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Personne n'arrive innocent devant une œuvre d'art. Usages, pratiques, principes, voire règles, assignés à l'art sont légion. Même à ceux qui considèrent que le regard porté sur une œuvre doit être tout d'intuition et d'inspiration, non conceptuel, non intellectuel et qu'il ne faut aucune théorie, cette idée d'une disposition instinctive pour l'art est elle-même… théorique. Ces a priori sur l'art — parfois contradictoires — sont des échos de théories issues des écrits de Platon, Aristote, Kant, Hegel, Nietzsche, Benjamin, sans oublier les écrits des critiques et des artistes eux-mêmes. C'est du point de vue de leurs effets sur les pratiques que ces pratiques sont explorées ici.

Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General

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Art --- Artists --- Tentoonstellingscatalogus --- Visual arts --- Book --- Messager, Annette --- France

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Sociology of the family. Sociology of sexuality --- Art --- Feminism --- Feminist art --- Artists --- Visual arts --- Book --- Edited volume

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Within the last decades, the use of lasers in artworks conservation became an important tool for many conservators, scientists, architects and other experts, who are involved in the care of monuments and artefacts or laser technology. For the first time in 1995 Professor Costas Fotakis brought together restorers and scientists to discuss the potential of lasers in art conservation. Since then the field of "Lasers in the Conservation of Artworks" has gained enormously in importance. Nowadays restorers and laser scientists work close together in order to develop new fields of applications during the last years. Furthermore a large number of national and international research projects have been carried out by conservator-restorers, architects and scientists. In the last 10 years a number of historical and artistic high quality monuments (e.g. St. Stephens Cathedral in Vienna) have been cleaned or measured by laser and brought the laser in the spectra of tools which are useful in the sensible field of artworks. The proceedings of the congress addresses scientists, conservator-restorers, companies, architects, decision-makers and other experts involved in conservation projects or in the research of new laser equipment.

Art objects --- Architecture --- Lasers in conservation and restoration --- Objets d'art --- Conservation and restoration --- Congresses. --- Conservation et restauration --- Congrès --- Architecture. --- Art objects. --- Lasers in conservation and restoration. --- Art --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Cleaning --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Physics. --- Lasers. --- Photonics. --- Engineering. --- Laser Technology, Photonics. --- Engineering, general. --- Arts --- Aesthetics --- Preservation of materials --- Optics, Lasers, Photonics, Optical Devices. --- Construction --- Industrial arts --- Technology --- New optics --- Optics --- Light amplification by stimulated emission of radiation --- Masers, Optical --- Optical masers --- Light amplifiers --- Light sources --- Optoelectronic devices --- Nonlinear optics --- Optical parametric oscillators

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Jewish art --- Jews --- Judaism and art --- Jewish art. --- Jews. --- Judaism and art. --- History --- Art and Judaism --- Hebrews --- Israelites --- Jewish people --- Jewish question --- Jewry --- Judaic people --- Judaists --- Art, Jewish --- Hebrew art --- Art --- Ethnology --- Religious adherents --- Semites --- Judaism --- Visual Arts - General