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danstechniek --- artistieke fotografie --- Theatrical science --- Danse --- Étude et enseignement --- Technique
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Nobuyoshi Araki himself distills decades' worth of images down to 568 pages in this ultimate retrospective of his career. First published as a limited edition and now available as a TASCHEN standard edition with updated appendix, this intimate collection delves into Araki's work to showcase his best-known subjects: sensual, colorful flowers...
commercial portraiture --- nudes [representations] --- eroticism --- Araki, Nobuyoshi --- Photographies --- artistieke fotografie
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Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Kunstfotografie --- Photographie artistique --- Photography [Artistic ]
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La police et la photographie font toutes les deux force de loi : l'une par ses prérogatives dans le respect de l'ordre, l'autre par sa technique et son pouvoir d'attester. Pas étonnant dès lors qu'elles se soient rencontrées et que les travaux d'enquête aient rapidement vu dans la photo un outil précieux pour déterminer les faits et établir la vérité. A côté de cette question de l'indice et de la preuve par l'image, l'exposition aborde aussi la représentation de l'autorité et le rôle social de la police. Le parti pris de l'exposition était de croiser des travaux d'artistes avec des documents d'archives, pour la plupart inédits, dont une sélection de photographies anciennes issues des archives de la police fédérale et visibles pour la première fois.
Art --- fine arts --- Visual perception in art --- Exhibitions --- Photographies --- Police --- fine arts [discipline] --- artistieke fotografie
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During a period of three years, Taiyo Onorato and Nico Krebs traveled several months through the United States, working “on the road” on the photo series The Great Unreal. The photographic work deals with reality and the fabrication of reality.The geography of America serves as both setting and fertile ground for the examination. Mysticism and demystification are important aspects in this process, as is working with a rich inventory of visual icons that can be continually deconstructed and manipulated.The working method of both photographers is based on interventions prescribed mostly by happenstance and change. Through repetition and associative placement, the sometimes crude, sometimes subtle interventions begin to link to one another, establishing an exciting transformation of reality that only hesitatingly reveals itself to the viewer. Together with book designers Megi Zumstein and Claudio Barandun, what emerged is an unmitigated picture book that makes a visual journey possible without any instructions. It comprises narrative image sequences that approximate the curiosity and restlessness of being on the move and, at the same time, depict associative connections with the American landscape.
Onorato, Taiyo --- Krebs, Nico, --- Photography --- artistieke fotografie --- fotoboeken --- Krebs, Nico --- United States --- United States of America
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Dès 1839, la Grande-Bretagne partage avec la France le privilège de l'invention de la photographie qui étend très vite ses domaines d'investigation comme partout en Europe : studio, voyages, documentation scientifique ; mais les Britanniques conservent tout au long du siècle une distinction de composition (Fenton), une réserve du sentiment naturaliste (Robinson), un angélisme préraphaélique (Cameron) où se révèle une inclination pour la mystique mesurée
artistieke fotografie --- photography [process] --- fotografie --- Photography --- anno 1800-1899 --- Great Britain --- Groot-Brittannie --- negentiende eeuw --- twintigste eeuw --- picturalisme --- 77.035
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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography.This extensive book compiled by the renowned British curator James Lingwood accompanies a touring exhibition to three major museum venues across Europe and focuses on the first decade of Ghirri’s work, defined by his 1979 exhibition in Parma. Vera Fotografia was grouped into fourteen different narrative sequences, each of which is represented in this volume: Fotografie del periodo iniziale (1970), Kodachrome (1970-78), Colazione sull’erba (1972-74), Catalogo(1970-79), Km 0.250 (1973), Diaframma 11, 1/125, luce naturale(1970-79), Atlante, (1973), Italia Ailati (1971-79), Il paese del balocchi(1972-79), Vedute (1970-79), Infinito (1974), In Scala (1976-79), Still Life (1975-79).The focus of the project is on Ghirri’s quietly compelling project to create a new kind of geography, located in his fascination with representations of the world, in the form of reproductions, pictures, posters, models and maps. The mediation of experience through images in an Italy poised between the old and the new was, for Ghirri, an inexhaustible terrain to survey – “a great adventure into the world of thinking and looking, a wonderful magic toy that miraculously manages to combine our adult awareness and the fairy tale world of children…a never-ending journey through great and small, through variations and the realm of illusions and appearances, a labyrinthine specular place of multitudes and simulation."
Photography, Artistic --- Art, Italian --- Ghirri, Luigi, --- Exhibitions. --- Photography --- Ghirri, Luigi --- Photographie artistique --- Art italien --- Expositions --- artistieke fotografie
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