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Theatrical science --- Semiotics --- Theater --- Semiotics and literature. --- Sémiotique et théâtre --- Sémiotique et littérature --- Semiotics. --- Semiotics and literature --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Literature and semiotics --- Literature --- -Semiotics --- -Literature and semiotics --- Dramatics --- Sémiotique et théâtre --- Sémiotique et littérature
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Au XVIIIe siècle, le théâtre est l'activité sociale la plus répandue. Tout le monde joue la comédie, des grands seigneurs aux humbles artisans, en passant par les élèves des Jésuites et les écrivains. Les théâtres prestigieux ou crottés sont des lieux de rendez-vous et des foyers d'agitation politique. L'auteur fait découvrir dans ce livre, le rôle joué par le théâtre dans la préparation des esprits à la révolution et à la modernité.
Theater --- Théâtre --- History --- Histoire --- Performing arts --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Show business --- Arts --- Performance art --- -History --- -Performing arts --- Théâtre --- Dramatics --- 780 --- Paris histoire --- France théâtre --- dans, toneel, film --- danse, théâtre, cinéma --- Performing arts - France - Paris - History - 18th century --- Theater - France - Paris - History - 18th century
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English language --- German language --- Theatrical science --- French language --- Italian language --- Theater --- Dictionaries, Polyglot --- Dictionnaires polyglottes --- Dictionaries --- Polyglot --- 792 <03> --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Dictionaries, Multilingual --- Languages, Modern --- Multilingual dictionaries --- Polyglot dictionaries --- Encyclopedias and dictionaries --- Language and languages --- Theater. Theaterwetenschap. Toneel--Naslagwerken. Referentiewerken --- -Polyglot --- -Theater. Theaterwetenschap. Toneel--Naslagwerken. Referentiewerken --- 792 <03> Theater. Theaterwetenschap. Toneel--Naslagwerken. Referentiewerken --- -Dictionaries, Multilingual --- Dramatics --- Dictionaries&delete& --- Theaterwetenschap --- Engelse taalkunde --- Duitse taalkunde --- Franse taalkunde --- Italiaanse taalkunde
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Theatrical science --- China --- Theater --- Théâtre --- Histoire --- S16/0300 --- S16/0320 --- 895.1-2 --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- China: Literature and theatrical art--Traditional theatre: studies --- China: Literature and theatrical art--Modern theatre: studies --- Chinese literatuur--?-2 --- -China: Literature and theatrical art--Traditional theatre: studies --- 895.1-2 Chinese literatuur--?-2 --- Théâtre --- Histoire. --- Theater - China
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Ouvrage de synthèse qui présente une histoire des arts dramatiques, subdivisée en 4 périodes, de 1830 à nos jours.
840 <493> --- 840-2 --- Theater --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- 840-2 Franse literatuur: toneel drama --- Franse literatuur: toneel drama --- 840 <493> Franse literatuur: België --- Franse literatuur: België --- History --- -History --- -840 <493> --- -840-2 Franse literatuur: toneel drama --- Dramatics --- -Théatre --- Théâtre belge d’expression française --- Histoire du théâtre --- Théatre --- 840-2 Franse literatuur: toneel; drama --- Franse literatuur: toneel; drama --- French language --- theatergeschiedenis --- Theatrical science --- anno 1800-1999 --- Belgium --- --XIXe-XXe s., --- 19e siècle --- 20e siècle --- Belgique --- Histoire --- 78.77.4 --- XIXe-XXe s., 1801-2000 --- Theater - Belgium - Wallonia - History - 19th century --- Theater - Belgium - Wallonia - History - 20th century --- THEATRE (GENRE LITTERAIRE) BELGE --- FRANCAIS (L.) --- 19E-20E SIECLE --- THEATRE --- ART DRAMATIQUE --- BELGIQUE --- VIE CULTURELLE --- HISTOIRE --- 19E-20E SIECLES --- CULTURE FRANCAISE
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Don d'André Helbo
Theatrical science --- Théâtre --- Toneel --- Theater --- Drama --- Sémiotique et théâtre --- Théâtre (Genre littéraire) --- Semiotics --- History and criticism --- Histoire et critique --- Philosophy --- Production and direction --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- -Philosophy --- Sémiotique et théâtre --- Théâtre (Genre littéraire) --- Directing (Theater) --- Play direction (Theater) --- Play production (Theater) --- Direction --- theatergeschiedenis --- anno 1900-1999 --- Theater - Philosophy --- Theater - Production and direction --- Theories du theatre
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Voici un dictionnaire nouveau : une histoire du théâtre par les mots. La nouveauté est double : les mots surgissent de la littérature autant que des coulisses. De la gestuelle obscène des fêtes dionysiaques à la direction d'acteurs contemporaine, en passant par la codification baroque, le spectateur est pris dans une histoire qui le traverse. Le dictionnaire de la langue du théâtre regroupe 1 500 mots et expressions qui racontent la vie du théâtre, de ses métiers et de son langage : Le vocabulaire courant de la scène, des coulisses et de la salle Une italienne, une couturière, descendre en scène, Les mots techniques : Cintres, costière, dessous, gril, herses, pendrillons, rampe, Les expressions imagées : Faire craquer la ceinture de Melpomène, les chevaliers du lustre, avoir sa petite côtelette, faire la salade, filer dans les bottes, Les expressions argotiques : Charger à l'amoureuse ou à la parisienne, emmener un décor par les cheveux, tirer sur la guimauve, mettre un camion à cul, le carrefour des putes, Les scies : A bas le chapeau ! Tiens, c'est vous ce soir ! Tu as ta boîte à rictus, ta boîte à inflexions ? Venez armés, l'endroit est désert... Plus de 6 000 citations de 350 auteurs - romanciers ou gens du métier -, des morceaux choisis et des anecdotes, mettent les mots en situation et restituent la couleur de l'époque. Un dictionnaire plein du bruit des coulisses, des accents sublimes de la tragédie comme de l'éclat des matamores et des farces des capitani spaventi delta Valle interna. (extrait du 4ème de couverture)
82-2 <03> --- 804.0 (03) --- 804.0 (03) Frans. Franse taalkunde--Naslagwerken. Referentiewerken --- Frans. Franse taalkunde--Naslagwerken. Referentiewerken --- 82-2 <03> Toneel. Drama--Naslagwerken. Referentiewerken --- Toneel. Drama--Naslagwerken. Referentiewerken --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- French --- Dictionnaire --- Littérature --- Théâtre --- French. --- Toneel --- woordenboeken. --- Théâtre --- Dictionaries --- Dictionnaires français --- Terminology --- Dictionaries [French ] --- Theater - Dictionaries - French. --- THEATRE --- ART DRAMATIQUE --- THEATRE (GENRE LITTERAIRE) --- DICTIONNAIRES
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Perhaps no one is more qualified to write about Japanese culture than Donald Keene, considered the leading interpreter of that nation's literature to the Western world. The author, editor, or translator of nearly three dozen books of criticism and works of literature, Keene now offers an enjoyable and beautifully written introduction to traditional Japanese culture for the general reader.The book acquaints the reader with Japanese aesthetics, poetry, fiction, and theater, and offers Keene's appreciations of these topics. Based on lectures given at the New York Public Library, The Metropolitan Museum of Art, and the University of California, Los Angeles, the essays -though written by a renowned scholar- presuppose no knowledge of Japanese culture. Keene's deep learning, in fact, enables him to construct an overview as delightful to read as it is informative.His insights often illuminate aspects of traditional Japanese culture that endure today. One of these is the appreciation of "perishability." this appreciation os seen in countless little bits of Japanese life: in temples made of wood instead of durable materials; in the preference for objects -such as pottery- that are worn, broken, or used rather than new; and in the national love of the delicate cherry blossom, which normally falls after a brief three days of flowering. Keene quotes the fourteenth-century Buddhist monk Kenko, who wrote that "the most precious thing about life is its uncertainty."Throughout the volume, Keene demonstrates that the rich artistic and social traditions of Japan can indeed be understood by readers from our culture. This book will enlighten anyone interested in Japanese literature and culture.
J5500.10 --- J6800.10 --- J6020 --- J5920 --- Japanese literature --- -Theater --- -Aesthetics, Japanese --- Japanese aesthetics --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Japan: Literature -- history and criticism -- premodern, ancient and earliest --- Japan: Performing and media arts -- history -- earliest and premodern --- Japan: Art and antiquities -- Japanese aesthetics (Japonism) --- Japan: Literature -- premodern fiction and prose ( -1868) --- History and criticism --- History --- Japanese literature - To 1868 - History and criticism --- Theater - Japan - History --- Aesthetics, Japanese --- Theater --- Aesthetics, Japanese. --- History and criticism. --- History.
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Italian drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Italian literature --- History and criticism --- History --- Venice (Italy) --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venet︠s︡ii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Intellectual life.
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A partir d'une importante documentation inédite, recherche aux approches multiples sur un certain nombre de réalisations spécifiques en Allemagne, en France, en Pologne, en Tchécoslovaquie et en URSS. Treize études : Meyerhold, Taïrov, Vakhtangov, Evreinov, Radlov, Groupe l'Assaut, Pitoëff, Schiller, Honzl, Jessner, Piscator, Engel, Baty.
Theaterwetenschap --- theaterwetenschap --- toneelgeschiedenis --- Theater --- Theaters --- Drama --- Experimental theater --- Théâtre --- Théâtre (Genre littéraire) --- Théâtre expérimental --- Production and direction --- Stage-setting and scenery --- History and criticism --- Production et mise en scène --- Décors et mise en scène --- Histoire et critique --- Set designers --- Décorateurs de théâtre --- Production and direction. --- Meyerhold, Vsevolod E. --- Théâtre (genre littéraire) --- Théâtre expérimental. --- Théâtre --- Histoire et critique. --- Production et mise en scène. --- Kantor, Tadeusz, --- Théatre --- Production et mise en scene --- Meyerhold, V. E. --- Shakespeare, William, --- Arden, John. --- Beckett, Samuel, --- Théâtre du Soleil. --- Kantor (Tadeusz) /et theâtre. --- Kantor (Tadeusz) /en toneel. --- Meyerhold, Vsevold --- Criticism and interpretation --- -Alternative theater --- Avant-garde theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism. --- -Dramatics --- Alternative theater --- Mise en scène. --- Théâtre (genre littéraire) --- Théâtre expérimental. --- Theater - Production and direction --- Drama - 20th century - History and criticism --- Kantor, Tadeusz, - 1915-1990 --- Théatre - Production et mise en scene - URSS --- Meyerhold, V. E. - (Vsevolod Emilevich), - 1874-1940 --- -History and criticism
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