Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Een boek met foto's, gemaakt door Anton Corbijn, op de filmset van CONTROL, een film over liefde en dood, Joy Division ... die hij zelf regisseerde

Corbijn, Anton --- 761.2 fotografen afzonderlijk --- film --- portretfotografie --- departement PHL Music 09 --- fotografen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The photo series Winter portrays a season and a mental state. These pictures are from a country that appears familiar and yet strange. Pubs, desolate housing estates and pizzerias, places that look the same all over Sweden, whether they are in Borås or Stockholm. The cold, the dirty snow, and the artificial lighting create an atmosphere of isolation and alienation, but also of chance encounters and humour. 

In Home, from the late 1990s, the terser aesthetics refer to memories from Lars Tunbjörks own childhood. It is not a documentation of suburbia or middle-class taste, but a personal exploration of childhood surroundings and the buildings and areas we call home.

761.2 fotografen afzonderlijk --- Tunbjörk, Lars --- reportagefotografie --- winter --- Winter --- Photographie --- Tunbjörk, Lars, --- Sweden --- Suède --- photography [process] --- fotografie --- Photography --- Winter - Sweden - Pictorial works --- Tunbjörk, Lars, - 1956- - Exhibitions --- Sweden - Pictorial works --- Tunbjörk, Lars, - 1956 --- -Suède

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The first sighting of the Rwenzori Mountain Range by non-Africans was made by Sir Henry Morton Stanley in 1876. Previous to his well-documented report, there were only rumours about these mountains on the border of present Uganda and the Congo, which feed the waters of the Nile. The Greek astronomer Ptolemy referred to them as Mountains of the Moon, a name still used today. The Rwenzori are well known for their extravagant plants. Most stunning are the giant heathers, senecios, and lobelias. Though the flora is similar to that of other higher African mountain ranges, it is much more luxuriant, and is characterised by unusually giant plants. This environment has an aesthetic and almost mystical effect on those who dare to intrude.In this book, photographer Sebastian Schutyser focuses on the aesthetic qualities of the Rwenzori Mountains in general, and of the Afroalpine vegetation in particular. By doing so, he also explores the boundaries of documentary photography. The use of infrared photography creates an unusual, pictorial result, enhancing the pristine beauty of these landscapes. The black-and-white prints radiate the light captured by the extraordinary flora of these legendary Mountains. The book presents eighty photographs reproduced beautifully in duotone plates. It also includes drawings of the major plants of the area and maps of the region.

Schutyser, Sebastian --- fotografie --- landschapsfotografie --- natuurfotografie --- plantenfotografie --- Afrika --- Schutyser Sebastian --- België --- eenentwintigste eeuw --- 77.071 SCHUTYSER --- 77.092.07 --- 77.047 --- Fotografen ; 2004-2005 ; Sebastian Schutyser --- Schutyzer, Sebastian °1968 (°Brugge, België) --- Belgische kunstenaars --- Natuurfotografie ; Oost-Afrika ; Rwenzori gebergte --- Thema's in de fotografie ; planten ; vegetatie --- Fotografen A - Z --- Fotografie ; landschappen, zeegezichten, panorama's, natuuropnamen --- Nature photography --- Ruwenzori Mountains (Congo and Uganda) --- Photography of mountains --- 761.2 fotografen afzonderlijk --- Schuytser, Sebastian --- infraroodfotografie --- zwart-wit fotografie --- 790 --- Ouganda --- Oeganda --- Afrika fotografie --- Afrique photographie --- kunstenaars --- artistes

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

“Plus d’un siècle sépare le peintre belge Antoine Wiertz (1806-1865) du photographe américain Joel-Peter Witkin (né en 1939). Pourtant, tous deux se rejoignent dans une vision douloureuse de la figure humaine qui marie l’horreur et le sublime. Personnalité extraordinaire du romantisme belge, Antoine Wiertz a toujour voulu égaler ses maitres : Rubens, Raphaël et Michel-Ange. Chroniquer de son temps, il n’hésitait pas à prendre parti dans les problems de société. Il laisse une oeuvre majeure et démesurée, qui se révèle ô combien contemporaire. Joel-Peter Witkin est autant le pourfendeur des valeurs morales que le chantre d’un beauté macabre. Il puisse son inspiration dans tout ce que la société relègue dans les marges, et poursuit avec Wiertz un dialogue fertile, inattendu et totalement sidérant.”

Witkin, Joel-Peter --- Wiertz, Antoine J. --- Wiertz, Antoine Joseph, --- Witkin, Joel-Peter, --- Exhibitions. --- Wiertz, Antoine --- Rops, Félicien --- 19de eeuw --- Exposition --- Namur --- kunst --- kunstenaars --- 19e eeuw (negentiende eeuw) --- België --- Romantiek --- 737.6 --- schilder- en tekenkunst, classicisme en romantiek, c.1750-c.1850, kunstenaars afzonderlijk --- fotografie --- fotografen --- 20e eeuw (twintigste eeuw) --- 761.2 fotografen afzonderlijk --- Wiertz, Antoine-Joseph, --- Wiertz, Antoine, --- schilderkunst --- Wiertz Antoine --- Witkin Joel-Peter --- negentiende eeuw --- twintigste eeuw --- 75.071 WIERTZ --- Wiertz, Antoine-Joseph --- Wiertz, Antoine-Joseph. --- Witkin, Joel-Peter. --- Rops, Félicien. --- 19de eeuw.