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82.04 --- 82.04 Literaire thema's --- Literaire thema's --- Thematology
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Literature --- 82.04 --- 82-1 --- Literaire thema's --- Poëzie --- 82-1 Poëzie --- 82.04 Literaire thema's
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Anthologies --- Bloemlezingen --- Littérature flamande --- Vlaamse letterkunde --- 82.04 --- Literaire thema's --- 82.04 Literaire thema's --- Dutch literature
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Thematology --- French literature --- 82.04 --- 82.04 Literaire thema's --- Literaire thema's --- Victims in literature --- Themes, motives
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Lille, capitale européenne de la culture en 2004, Lille " la belle ville ", Lille, ville de luttes, ville héroïque, ville de fêtes et de saveurs, se trouve au cœur du riche paysage littéraire de l'agglomération et de la région. D'Albert Samain à Marguerite Yourcenar en passant par Alexandre Desrousseaux, Maxence Van der Meersch ou Michel Quint, nombreux sont les écrivains, célèbres ou oubliés, lillois d'origine ou d'adoption, romanciers, poètes et chansonniers, essayistes ou auteurs de romans policiers qui, au fil des siècles, ont chanté la ville et ses environs, y ont imprimé leur marque et se sont laissé prendre à son charme.
Regional documentation --- French Literature: authors --- Lille --- 82.04 --- Literaire thema's --- 82.04 Literaire thema's --- Écrivains -- Lille (Nord, France) --- Lille (Nord, France)
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The present collection of essays follows in the wake of recent work in cultural geography challenging the idea that maps are scientifically neutral entities, or that space, unlike time, is immobile. In defining space, place and geography as forms of textuality, the essays collected in this volume examine the ways in which postcolonial and metropolitan literary and filmic texts in French can at once inscribe and produce place and space, and thereby participate in forms of "discursive geographies." Contributors: François Bon; Alexandre Dauge-Roth; Habiba Deming; Zakaria Fatih; Jeanne Garane; Patricia Geesey; Greg Hainge; Sirène Harb; Jean-Luc Joly; Chantal Kalisa; Michel Laronde; Valérie Loichot; Mary McCullough; Michael O'Riley; Pascale Perraudin; Walter Putnam; Antoine Stéphani; Abdourahman A. Waberi.
82.04 --- 82.04 Literaire thema's --- Literaire thema's --- French literature (outside France) --- Thematology --- French literature --- Geography in literature. --- Psychological aspects. --- Topography in literature
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Today more than ever literature and the other arts make use of urban structures – it is in the city that the global and universal joins the local and individual. Babylon or New Jerusalem? Perceptions of the City in Literature draws a map of the concept of the city in literature and represents the major issues involved. Contributions to the volume revisit cities such as the London of Wordsworth, Dorothy Richardson and Virginia Woolf or Rilke’s Paris, but also travel to the politics of power in Renaissance theatre at Ferrara and to deliberate urban erasures in post-apartheid South Africa. The texts represented range from Renaissance plays to contemporary novels and to poetry from various periods, with references to the visual arts, including film. The role of memory in contemplating the city and also specific urban metaphors developed in literature, such as boxing – the square ring – and jazz are also discussed. The transformation of cities by legislation on cemeteries, by lighting or by projects of urban renewal are the subject of articles, while others reflect on images of the city in worlds specifically forged by writers like William Blake and James Thomson. The contributors themselves live and work in many varied cities, thus representing a dynamic and real variety of critical approaches, and introducing a strong theoretical and comparative element.
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What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.
Knowledge, Theory of, in literature. --- Knowledge, Theory of, in literature --- 82.04 --- 82.0 --- 82.0 Literatuurtheorie --- Literatuurtheorie --- 82.04 Literaire thema's --- Literaire thema's --- Knowledge, Theory of. --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Arts and Humanities --- Literature
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Sionisme et littérature. --- German literature --- Zionism in literature. --- Literature, Modern --- History and criticism. --- Zionism in literature --- 82.04 --- 82.04 Literaire thema's --- Literaire thema's --- History and criticism
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