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An Open Access edition of this book is available on the Liverpool University Press website andthrough Knowledge Unlatched.
Emotions in literature. --- Imperialism in literature. --- Postcolonialism in literature. --- Literary Criticism --- Subjects & Themes --- General
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This text shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. The book argues that the persistent Gothic tropes in the literature of the Russian Empire enact deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. It brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as the book explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms 'the imperial uncanny.' Focusing on two spaces of 'the imperial uncanny' - the Baltic 'North'/Finland and the Ukrainian 'South' - the book reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.
Gothic fiction (Literary genre), Russian --- Ukrainian fiction --- Imperialism in literature. --- Uncanny, The (Psychoanalysis), in literature. --- Russian gothic fiction (Literary genre) --- Russian fiction --- History and criticism. --- Ukrainian literature --- Supernatural, Ukraine, North South Paradigm, Gothic literature.
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Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. Staging Governance locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves. Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, Staging Governance demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.
Colonies in literature. --- Theater --- Political plays, English --- Theater --- Politics and literature --- Imperialism in literature. --- English drama --- Political aspects --- History and criticism. --- History --- History --- History and criticism. --- Literature: history & criticism
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This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
Reisbeschrijvingen [Amerikaanse ] --- History and criticism --- American literature --- 19th century --- 20th century --- Americans --- Foreign countries --- History --- United States --- Foreign relations --- Imperialism in literature --- Travellers in literature --- Colonies in literature --- Travel in literature --- Travelers' writings, American --- Imperialism in literature. --- Travelers in literature. --- Colonies in literature. --- Travel in literature. --- History and criticism. --- Voyages and travels in literature --- Yankees --- Ethnology --- jack --- london --- charles --- warren --- stoddard --- richard --- henry --- dana --- herman --- melville
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Colonies in literature --- Imperialism in literature --- Literature --- -Politics and culture --- #SBIB:309H1016 --- #SBIB:309H515 --- #SBIB:316.7C120 --- Culture --- Culture and politics --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism --- -Theory, etc --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Literatuurwetenschap, literatuursociologie --- Cultuursociologie: algemene en theoretische werken --- Political aspects --- -#A9309A --- European literature --- Politics and culture --- History and criticism&delete& --- Theory, etc --- #A9309A --- Colonies in literature. --- Imperialism in literature. --- Politics and culture. --- Theory, etc. --- Literature History and criticism
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Towards the end of the 16th century, when Queen Elizabeth perceived that the power of England would necessarily have to be based on the mastery of the seas, the British set sail for new horizons. The main objective of this collective work is to study the modalities of the first meetings in the "contact zones", uncertain places where the same and the other are thrown together on a stage to share.
Travel literature. --- Travelers' writings, English - History and criticism --- English literature - History and criticism --- Geographical discoveries in literature --- Explorers in literature --- Adventure and adventurers in literature --- Colonies in literature --- Imperialism in literature --- National characteristics, English, in literature --- altérité (littérature) --- littérature britannique --- explorateur --- voyage (littérature) --- Travelers' writings, English --- English literature
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In rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity, one that goes far beyond previous attempts by others. A scholar who writes and teaches about South Asian literature and contemporary art with incredible virtuosity, he discusses writers as diverse as Morrison, Gordimer, and Conrad. In The Location of Culture, Bhabha uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
82.09 --- 82 "18/19" --- 316.7 --- 316.7 Cultuursociologie --(algemeen) --- Cultuursociologie --(algemeen) --- 82 "18/19" Literatuur. Algemene literatuurwetenschap--Hedendaagse Tijd --- Literatuur. Algemene literatuurwetenschap--Hedendaagse Tijd --- 82.09 Literaire kritiek --- Literaire kritiek --- Colonies in literature. --- Culture conflict in literature. --- Imperialism in literature. --- Literature, Modern --- Politics and culture. --- History and criticism --- Colonies in literature --- Culture conflict in literature --- Imperialism in literature --- Politics and culture --- Culture --- Culture and politics --- Political aspects --- Developing countries --- Emerging nations --- Fourth World --- Global South --- LDC's --- Least developed countries --- Less developed countries --- Newly industrialized countries --- Newly industrializing countries --- NICs (Newly industrialized countries) --- Third World --- Underdeveloped areas --- Underdeveloped countries --- In literature. --- Literature --- Philosophy of language --- Political philosophy. Social philosophy --- Sociolinguistics --- anno 1800-1999 --- Literature, Modern - 19th century - History and criticism --- Literature, Modern - 20th century - History and criticism --- Colonies --- Conflit culturel --- Politique et culture --- Postcolonialisme --- Littérature --- Dans la littérature --- 19e siècle --- Thèmes, motifs --- 20e siècle
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"Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada--often disparaged as derivative and uncouth--should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical--including Tennyson, Browning, Longfellow, and Hemans--and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture"--
LITERARY CRITICISM / Poetry. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- LITERARY CRITICISM / Semiotics & Theory. --- Imperialism in literature. --- Literature and society --- National characteristics, English, in literature. --- Colonies in literature. --- English poetry --- Commonwealth poetry (English) --- Commonwealth of Nations poetry (English) --- Commonwealth literature (English) --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- History --- History and criticism. --- Commonwealth of Nations authors --- Social aspects --- Literary studies: c 1800 to c 1900
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During the second half of the nineteenth century and the first half of the twentieth, insurgencies erupted in imperial states and colonies around the world, including Britain’s. As Nicole Rizzuto shows, the writings of Ukrainian-born Joseph Conrad, Anglo-Irish Rebecca West, Jamaicans H. G. de Lisser and V. S. Reid, and Kenyan Ng gi wa Thiong’o testify to contested events in colonial modernity in ways that question premises underlying approaches in trauma and memory studies and invite us to reassess divisions and classifications in literary studies that generate such categories as modernist, colonial, postcolonial, national, and world literatures. Departing from tenets of modernist studies and from methods in the field of trauma and memory studies, Rizzuto contends that acute as well as chronic disruptions to imperial and national power and the legal and extra-legal responses they inspired shape the formal practices of literatures from the modernist, colonial, and postcolonial periods. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
Nationalism and literature - English-speaking countries. --- English literature --- Commonwealth literature (English) --- Imperialism in literature --- War in literature --- Psychic trauma in literature --- Justice, Administration of, in literature --- Nationalism and literature --- Literature and society --- English Literature --- English --- Languages & Literatures --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Literature and nationalism --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Commonwealth of Nations literature (English) --- History and criticism --- Social aspects --- Commonwealth of Nations authors --- literature --- commonwealth literature (english) history and criticism --- war in literature --- politics --- literature and society$xenglish-speaking countries --- nationalism and literature english-speaking countries --- nationalism and literature --- imperialism in literature --- english literature --- literature and society --- psychic trauma in literature --- justice --- administration of --- in literature --- english literature 20th century history and criticism --- commonwealth literature (english) --- Colonialism --- England --- Modernism --- Modernity --- Mugo --- Commonwealth literature --- Imperialism in literature. --- War in literature. --- Psychic trauma in literature. --- Justice, Administration of, in literature. --- History and criticism. --- Nationalism and literature. --- Literature and society. --- literature and society -- english-speaking countries --- nationalism and literature -- english-speaking countries
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Négligé par la critique postcoloniale, le théâtre, dans ses formes variées, et notamment populaires, a pourtant largement accompagné la colonisation française de l’Afrique du Nord et la formation d’un esprit colonial, depuis le débarquement des troupes françaises en Algérie en 1830 jusqu’au grand rendez-vous impérialiste que fut l’Exposition coloniale de 1931. S’appuyant sur des préjugés existants, les renforçant, en forgeant parfois de nouveaux pour les besoins du spectacle, les pièces écrites à l’époque coloniale ont donné de multiples représentations de la figure de « l’Arabe » : bestial, fourbe, idiot ou « exotique », dans tous les cas inférieur au « Blanc », cet « autre » apparaît toujours comme un être dominé. À partir de l’analyse historique, sociologique et esthétique d’un répertoire méconnu de près de deux cents pièces, mais aussi de leur mise en scène et de leur réception par la critique et des publics divers, Amélie Gregório interroge la transformation des représentations en discours, sans perdre de vue les enjeux proprement artistiques et sans prétendre a priori que toute pièce représentant des « Arabes » est obligatoirement, et de façon univoque, idéologique.
Théâtre (genre littéraire) français --- Colonisation --- Algérie --- Expositions coloniales --- Histoire des mentalités. --- Thèmes, motifs. --- Au théâtre. --- French drama --- Arabs in literature --- Colonies in literature --- Imperialism in literature --- Theater and society --- History and criticism --- History --- Algérie --- Colonization in literature. --- Colonies in literature. --- Themes, motives. --- History. --- Algeria in literature --- Algeria --- In literature --- French drama - 19th century - History and criticism --- French drama - 20th century - History and criticism --- Theater and society - France - History --- Theater --- colonisation --- postcolonial studies --- indigène --- conquête de l’Algérie --- Exposition coloniale --- Le Simoun --- Abd-el-Kader --- théâtre --- colonialisme --- anticolonialisme --- impérialisme --- orientalisme --- exotisme --- histoire de l’art --- sabir --- Henri-René Lenormand
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