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The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books. As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another-guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization. With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.
655.4:347.78 --- Authorship --- -Book industries and trade --- -Copyright --- -English literature --- -Intellectual property --- -Printing --- -Printing industry --- -347.78 <09> --- Manufacturing industries --- Printing, Practical --- Typography --- Graphic arts --- Intellectual property --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Copyright --- Literary property --- Property, Literary --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Book trade --- Cultural industries --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Uitgeverij. Boekhandel--algemeen-:-Auteursrecht --- History --- Law and legislation --- -History --- History and criticism --- Auteursrecht--Geschiedenis van ... --- Book industries and trade --- English literature --- Printing industry --- Printing --- History. --- History and criticism. --- Authorship -- History. --- Book industries and trade. --- Book industries and trade -- England -- History. --- Book industries and trade -- Law and legislation -- England -- History. --- Copyright -- England -- History. --- England. --- Intellectual property -- England -- History. --- Law and legislation. --- Printing. --- Printing -- England -- History. --- Printing industry -- Law and legislation -- England -- History. --- Book Studies & Arts --- Education --- Social Sciences --- 347.78 <09> Auteursrecht--Geschiedenis van ... --- 347.78 <09> --- Law and legislation&delete& --- Auteursrecht--Geschiedenis van .. --- Auteursrecht--Geschiedenis van --- printing, copyright, plagiarism, intellectual property, piracy, publishing, literature, law, history, nonfiction, possessive authorship, statute of anne, books, author, capitalism, booksellers, competition, press, regulation, censorship, manufacturing patents, commercial trusts, protection, monopoly, guild structure, book trade, john wolfe, intervention, genius, wise forgeries, reproduction, international, shakespeare. --- Droit d'auteur --- Propriete intellectuelle --- Art d'ecrire --- Litterature anglaise --- Livres --- Imprimerie --- Industries graphiques --- Angleterre --- Histoire --- 1500-1700 --- Histoire et critique --- Industrie et commerce --- Droit --- Legislation
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This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth's "Rhetoric of Fiction" and the discussion of the concept in narratology and in the theory and practice of interpretation. The final chapter develops proposals for clarifying or replacing the concept.
Implied author (Rhetoric) --- Implied author (Rhetoric). --- Literary rhetorics --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Rhetoric --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Analyse du discours narratif --- Literary theory. --- narration technique. --- narration. --- narratology. --- narrator (in literature). --- Implicite (linguistique)
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Faulkner, William --- Faulkner, William, --- Bibliography --- Criticism and interpretation --- Handbooks, manuals, etc --- Bibliography. --- Criticism and interpretation. --- Handbooks, manuals, etc.
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Faulkner, William --- Novelists, American --- Romanciers américains --- Biography --- Biographie --- Faulkner, William, --- Bibliography --- Romanciers américains --- Bibliography.
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Hemodialysis. --- Blood --- Blood filtration --- Hemofiltration --- Filters and filtration --- Hemodynamics --- Hemodialysis --- Blood dialysis --- Extracorporeal dialysis --- Kidney dialysis --- Renal dialysis --- Dialysis --- Therapeutics --- Filtration. --- Filtration
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This study engages in a detailed examination of Kierkegaard's works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard's own authorship, with a specific concern for both what Kierkegaard and Kierkegaard's anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard's criticism, the study develops a new approach to reading Kierkegaard - a new Kierkegaardian hermeneutic - that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous "author of the author".
Philosophy, Modern. --- Modern philosophy --- Kierkegaard, Søren, --- Kierkegaard, Søren --- Anti-climacus --- H. H. --- Authorship. --- Anonyms and pseudonyms. --- Anti-Climacus, --- Bogbinder, Hilarius, --- Chʻi-kʻo-kuo, --- Climacus, Johannes, --- Constantius, Constantin, --- Eremita, Victor, --- Haufniensis, Vigilius, --- Johannes, Climacus, --- Johannes de Silentio, --- Kʹerkegor, Seren, --- Kierkegaard, S. --- Kierkegaard, Severino, --- Kierkegaard, Søren Aabye, --- K'i︠e︡rkegor, Sʹoren, --- Kīrkajūrd, Sūrīn, --- Kirkegaard, Soeren, --- Kirkegor, Seren, --- Ḳirḳegor, Sern, --- Kirkegors, Sērens, --- Kirukegōru, Søren, --- Kjerkegor, Seren, --- Kʻo-erh-kʻai-ko-erh, --- Notabene, Nicolaus, --- Silentio, Johannes de, --- Sūrīn Kīrkajūrd, --- Victor, Eremita, --- Vigilius, Haufniensis, --- קירקגור, סרן --- קירקגור, סורן --- קירקגור, סירן --- קירקגור, סירן, --- קירקגורד, סרן, --- 克尓凯郭尓, --- Criticism. --- Kierkegaard, Søren (1813-1855). --- Performance (Literary). --- Perspective/Point of view (Literary).
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Leading scholar Albert Russell Ascoli traces the metamorphosis of Dante Alighieri - minor Florentine aristocrat, political activist and exile, amateur philosopher and theologian, and daring experimental poet - into Dante, author of the Divine Comedy and perhaps the most self-consciously 'authoritative' cultural figure in the Western canon. The text offers a comprehensive introduction to Dante's evolving, transformative relationship to medieval ideas of authorship and authority from the early Vita Nuova through the unfinished treatises, The Banquet and On Vernacular Eloquence, to the works of his maturity, Monarchy and the Divine Comedy. Ascoli reveals how Dante anticipates modern notions of personalized, creative authorship and the phenomenon of 'Renaissance self-fashioning'. Unusually, the book examines Dante's career as a whole offering an important point of access not only to the Dantean oeuvre, but also to the history and theory of authorship in the larger Italian and European tradition.
Dante Alighieri --- Dante Alighieri, --- Authorship. --- Criticism and interpretation. --- Authors, Classical. --- Classical authors --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Arts and Humanities --- Literature
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Miller, Arthur, --- Bibliography --- Bibliography.
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Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.
Epistolary poetry, Latin --- Women in literature --- History and criticism --- Ovid, --- Authorship in literature. --- Books and reading in literature. --- Heroines in literature. --- Intertextuality. --- Love-letters in literature. --- Mythology, Classical, in literature. --- Women authors in literature. --- Women in literature. --- History and criticism. --- Technique. --- Authorship in literature --- Books and reading in literature --- Heroines in literature --- Intertextuality --- Love-letters in literature --- Mythology, Classical, in literature --- Women authors in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Heroines --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Ovid --- Arts and Humanities --- History --- Epistolary poetry, Latin - History and criticism --- Ovid, - 43 B.C.-17 or 18 A.D. - Heroides --- Ovide (0043 av. J.-C.-0017). Héroïdes --- Poésie élégiaque latine --- Ovide (0043 av. J.-C.-0017) --- Mythologie classique --- Femmes --- Héroïnes (littérature) --- Personnages --- Dans la littérature
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