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"This is a study of gay narrative writings published in Spain at the turn of the twentieth century. The book scrutinises the ways in which the literary production of contemporary Spanish gay authors engages with homophobic and homophile discourses, as well as with the vernacular and international literary legacy"-- Provided by publisher.
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Challenging the narrative that the gay and lesbian novel came into view in response to the emergence of homosexuality as a concept, Natasha Hurley posits a much longer history of this novelistic genre. She revises our understanding of the history of sexuality, as well as of the processes of producing new concepts and the evolution of new categories of language.
American fiction --- Homosexuality in literature. --- History and criticism.
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Part of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.
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After Queer Studies maps the literary influences that facilitated queer theory's academic emergence and charts the trajectories that continue to shape its continued evolution as a critical practice. It explores the interdisciplinary origins of queer studies and argues for the prominent role that literary studies has played in establishing the concepts, methods, and questions of contemporary queer theory. It shows how queer studies has had an impact on many trending concerns in literary studies, such as the affective turn, the question of the subject, and the significance of social categories like race, class, and sexual differences. Bridging between queer studies' legacies and its horizons, this collection initiates new discussion on the irreducible changes that queer studies has introduced in the concepts, methods, and modes of literary interpretation and cultural practices.
Homosexuality in literature. --- Queer theory. --- Sexual orientation in literature. --- Gender identity
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In Masculinity and Queer Desire in Spanish Enlightenment Literature, Mehl Allan Penrose examines three distinct male figures, each of which was represented as the Other in eighteenth- and early nineteenth-century Spanish literature. The most common configuration of non-normative men was the petimetre, an effeminate, Francophile male who figured a failed masculinity, a dubious sexuality, and an invasive French cultural presence. Also inscribed within cultural discourse were the bujarrón or ’sodomite,’ who participates in sexual relations with men, and the Arcadian shepherd, who expresses his desire for other males and who takes on agency as the voice of homoerotica. Analyzing journalistic essays, poetry, and drama, Penrose shows that Spanish authors employed queer images of men to engage debates about how males should appear, speak, and behave and whom they should love in order to be considered ’real’ Spaniards. Penrose interrogates works by a wide range of writers, including Luis Cañuelo, Ramón de la Cruz, and Félix MarÃa de Samaniego, arguing that the tropes created by these authors solidified the gender and sexual binary and defined and described what a ’queer’ man was in the Spanish collective imaginary. Masculinity and Queer Desire engages with current cultural, historical, and theoretical scholarship to propose the notion that the idea of queerness in gender and sexuality based on identifiable criteria started in Spain long before the medical concept of the ’homosexual’ was created around 1870.
Spanish literature --- Enlightenment --- Homosexuality in literature --- Masculinity in literature --- History and criticism. --- History --- History
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Os textos trazem à tona um universo homoerótico ambientado na literatura, na música e nas discussões teóricas mostrando que, atualmente, essas manifestações recebem outro olhar. Além disso, discutem as antigas bases de gênero e os novos modos de interpretação de sujeitos culturais, ressaltando a dificuldade em falar de questões homoafetivas em uma sociedade ainda machista e homofóbica. Eles mostram o distanciamento que algumas pessoas ainda têm a respeito do homoerotismo, por isso buscam desconstruir os estereótipos de gênero através da literatura, mostrando ao leitor que as expressões homoculturais vão além de um padrão pré-estabelecido pela sociedade e suas respectivas culturas.
Homosexuality in literature. --- Gay erotic literature --- LITERARY CRITICISM --- History and criticism.
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Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century’s most important literary, affect, and queer theorists. Acclaimed as one of the “truly innovative” poets of her generation by Maud Ellmann, Sedgwick’s work as a poet is, perhaps, less well known, but is no less compelling than her ground-breaking trilogy of queer theoretical texts: Between Men: English Literature and Male Homosocial Desire, Epistemology of the Closet, and Tendencies.
Literary studies: from c 1900 --- -Literary studies: from c 1900 --- -Homosexuality in literature. --- American poetry. --- -Sedgwick, Eve Kosofsky. --- Homosexuality in literature. --- -American literature --- Sedgwick, Eve Kosofsky. --- Kosofsky, Eve --- -literary studies --- queer studies --- Eve Kosofsky Sedgwick --- psychoanalysis --- autobiography --- literary studies
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So much of great literature centres on explorations of gender, sex, and sexuality. What does it mean to be a proper man or woman; what if one cannot be properly called either? Should one wield one's sexual power politically? What is the relation between law, divine or secular, and sexuality? These are just some of the questions that this volume examines through an analysis of a wide range of texts. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources.
Sexual minorities in literature. --- Gender identity in literature. --- Homosexuality in literature. --- Bisexuality in literature. --- Transsexuals in literature. --- Sexual minorities in literature --- Gender identity in literature --- Homosexuality in literature --- Bisexuality in literature --- Transsexuals in literature
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Queer Between the Covers presents a history of radical queer publishing and literature from 1880 to the modern day. Chronicling the gay struggle for acceptance and liberation, this book demonstrates how the fight for representation was often waged secretly between the covers of books at a time when public spaces for queer identities were limited. The chapters provide an array of voices and histories – from the famous, Derek Jarman and Oscar Wilde, to the lesser-known and underappreciated John Wieners and Valerie Taylor. It includes first-hand accounts of seminal moments in queer history, including the birth of Hazard Press and the Defend Gay’s the Word Bookshop campaign in the 1980s. The book demonstrates how the queer community could be brought together through shared literature. The works discussed show the imaginative and radical ways in which queer texts have fought against censorship and repression and could be used as a tool for political organisation and production. From the powerful community-wide demonstrations for Gay’s the Word during their battle with the British government, the mapping of Chicago’s queer spaces within Valerie Taylor’s pulp novels, or the anonymous but likely shared authorship of the 19th-century queer text Teleny. Queer publishing often involved a range of creative tactics to beat the censor, from self-publishing to anonymous authorship. The book also shows how collage and the repurposing of found image and text became a key queer publishing practice, from Derek Jarman’s vast creative repertoire to book artwork created by the Hazard Press. A fascinating and poignant analysis of some key historic moments for queer lib in publishing and book history, this is an essential read for those interested in how LGBTQ people throughout modernity have used literature as an important forum for self-expression and self-actualisation when spaces and sites for queer expression were taboo.
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