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"Drawing on literature along with the visual and performing arts, Anthony B. Pinn theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay."--
Philosophy of religion --- Religion as technology --- openness --- thing, art --- rebellion --- materiality --- Art and religion --- Religion and culture --- African American art --- Art and race. --- Performance art --- Social aspects. --- Social aspects --- Arts, Modern --- Happenings (Art) --- Performing arts --- Race and art --- Ethnopsychology --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects
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The study includes picture sources and written records to fully discuss the history of ecclesiastical interiors as well as the stylistic development of the furnishings in the early modern period. In addition, the study explores aspects relating to the social and economic history.
Church furniture --- Church decoration and ornament --- Christian art and symbolism --- Furniture, Baroque --- Carpenters --- Furniture making --- History. --- Furniture --- Furniture building --- Joinery --- Woodwork --- Building trades --- Woodworkers --- Baroque furniture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Ecclesiastical furniture --- Furniture, Church --- Building --- Employees --- Styles --- Sakralmöbel --- applied arts --- Kunsthandwerk --- Barock --- church furnishings --- Baroque
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How can we think of the “aura” of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) “auratic” experiences? Is the work of art still capable of mediating the experience of the “sacred,” and under what conditions? What is the significance of the “eschatological” dimension of both art and religion (the sense of “ending”)? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture.
aesthetic --- harmony --- n/a --- beauty --- Gerhard Richter --- haptic --- Cologne Cathedral window --- secularism --- iconography --- Strip --- aesthetic experience --- iconology --- retro-avant-garde --- photography --- Augustine --- concepts: image --- Franciscan theology --- faith --- post-secular --- intentionality --- aura --- theurgy --- freedom --- authorship --- Magdalene --- contemporary painting --- mysticism --- wonder --- belief --- sacred --- art --- Vermeer --- chance --- abstract painting --- sensory experience --- skepticism --- digital imagery --- reading/readers --- aesthetics --- rhythm --- book(s) --- culture --- sentience --- Jerome --- ratio --- Art and religion. --- Postsecularism. --- Post-secularism --- Post-secularity --- Philosophy, Modern --- Religion --- Secularism --- Art --- Arts in the church --- Religion and art --- Religious aspects
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In her book, Jana Lucas portrays the artistic interchange in the context of the “Basler Konzil”. For the first time, she provides an overall synopsis of the proceedings in art in the time of consiliar Basel.
Christianity and art --- Christian art and symbolism --- History --- Catholic Church --- Council of Basel --- Art and Christianity --- Art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Basel, Council of --- Basilejský koncil --- Basler Konzil --- Concil von Basel --- Concilium Basiliense --- Koncil basilejský --- Konzil von Basel --- History of arts --- Basel --- Renaissance
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Church history --- Christian antiquities --- Christian art and symbolism --- History --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Antiquities --- Byzantine antiquities --- Christian antiquities. --- Christian art and symbolism. --- Church history. --- Christianity --- Ecclesiastical history --- History, Church --- History, Ecclesiastical
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This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation.
Christian art and symbolism --- Christian art and symbolism. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- 1380–1520 --- Agency --- Europe --- Europie --- German Sculpture --- Medieval Bookmaking --- Medieval Printmaking --- medieval tapestries --- Middle Ages --- Netherlandish Painting --- Northern --- Objects --- Objekty --- Polnocnej --- Sztuki --- Ziemba --- 500-1500 --- Europe. --- Medieval Period --- Council of Europe countries --- Eastern Hemisphere --- Eurasia
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No âmbito do projectode investigação financiado pela Fundação para a Ciência eTecnologia sobre o “Estudo das madeiras da colecção do MuseuNacional de Arte Antiga e Museu Grão Vasco – implicações na conservação erestauro”, o objectivo central foiidentificar as madeiras da colecção de escultura dos referidos museus, cujosresultados agora se publicam. Aintervenção de especialistas de várias áreas científicas contribuiu para amultiplicidade das conclusões que podem tirar-se e para o significativo avançono conhecimento da Colecção. Isso salienta-se não só ao nível da identificaçãotécnica e comportamento estético dos materiais, mas também no que diz respeito
Wood sculpture --- Christian art and symbolism --- Conservation and restoration --- Museu Grão Vasco. --- Museu Nacional de Arte Antiga (Portugal) --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Wood carvings --- Wooden sculpture --- Sculpture --- Wood-carving --- Instituto Português do Património Cultural. --- Lisbon. --- MNAA --- Museo nazionale d'arte antica (Portugal) --- Museu das Janelas Verdes (Portugal) --- Museu de Arte Antiga de Lisboa. --- Museu de Lisboa. --- National Ancient Art Museum (Portugal) --- Portugal. --- Museu Nacional de Bellas Artes (Portugal) --- Museo Grão Vasco --- MGV
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7.046.3 --- 246.5 --- Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Iconografie: religieuze voorstellingen --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Themes, motives --- Themes, motives. --- -Iconografie: religieuze voorstellingen --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 7.046.3 Iconografie: religieuze voorstellingen --- -246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Art, Christian --- -#A9209A --- Iconografie ; christelijke ; geschiedenis --- 7.04(091) --- 696 --- #gsdbA --- Iconografie ; geschiedenis --- Kunstgeschiedenis --- Audiovisual methods --- iconography --- Painting --- #KVHA:Beeldtaal --- #KVHA:Iconografie --- #KVHA:Kunstgeschiedenis --- Religious art --- #A9209A --- #GROL:SEMI-246.5 --- iconografie --- geschiedenis --- Iconography --- History of civilization --- History --- Christian religion --- history [discipline] --- religious art --- Symbolism in art --- Christelijke kunst --- kerkelijke kunst
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This is the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is an appendix to the book Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. The catalogue can be accessed and downloaded for free as well as be purchased in hardback.
Portrait painting, Netherlandish --- Devotion in art --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Netherlandish portrait painting --- 75 <492> --- 75.033 --- 75.034 --- 75.034 Schilderkunst van de renaissance; barok; rococo --- Schilderkunst van de renaissance; barok; rococo --- 75.033 Schilderkunst van de Middeleeuwen --- Schilderkunst van de Middeleeuwen --- 75 <492> Schilderkunst--Nederland --- Schilderkunst--Nederland --- Portrait painting, Netherlandish. --- Devotion in art. --- Peinture de portraits --- Dévotion --- Art chrétien médiéval --- Art chrétien de la Renaissance --- Dans l'art --- Benelux countries. --- Medieval. --- Christian art and symbolism - Benelux countries - Medieval, 500-1500 --- Christian art and symbolism - Benelux countries - Renaissance, 1450-1600 --- Art --- Art chrétien --- Moyen âge, 476-1492 --- Renaissance --- Pays-Bas --- History of art / art & design styles --- History of art & design styles: c 1400 to c 1600
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Obwohl der Bestand an frühbyzantinischen Wand- und Gewölbemosaiken im östlichen Mittelmeerraum sehr gering ist, waren die umfangreichen Reste des erhaltenen musivischen Dekors der Acheiropoietos-Basilika in Thessaloniki bisher noch nicht Gegenstand einer umfassenden Untersuchung. Die vorliegende Studie stellt diese überwiegend in den Arkaden und Fensterlaibungen erhaltenen Mosaiken in den Mittelpunkt. Aufbauend an die ausführliche Analyse dieses qualitätvollen Dekors werden weiterführende Fragen zu den frühbyzantinischen Mosaiken von Thessaloniki (v. a. Hagios Demetrios, Gerogios-Rotunde) bearbeitet und die bisher stark umstrittene relative Chronologie dieser Kunstgattung in dieser Metropole auf eine neue Grundlage gestellt. Ein umfangreicher Katalog vergleichbarer dekorativer Mosaiken des 5. und 6. Jhs. in Bogenlaibungen von Monumenten des gesamten Mittelmerraums, die bisher noch nicht zusammenfassend bearbeitet worden sind, dient als Basis für die Bewertung und Einordnung. Als Corpus dekorativer Mosaiken in Bogenlaibungen des 5. und 6. Jhs. ist die Arbeit von grundlegender Bedeutung.
Mosaics, Byzantine --- Decoration and ornament, Byzantine --- Decoration and ornament, Architectural --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Byzantine decoration and ornament --- Byzantine mosaics --- Decoration and ornament --- Acheiropoiētos (Church : Thessalonikē, Greece) --- Thessalonikē (Greece). --- Thessalonikē (Greece) --- Thessalonike --- Salanik (Greece) --- Salonica (Greece) --- Salonicco (Greece) --- Salonika (Greece) --- Saloniki (Greece) --- Salonique (Greece) --- Sālūnīk (Greece) --- Selânik (Greece) --- Solonika (Turkey) --- Solun (Greece) --- Thessalonica (Greece) --- Thessaloníki (Greece) --- Thessalonique (Greece) --- Thesszaloniki (Greece) --- Θεσσαλονίκη (Greece) --- Selânik (Turkey) --- Antiquities. --- Buildings, structures, etc. --- Acheiropoietos-Basilica. --- Decorative Mosaics of the 5th to 7th Centuries. --- Ornamentation. --- Thessaloniki.
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