composer l?histoire0- Manuel Antonio Castiñeiras Gonzalez, Les Bibles de Ripoll et de Rodes et les ivoires de Salerne: la narration biblique sur des supports variés0- Judith Soria, ± Cycle des Fêtes ? et narration dans les décors médiobyzantins00II. Les traditions romaine et lombarde0- Serena Romano, San Pietro, San Paolo, e la narrazione cristiana. Riflessioni su una possibile storia0- Irene Quadri, Dipingere all'ombra di prototipi illustri. La narrazione veterotestamentaria nei cicli tipologici di XI e XII secolo in Italia centrale0- Marco Rossi, Les cycles de l'Ancien Testament à Galliano et dans la peinture lombarde du XIesiècle0- Fabio Scirea, La représentation de l'histoire d'Adam et Ève dans les milieux ambrosiens aux XIe-XIIe siècles00III. Saint-savin et la peinture ± septentrionale ?0- Søren Kaspersen, Genesis Cycles: Tradition, Theology and Politics ? From Cotton Genesis to Saint-Savin-sur-Gartempe0- Christian Davy, Les peintures murales de Saint-Jean-Baptiste de Château-Gontier et de Saint-Savin-sur-Gartempe : de la similitude à la dissemblance0- Kai Christian Ghattas, Reanimating the Scripture: Movement and Body Memory in the Paintings of Saint-Savin00IV. Les mosaïques siciliennes0- Giulia Arcidiacono, Le storie della Genesi nella Cappella Palatina di Palermo. Qualche osservazione sulle fonti iconografiche e sulle strategie narrative0- Tancredi Bella, Le récit de la Genèse dans les mosaïques de la cahtédrale de Monreale


Book
Treasure, memory, nature : Church objects in the Middle Ages
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ISBN: 9781912554614 1912554615 Year: 2020 Publisher: Turnhout : Harvey Miller Publishers,

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This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder. Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'?art, from the sixteenth and the nineteenth century onwards, respectively. Philippe Cordez traces the rhetorical origination, economic development, and later history of church treasures, and explores the forms and functions of the memorial objects that constituted them. Such objects were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their epistemic and aesthetic qualities. Dealing also with these paradigm shifts, this study opens up new paths toward an archeology of current scholarly and museum practices. Philippe Cordez is Deputy Director of the German Center for Art History in Paris.


Book
The viewer and the printed image in late medieval Europe
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ISBN: 9780754667629 0754667626 Year: 2010 Volume: *4 Publisher: Farnham, England Burlington, VT : Ashgate,

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David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda.


Book
Duivelsbeelden : een cultuurhistorische speurtocht door de lagen landen
Authors: --- ---
ISBN: 9026313055 9789026313059 Year: 1994 Publisher: Baarn : Ambo,

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