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Outdoor sculpture --- Public sculpture --- Monuments --- Outdoor sculpture - France - Paris - Guidebooks. --- Public sculpture - France - Paris - Guidebooks. --- Monuments - France - Paris - Guidebooks.

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awards --- visual arts --- Coolen, Caroline --- kunst --- België --- eenentwintigste eeuw --- Coolen Caroline --- beeldhouwkunst --- tekenkunst --- schilderkunst --- 7.071 COOLEN --- Exhibitions --- Sculpture [Belgian ] --- 20th century --- visual arts [discipline] --- Art --- Sculpture --- Painting --- outdoor sculpture --- art [fine art] --- painting [image-making] --- sculpting --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Belgium --- art [discipline]

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painting [image-making] --- schilderkunst --- Raveel, Roger --- 75 RAVEEL, ROGER --- 759.9493 --- Schilderkunst--RAVEEL, ROGER --- Arts Painting Belgium --- 75 RAVEEL, ROGER Schilderkunst--RAVEEL, ROGER --- Raveel, Roger, --- Art --- paintings [visual works] --- mural paintings [visual works] --- outdoor sculpture --- found objects --- mixed media --- human figures [visual works]

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"In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that captured both a Pop Art sensibility and a connection to the city's industrial past. Sohio executives approved the design, and work was already underway, when British Petroleum acquired the company. The new owners quickly decided that the sculpture was "inappropriate" for their building and attempted to rid themselves of Free Stamp by donating it to the city of Cleveland--a gift that the city initially had no desire to accept. After much debate and public protest, the sculpture found a home in Willard Park, where it stands today. This is the first study of any sculpture by Oldenburg and van Bruggen to examine the genesis of their art from conception to installation. Edward J. Olszewski has put together a fascinating narrative based on interviews with the artists, archival material from city records, and in-house corporate memoranda, as well as letters to the editor and political cartoons. He traces the development of the sculpture from the artists' first sketches and models to the installation of the completed work in its urban environment"--

Outdoor sculpture --- Public sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Outdoor art --- Oldenburg, Claes, --- Bruggen, Coosje van --- Oldenburg, Coosje van Bruggen --- -Bruggen-Oldenburg, Coosje van --- Van Bruggen, Coosje --- Oldenberg, Ḳlaʼes, --- Bruggen, Coosje van. --- Criticism and interpretation. --- Bruggen-Oldenburg, Coosje van --- -Van Bruggen, Coosje

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Naum Gabo (1890–1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo’s life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist’s work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo’s utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo’s extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor’s work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructivist movement and the wider tradition of twentieth-century art, and they examine Gabo’s accomplishments in each of the diverse milieus in which he worked. Martin Hammer is senior lecturer in the Department of Fine Art at the University of Edinburgh. Christina Lodder is professor, School of Art History, University of St. Andrews. She is the author of Russian Constructivism, published by Yale University Press.

avant-garde --- constructivisme --- Gabo, Naum --- Kinetic [style] --- fountains --- mobiles --- Constructivist --- plastic [organic material] --- Pevsner, Antoine --- Gabo, Naum, --- sculpting --- Sculpture --- art [fine art] --- outdoor sculpture --- Art styles --- Iconography --- Art --- anno 1930-1939 --- anno 1900-1999 --- anno 2000-2099 --- anno 1920-1929 --- Russia --- United States --- Art contemporain --- Criticism and interpretation --- Sculptors --- Architects --- Artists --- Sculpteurs --- Architectes --- Artistes --- Gabo, Naum, - 1890-1977 - Criticism and interpretation --- avant-garde. --- constructivisme. --- Gabo, Naum. --- art [discipline] --- Kinetic Art --- plastic [material] --- United States of America --- Gabo, Naum, - 1890-1977