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A critical introduction and guide to artists' video in both Europe and North America, this title covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s, when digital technology merged video's distinctive practice with that of independent film-making and photography.

History of civilization --- Film --- Video art --- History --- Videokunst. --- Video art. --- History. --- Geschichte. --- video --- videokunst --- film --- video-installaties --- digitale kunst --- computerkunst --- experimentele film --- Jonas Joan --- Serra Richard --- Hall David --- Partridge Steve --- Bruszewski Wojciech --- Cameron Eric --- Birnbaum Dara --- vom Bruch Klaus --- Elwes Catherine --- Duvet Brothers --- Sjölander Ture --- Weck Lars --- Donebauer Peter --- Viola Bill --- Cahen Robert --- Vasulka Woody --- Reeves Daniel --- Snow Michael --- Studio Azzurro --- Goddard Judith --- Hill Gary --- kunst en technologie --- performances --- narratologie --- virtual reality --- cybercultuur --- Paik Nam June --- Hooykaas Madelon --- Stansfield Elsa --- Sinden Tony --- Critchley David --- Lucier Mary --- Meynell Katherine --- Campus Peter --- Meigh-Andrews Chris --- Le Grice Malcolm --- Biggs Simon --- Collins Susan --- 791.45 --- Video art - History

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Introduction: The audiovisual medium. ##pt. I. Video, a technology, a medium. ##Media-theoretical considerations ; The visualization debate ; Preconditions of the technology and the apparatus ; Matrix phenomena -- ##pt. II. The reflexive medium. ##Experimental phase ; Guerilla television ; Artistic video ; Excursus on the relationship of film, video and computer ; Experimental video ; Video cultures -- ##pt. III. Video aesthetics. ##Apparatus, self-reflection and performance : Vito Acconci and Dennis Oppenheim ; Picture, reproduction, media images : Ulrike Rosenbach, Joan Jonas and Valie Export ; Video/TV : Nam June Paik and Dara Birnbaum ; Video, photo and film : Klaus vom Bruch and Peter Campus ; Structural video : Michael Langoth, Les Levine, Jean-François Guiton, Richard Serra and Dieter Kiessling ; Musicalisation in video : Robert Cahen ; Layering and condensing : Peter Callas ; Video scratching : Martin Arnold and Raphael Montañez Ortiz ; Video void : David Larcher ; Micro/macro dimensions : Nan Hoover ; Picture, text, voice and writing : Gary Hill ; Video and computers : Steina and Woody Vasulka ; Video and virtual environment : Lynn Hershman ; Video, poetics and hypermedia : Bill Seaman ; Video installations : Eija-Liisa Ahtila, Chantal Akerman, Gillian Wearing -- ##Outlook : complexity and Interactivity.

Video art --- Video recordings --- Video recordings. --- 791.43.098 --- Valie Export --- Birnbaum Dara --- vom Bruch Klaus --- Campus Peter --- Langoth Michael --- Levine Les --- Guiton Jean-François --- Kiessling Dieter --- Cahen Robert --- Callas Peter --- Arnold Martin --- Montañez Ortiz Raphael --- Larcher David --- Hill Gary --- Vasulka Woody --- Vasulka Steina --- Hershman Lynn --- Seaman Bill --- Ahtila Eija-Liisa --- Akerman Chantal --- 791.45 --- Video's. Videofilms. Videoclips. Videokunst --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- Acconci Vito --- Hoover Nan --- Jonas Joan --- kunst --- Oppenheim Dennis --- Paik Nam June --- Rosenbach Ulrike --- Serra Richard --- video --- video-installaties --- videokunst --- Wearing Gillian --- 778.5 --- Videorecordings --- Videos --- Audio-visual materials --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Art --- Mass communications --- Video art. --- Time-based art