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Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today's study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.
Animated films --- Animation (Cinematography) --- Animated films . --- Films d'animation. --- Animation (cinéma) --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Technique --- #SBIB:309H1326 --- #SBIB:309H1300 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Filmwezen: algemene werken
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"Hayao Miyazaki's career in animation has made him famous as not only the greatest director of animated features in Japan, the man behind classics as My Neighbour Totoro (1988) and Spirited Away (2001), but also as one of the most influential animators in the world, providing inspiration for animators in Disney, Pixar, Aardman, and many other leading studios. However, the animated features directed by Miyazaki represent only a portion of his 50-year career. Hayao Miyazaki examines his earliest projects in detail, alongside the works of both Japanese and non-Japanese animators and comics artists that Miyazaki encountered throughout his early career, demonstrating how they all contributed to the familiar elements that made Miyazaki's own films respected and admired among both the Japanese and the global audience."--Bloomsbury Publishing.
Animators --- Miyazaki, Hayao, --- Criticism and interpretation. --- Cartoon makers --- Animation (Cinematography) --- 宮崎駿, --- Animated films --- History and criticism. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography) --- History and criticism --- 宮崎, 駿 --- Film production: technical and background skills --- Film history, theory and criticism --- Japan. --- Empire du Japon --- Nihon-koku --- Zen-Nihon --- Zenkoku --- Nippon --- Japon --- Dainihon --- Dainippon --- Nihon --- Yapan --- Japão --- Japaner --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihonkoku --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yīpun --- Zhāpān
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