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Providing thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter.
Theatrical science --- Theater. --- Théâtre --- Theater --- Théâtre --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Histoire et critique
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'I can take any empty space and call it a bare stage', so begins Peter Brook's 1968 exploration of theatre, and his own life and career in it. He describes the, as he sees it, four types of theatre - deadly, holy, rough and immediate - and recounts his groundbreaking work at the Royal Shakespeare Company.
Theater. --- Theater --- 762 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Theorie van het theater en de film - Geschiedenis
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Más allá del habitual acercamiento panorámico, se centra en un análisis temático: desde el teatro como instrumento de la evangelización o de afianzamiento doctrinal, hasta el que sirvió como expresión de identidades locales.
Arts, general. --- Arts. --- Theater --- Teatro hispanoamericano --- History. --- Historia y crítica. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Spanish drama --- History --- Spanish literature
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German drama --- Theater --- Drama in education --- Study and teaching --- 792.075 --- 82-2 --- 792.075 Theaterbeleid. Theaterorganisatie --- Theaterbeleid. Theaterorganisatie --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- German literature --- Creative dramatics (Education) --- Theater in education --- Education --- Toneel. Drama --- German drama - Study and teaching --- Theater - Study and teaching
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Drama --- anno 1600-1699 --- anno 1500-1599 --- European drama --- Theater --- History and criticism. --- History --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama, Modern --- Plays --- Literature --- Dialogue --- History and criticism --- Philosophy --- Dramas --- Dramatic works --- Playscripts
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This book studies the most important form of theatre in the entire Roman empire—pantomime, the ancient equivalent of ballet dancing. Performed for more than five centuries in hundreds of theatres from Portugal in the West to the Euphrates, Gaul to North Africa, solo male dancing stars—the ancient forerunners of Nijinsky, Nureyev and Baryshnikov—stunned their intercultural and cross‐class audiences with their erotic costumes, gestural delicacy, and dazzling athleticism. In sixteen specially commissioned and complementary studies, the leading world specialists explore the all aspects of the ancient pantomime dancer's performance skills, popularity, and social impact, while paying special attention to the texts that formed the basis of this distinctive art form. The book argues that the core elements that underlay pantomime performances were the presence of a solo male dancer, masked, who used his body rather than speech in an evocation of a mythical story, accompanied by music; however, the venues in which pantomime performances took place, their scale, tone, and selection of additional personnel, could vary enormously. The book pays particular attention to the texts or ‘libretti’ of pantomime, which were sung by accompanying choirs, to the impact of pantomime on ancient aesthetics and rhetoric, and the importance of the medium at the time when modern ballet was invented in the Early Modern period. An appendix of key sources in translation, from Xenophon to Macrobius, assists the reader to identify the most important evidential documents, and includes a translation of A Syriac text on pantomime by Jacob of Sarugh.
Pantomime --- Theater --- Théâtre --- History --- Histoire --- Théâtre --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Dumb shows --- Drama --- Musical theater --- Ballet --- Mime --- Pantomime - Greece - History - To 500. --- Pantomime - Rome - History - To 500. --- Grèce --- Rome --- Antiquité
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Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson 'the technically precise province of clinical surgeons and medical faculties' hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. 'Anatomy Live/Performance and the Operating Theatre/ a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head' using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like 'Body Worlds' and 'The Visible Human Project' and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, 'Anatomy Live' is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
Performance art -- Congresses. --- Theater -- History -- Congresses. --- Theater -- Philosophy -- Congresses. --- Theater --- Performance art --- Drama --- Music, Dance, Drama & Film --- Philosophy --- History --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- History of civilization --- Thematology --- Theatrical science --- Arts, Modern --- Happenings (Art) --- Performing arts --- Acting --- Actors
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Spanish drama --- Theater --- 860-2 "18/19" --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism --- History --- Spaanse literatuur: toneel; drama--19e-20e eeuw. Periode 1800-1999
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Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville-the Tony Award-winning state theater of Kentucky-in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater's Pulitzer Prize-wi
Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- Actors Theatre of Louisville. --- ATL (Actors Theatre of Louisville) --- Humana Festival. --- H.F.N.A.P. (Festival) --- Humana Festival of New American Plays
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Theatrical science --- anno 1930-1939 --- anno 1940-1949 --- Netherlands --- National socialism and theater --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Theater and national socialism --- History
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